1084 N MILWAUKEE, CHICAGO

SCORING AND KEEPING SCORE

postergifShapeshifters 2016

postergif
The Nightingale, 1084 N. Milwaukee
Friday, December 2nd, 7 pm, Free

Reading and trusting. Posing and proving. Making and translating. Scoring and keeping score.

Scoring and Keeping Score will occur over two consecutive nights at two separate locations. The Nightingale will host a screening of video work, while DFBRL8R will be dedicated to performance, interactive installations, and objects. These works by ten Chicago-based artists respond to a world in which nothing seems to stick. By uncovering complicity and taking truth into their own hands, they accumulate mobility in iterations and find stability in constant motion.

The Nightingale: Friday, December 2nd, 7-10pm
DFBRL8R: Saturday, December 3rd, 7-10pm

During both nights, audiences can expect to examine and participate in conversations, interventions, and re-evaluations.

Artists:
Paris F. Jomadiao
Mev Luna
Angel Marin
Caroline McCraw
Mia+Máire
Catie Rutledge
Misael Soto
Lauren Steinberg
Marcela Torres
Celia Wickham

Curatorial support by Latham Zearfoss



Filed under: Uncategorized

MOVEMENT MATERIAL

Camera/Dance Works by Jeremy Moss & Pamela Vail
Artists in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Wednesday, December 7th, 7 pm, $7-10

The Nightingale welcomes Jeremy Moss and Pamela Vail to present a 60-minute program of video, 16mm projection, and live performance that highlights transfigurative gestures via the collision of camera and dance. This program explores the roles and functions of both the cinematographer (Jeremy Moss) and the dancer (Pamela Vail) while engaging questions of space, movement, and the ways in which the frame and the cut create alternate walls and rhythms. The progression of this camera/dance collaboration has led the artists to pointedly examine equality, balance, interactivity, and reciprocity between both forms.

Jeremy Moss and Pamela Vail have been actively collaborating since the fall of 2008 and their collective films and videos have shown at prominent national and international festivals including Experiments in Cinema, Crossroads in San Francisco, Cucalorus, Next Dance Cinema, Cinedans in Amsterdam, Arkipel in Jakarta, and at renowned North American venues such as the Northwest Film Forum, San Francisco Cinematheque, Vox Populi in Philadelphia, and Echo Park Film Center.

Their non-narrative visual explorations investigate and present the singular moving body via structural camera and rhythmic editing. Both durational and intense, phrasing of movement and cutting range from assaulting and severe to meditative and lulling. Through this program, the artists ask: how do/can camera and movement inform the other, and offer new possibilities without favoring one over the other? Can the camera act as a dynamic partner, more than simply a new “stage” or documenting device for the dancer? Can the dancer be more than a subject embedded within the frame and altered by the cut? What is the role of location when considering the duet between dancer and camera? How can the dance film continue the early investigations of camera and movement radically propelled by Maya Deren in the twentieth century.

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Filed under: 16mm, artist in attendance, collaboration, dance, experimental, hand-processing, landscape, music, performance, place, rural, sound, Uncategorized, video

Masculinity/Femininity

Masculinity/Femininity (2014)
Filmmaker Russell Sheaffer in attendance.

masculinity_femininity_still_2

The Nightingale Cinema, 1084 N. Milwaukee
Thursday, December 8th, 7:30 pm, $7-10

Masculinity/Femininity is an experimental documentary that challenges normative notions of gender, sexuality and performance.
Experimental filmmaker Russell Sheaffer’s Masculinity/Femininity takes over where his short film starring James Franco, Masculinity & Me, left off.
Shot mainly on Super 8mm film, this is not a typical documentary. Sheaffer asks filmmakers, academics, gender theorists, and artists to present their concepts of gender construction in what works as a sort of performance piece rather than as full-on narrative. In fact, the filmmakers themselves question whether Masculinity/Femininity is scripted or not.

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Filed under: 8mm, artist in attendance

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