THE NEW (NEW) CORPSE

Closing Program to Celebrate
the Opening Exhibit of Sector 2337
Screening at Sector 2337
(2337 N. Milwaukee)

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Friday, December 19th  at 7:00pm, Free

There are three types of possible bodies in the cinema. There is the subject body onscreen, there is the camera as an imaginary body- a conduit body made up mainly of eyes choosing what we will see, and there is us, the audience bodies that do the watching through a system of involuntary physiological processes and cognitive responses that make up human perception.

THE NEW NEW CORPSE: (1971-2014, various formats, TRT 59 min)

To celebrate the closing of SECTOR 2337’s inaugural exhibition  The New [New] Corpse,  Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen. These works subvert the traditional mode of watching bodies in narrative action, or as objects of sexual desire, or as merely characters. Rather these works use body as conceptual site, performative metaphor, or abstracted modular component.

Program Details: 
BOUNCING IN THE CORNER #36DDD by Dara Greenwald
(1999, USA,  3 min)

BABY ! LOVE YOUR BODY ! EPISODE 1 (ENGLISH) by Poussy Draama & Fannie Sosa
(2014, France,  7 min)

AFFECTION by Blair Bogin & Dayna Gross
(2014, USA, 1 min)

CUT by Matthias Müller and Christoph Girardet
(2013, Germany,  13 min)

DEEP SLEEP by Basma Alsharif
(2014, Malta/Greece/France/Palestine. HD video, 13 min)

NINE GATES by Paweł Wojtasik
(2012, United States,  12 min)

TWO FACES by Hermine Freed
(1972, United States, 6 min)

Special Thanks to VIDEO DATA BANK for their support in presenting this program.

 



Filed under: 16mm, archival, experimental, film, Free Screening!, international, video

RETURN TO THE MOON HOTEL

Videos by Jessie Stead

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Saturday, January 3, 2015 at 8:00 pm, $7-10
Video chat Q & A with Jessie following the screening!
Chicago premiere of Meanwhile At The Moon Hotel!

Return to the Moon Hotel: a selection of recent solo and collaborative cinema works by Jessie Stead, including Page 59, Ambient Whiskey Slap, and the Chicago premiere of Meanwhile at the Moon Hotel, from the Nocturnes episodics: “A reverie in 10 overlapping Meanwhiles at a downloaded lunar hotel…”

BIO: Jessie Stead is a New York based artist working with installation, cinema, music, collaboration and other overlapping disciplines.

VISIT: www.jessiestead.com

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Filed under: artist in attendance, documentary, documentation, experimental, narrative, new media, reading, surveillance, Uncategorized, video

PERMANENT VACATION

Beguiled Cinema presents
PERMANENT VACATION by Jim Jarmusch

perm vacay from net

Wednesday, January 7th at 7:00 pm, $7-10

Jim Jarmusch started making Permanent Vacation during his senior year at NYU; it was intended to be his thesis short. During production, however, Jarmusch dropped out of school and decided to expand the film into a feature—thus beginning one of the great filmographies in American independent cinema. The movie trades in subjects that appear in all of Jarmusch’s features, among them wasting time, urban life, industrial decay, and the legacy of classic art. Protagonist Aloysius Parker is “the prototype for many of Jarmusch’s subsequent loner heroes,” write the programmers at the Film Society of the Lincoln Center, “he loafs aimlessly around his scuzzy apartment and crumbling New York streets reading French poetry, flirting with cute girls at Nicholas Ray screenings, stealing cars and obsessing over his half-punk, half-dandy image. For all its youthful self-seriousness (or maybe in part because of it), Permanent Vacation is a touching vision of what it was like to be head over heels with art, love, and oneself in late-1970s New York.”

Also screening is The High Sign, which Jarmusch included in a shorts program he curated for the Cinematexas International Short Film & Video Festival in 2000. Starring and co-directed by Buster Keaton (one of Jarmusch’s favorite filmmakers), this finds the Great Stone Face getting into trouble after he’s mistaken for a sharp-shooter. Might this have been an influence on Dead Man?

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Filed under: 16mm, narrative

VESSEL

RUN OF LIFE Experimental
Documentary Series Sidebar
Post Screening Discussion
with Jeanne Galatzer-Levy of the JANE Collective

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Friday, January 9th at 7:00 pm, $10

The Nightingale is delighted to present the Chicago premiere of the new documentary VESSEL. Dr. Rebecca Gomperts sails a ship around the world, providing abortions at sea for women with no legal alternative. Her idea begins as flawed spectacle, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca realizes she can use new technologies to bypass law – and train women to give themselves abortions using WHO-researched protocols with pills.
From there we witness her create an underground network of emboldened, informed activists who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.

http://vesselthefilm.com/

Program Details:
Dir. Diana Whitten // 88:00 // USA // 2014 // HD Video

Preceeded by a reading from
JANE: Documents From Chicago’s Clandestine Abortion Service 1968-1973

Post Screening Discussion with Jeanne Galatzer-Levy of  the JANE Collective

The first 40 ticket holders will receive a free copy of JANE: purchased from Microcosm Publishing in Portland, OR.
http://microcosmpublishing.com/catalog/zines/2071/

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Filed under: documentary, international, queer, surveillance, Uncategorized, video

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