1084 N MILWAUKEE, CHICAGO

KINOSONIK

SSSS! Second Sexing Sound Symposium
Featuring performances by Frauke Aulbert and Seth Parker Woods accompanying films by JoAnn Elam

Saturday, December 2 at 8:00 pm, Free

Back for its third year, KINOSONIK is a collaboration between the Goethe-Institut, Experimental Sound Studio, and Chicago Film Archives. This year’s project, the  Second Sexing Sound Symposium (SSSS!), is a series of public events in Chicago dedicated to ideas, research, performance, and conversation surrounding female and trans-identifying practitioners in and around the sonic arts. Saturday’s screening kicks off the series which includes panel discussions and performances at Sector 2337, Constellation, and the Experimental Sound Studio. Musicians Frauke Aulbert and Seth Parker Woods will collaborate to compose live scores for a selection of films curated and sequenced by CFA from the JoAnn Elam Collection. Aulbert and Woods were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

The soprano, voice performer, and multivocalist, “Hamburg’s queen of Avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o. Concerts led her to festivals all over the world: Europe, Korea, Australia, Brasil, Georgia, Tunesia, and the USA. Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project ‘Beatboxing and the Avant Garde’. Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’.

Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke’s. A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Heinz Holliger, G.F. Haas, Helmut Lachenmann, Klaus Lang, Steve Mackey and Peter Eotvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata. His debut solo album, asinglewordisnotenough, has garnered great acclaim since its release in November 2016, and has been profiled in the Guardian, I Care If You Listen, Musical America, and Strings Magazine amongst others.

JoAnn Elam (1949-2009) is a central figure in the in the history of Chicago’s experimental film community. Her short experimental and documentary films capture the spirit and ethos of a politically active, feminist, and socially conscious artist. Along with Bill Brand, Warner Wada, and Dan O’Chiva, Elam founded Chicago Filmmakers (initially called Filmgroup, with screenings held at N.A.M.E. Gallery) in 1973.

 



Filed under: 8mm, artist in attendance, collaboration, documentary, feminism, film, Free Screening!, history, international, music, performance, queer, Super 8mm, Uncategorized, video

ST. FRANCIS HEARS A NOISE

New Sci-Fi Feature by Jimmy Schaus
Artist in Attendance!
Presented by ACRE Projects

Sunday, December 10 at 6:00 pm, $7-10

The Nightingale is delighted to partner with ACRE Projects to present the narrative feature debut of Chicago based artist Jimmy Schaus. St. Francis Hears a Noise is a psychotronic, picaresque science fiction romp about a sound recordist whose special microphone picks up messages from beyond, which are stolen by a sinister underground production network to unlock latent psychic energy from the young actors they routinely exploit. Francis, the titular protagonist, sets off on a journey to investigate and retrieve his precious sounds, only to uncover a vast network of control in which he may already be enmeshed.

Jimmy Schaus is an artist whose work spans narrative film, video art, music, sound and performance. Born and raised in central Florida, Schaus spent several years touring in underground music projects before shifting focus to filmmaking along with a move to Chicago in 2012. He completed an MFA in Moving Image at the University of Illinois at Chicago in 2016, and works as a videographer, editor, and instructor of film and audio production. St. Francis Hears a Noise is his first feature length project.

Program Details:
St. Francis Hears a Noise (2017, Digital File, 130 min.)

Image credit: Jimmy Schaus, Still from St. Francis Hears a Noise, 2017; Image courtesy of the artist.

Programmed by Kate Bowen, Aaron Walker, & Christy LeMaster



Filed under: artist in attendance, experimental, queer, sound, video

A Very Kuchar Christmas

Seasonal Potluck and Screening

Thursday, December 14 at 6:30 pm, FREE

Come celebrate the Yuletide’s of Yesteryear with a very special presentation of our beloved George Kuchar’s Christmas Classics.

In the Kuchar spirit, it’s a Gluttonous Gastronomic Get-Together! Bring a dish or a drink to share, but don’t stay home if you can’t, we love you anyway.

We’re excited to share the Kuchar Christmas Sprit with you, our cinema family.

Screening at 7:30

Program Lineup:
Dingleberry Jingles (1994)
Fill Thy Crack With Whiteness (1989)
Xmas 1987 New Years (1987)

Total Runtime: 46 minutes

Screening sponsored by the Video Data Bank
All images copyright of the artist, courtesy of Video Data Bank,www.vdb.org, School of the Art Institute of Chicago.

Love,
The Nightingale



Filed under: Uncategorized

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