1084 N MILWAUKEE, CHICAGO

KATIE’S CROSSING

Premiere Screening

Thursday, October 5 at 8 PM, $7-10

The Nightingale is sincerely pleased to host Sincerely Productions’s long awaited mystery series KATIES CROSSING, screening all 5 episodes (90 min total) with loads of cast and crew in attendance.

KATIES CROSSING is a five part queer mystery series revolving around two Katies who find each other, like each other, and mysteriously transform each other. One Katie is an investigative journalist hot on the trail of a conspiracy involving a hot dog company, trash, and rivers. The other Katie is a dog walker turned newly famous YA fiction ebook author. They must try to remain themselves as they unravel the mystery of what’s on the other side of the crossing.

KATIES CROSSING is a DIY television show- made without studios or networks and made with the support of the Chicago art/farm/film/and friend scene. SINCERELY PRODUCTIONS is dedicated to making independent and DIY television and film with community that’s watchable on it’s own platform. Visit http://sincerely.tv/ to see what’s happening.

 

Written by Sally Lawton, Max Wirt, Katy Albert, and Katie Williams
Directed by Sally Lawton and Max Wirt

STARRING
Katy Albert as Katie
Katie Williams as Katie
Sierra Berquist as Aria the Scientist
Shelley Geiszler as Sonia the Lawyer
Ian Bertorelli as Tony Babel
and Sophia Hamilton as Tina Beef

WITH SPECIAL GUEST STARS:
Ian Fullerton, Gita Jackson, Tracey Ramsey, Kathleen Soler, Brianna Facione, Fontaine Capel, Mary Alice Williams, Shelby Turner, Dave Smith, Mari Mahoney, Maya Mahoney, and Adam Paul



Filed under: artist in attendance, collaboration, experimental, narrative, queer, travel, Uncategorized, video

The HARD EARTH

Filmmaker Sally Lawton in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 8th, 7:00 pm, $7-10

Join us for this special premiere screening of The Hard Earth, a feature documentary by Sally Lawton, preceded by The 51st Star, a short 16mm film by Ian Curry.

THE HARD EARTH is an experimental documentary charting the relationship of five Ukrainians and one Ukrainian American to the 2014 revolution and preceding war.

The film is shot over the central and western regions of Ukraine, immediately post-revolution. Six figures explain their relationship to previous and furthering events in their homes and towns. First the Euromaidan protests are discussed as a singular, illuminating event. After abstracted information, stories of the annexation of Crimea, war in the East, and the disillusionment of the USSR, reveal complex portraits.The director examines interpersonal relationships and how the making of the film impacts realizations. The guides and narrations take on specific forms, showing the miniature in global news stories. The elusive categorization of Ukraine, free and yet oppressed is framed by the difficulty and ease of documentation.

SALLY LAWTON is making film and video work in Chicago and grew up in Detroit. She owns Sincerely Productions which makes commercials for local businesses. She has done curatorial work with experimental film and documentary in Chicago. Her academic background is in film and nonprofit studies, graduating from DePaul University in 2013. Her interest in this project began after her friend, Maya Demianczuk, returned from the Euromaidan. Sally began filming interviews primarily for a public archiving project Maya began, which lead to traveling to Ukraine in summer 2015 and collecting material for the film.

IAN CURRY’s moving image work takes inspiration from the many genres within the 16mm format such as: silent, educational, experimental, avant garde, ethnographic, and documentary films. He combines formal strategies gleaned from celluloid’s history through experimentation to produce stunning imagery that embraces the feeling of a memory or reflection. His films use contact printing, multiple exposures, and in-camera editing or feature on the fly remixing with multiple projectors driving the audience down expanded cinema alley. Characterized by unique moments or observations, rushing energies of light, and striking rhythmic edits; concepts of film and performance are married into a raw celluloid trip with 16mm prints, projectors, and double system soundscapes.

 



Filed under: artist in attendance, documentary, documentation, experimental, film, geography, international, narrative, place, social justice, travel, video