1084 N MILWAUKEE, CHICAGO

California Picture Book

Recent Bay Area Film and Video

Vanessa O'Neill — Suspension

Vanessa O’Neill — Suspension

Friday, April 24, 8 pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL
Organized by Mary Helena Clark and tooth
Mary Helena Clark in person!

Tonight’s program consists of films and videos by Bay Area filmmakers who are involved with and in support of recent efforts to build a DIY film collective in Oakland, California. As film stocks are discontinued and artists’ spaces disappear, this effort aims to pull resources, share knowledge, make space for collaboration, and continue the rich traditional of experimental film in the Bay Area. Proceeds from tonight’s screening will go towards the lab.

John Davis — Demolished Every Second (2014, 4:25 minutes, 16mm > video)
This short work utilizes imprints from Soviet-era film leader culled from dozens of films viewed while working as an artist in residence in Dushanbe, Tajikistan in 2014. The material was largely 1980’s-era educational and propaganda films that contained a broad range of content, but had only subtle variations on more or less the same leader. Foregrounding the often ignored hand-written or machine printed artifacts found on leader, the imprints become the primary source material for a psychotronic audio/visual salvo set to an original score.

Mary Helena Clark — The Sound of Running in my Voice (2014, 5 minutes, DV)
We ape naturalism.

Michael Bucuzzo — Orion’s Belt (2011, 5 minutes, 16mm > video)
What happens to the body when it dies? What happens to the mind when it forgets the body is dead?

Zachary Epcar — A Time Shared Unlimited (2010, 10 minutes, 16mm + video)
Near-future leisure time activities and anxieties as a series of minor incidents continually interrupted, alternating between an overcrowded virtual space and a virtually abandoned city space.

Christina Kolozsvary — Nocturnes for Anatomers (2012, 6 minutes, video)
Nocturnes for Anatomers is a surrealist trip to the doctors office. A young woman suffers from mysterious illnesses caused by her neglect for her body, and her hidden desires. Diagnoses of the patient follow the charts of the cosmos, as anatomy and astrology combine.

Kent Long — The Waves (2003, 8 minutes, 16mm)
An interpretation of water’s eternal patterns of light and sound.

tooth — palms (2011, 3 minutes, super 8)
a california portrait. obscured investigation of the myth of “paradise”. palm trees are a non-native plant species to california, and their roots span equal parts as far underground as the trees tower above the earth. within this, an overlapping symbology.

Zach Iannazzi — California Picture Book (2013, 14 minutes, 16mm)

Vanessa O’Neill — Suspension (2008, 10 minutes, dual 16mm)
A toned and black-and-white reel, layered to create subtle shifts of hue and tone of abstracted seascape.



Filed under: 16mm, artist in attendance, documentary, experimental, film, video

FEST of (IN)APPROPRIATION #7

Artist LJ Frezza in person!

TOHO

Friday, April 17, 7 pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

The Nightingale is delighted to host the latest traveling show from Los Angeles Filmforum’s program FESTIVAL OF (IN)APPROPRIATION!

Whether you call it collage, compilation, found footage, détournement, or recycled cinema, the incorporation of already existing media into new artworks is a practice that generates novel juxtapositions and new meanings and ideas, often in ways entirely unrelated to the intentions of the original makers. Such new works are, in other words, “inappropriate.” This act of (in)appropriation may even produce revelations about the relationship between past and present, here and there, intention and subversion, artist and critic, not to mention the “producer” and “consumer” of visual culture itself. Fortunately for our purposes, the past decade has witnessed the emergence of a wealth of new audiovisual elements available for appropriation into new works. In addition to official state and commercial archives, resources like vernacular collections, home movie repositories, and digital archives now also provide fascinating material to repurpose in ways that lend it new meaning and resonance.

Founded in 2009, the Festival of (In)appropriation is a yearly showcase of contemporary, short (20 minutes or less), audiovisual works that appropriate existing film, video, or other media and repurpose it in “inappropriate” and inventive ways. The show is curated by Jaimie Baron, Lauren Berliner, and Greg Cohen.

Generously sponsored by Los Angeles Filmforum.

 

Program Details:
Astro Black: Race for Space by Soda_Jerk (Australia, digital video, color, sound, 2010, 6:06)

Demolished Every Second by John Davis (US/Tajikistan, 16mm on digital video, color, sound, 2014, 4:25)

Sara Nokomis Weir by Brian L. Frye (US, digital video, color, sound, 2014, 20:00)

Lexicon by Celeste Fichter (US, digital video, color, silent, 2014, 2:36)

The Bags, Probably 1971 by Joshua Yates (US, hand-processed 16mm film on video, black & white and color, sound, 5:11)

No Signal Detected by Péter Lichter (Hungary, digital video, color, sound, 2013, 2:33)

TOHO by Sellotape Cinema (UK, digital video, color, sound, 2013, 9:30)

Nothing by LJ Frezza (US, digital video, color, sound, 2014, 6:27)

Array by Ben Balcom (US, digital video, color, sound, 2013, 7:18)

My clothes were dragging me back by Maria Magnusson (Sweden, digital video, color, sound, 2012, 4:53)

Falling in Love…with Chris and Greg: Work of Art! Reality TV Special by Chris E. Vargas and Greg Youmans (US, digital video, color, sound, 2012, 14:00)

Iterations by Gregg Biermann (US, digital video, color, sound, 2014, 5:37)

(more…)



Filed under: 16mm, archival, documentary, documentation, experimental, film, found footage, new media, surveillance, Uncategorized, video