1084 N MILWAUKEE, CHICAGO

RECYCLED CINEMA

Work by  Roger Beebe
RUN OF LIFE Experimental
Documentary Series
Roger Beebe in person!

beebe

Monday, April 20,  7 pm, $10
Constellation, 3111 N Western Ave, Chicago, IL
Purchase tickets here.

Filmmaker/curator/professor Roger Beebe returns to Chicago with a contemporary expanded cinema program titled RECYCLED CINEMA that will immerse the audience in imagery and sound. Best known for his live cinema performances, Beebe will host an evening of carefully crafted and meticulously timed multi-projector experiments that pull from his practice of appropriating educational, industrial and mass-cultural imagery. Decidely analogue, Bebee intentionally places the projectors and the projectionist (himself) in the room with the audience. His performances often incorporate archival material to build loose themes and visual synchronicity into accumulative, experimental documentaries pieces.

Program Details:
Strip Mall Trilogy (2001, 9:10, super8mm)
“The Strip Mall Trilogy” is a series of three city symphonies that attempt to liberate color, sound, and form from the sprawling consumerist landscape of postmodern America. Part 1, “Green Means Go,” presents fragments of color over a musique concrete soundtrack composed of sounds recorded at the strip mall. Part 2, “The Abecedaire,” wrestles (and later plays) with alphabetic form extracted and abstracted from the signs of commerce of which they are normally a part. Part 3, “X-formations,” tries to argue that there is, in fact, beauty after strip malls. Let’s hope so. Parts 1 and 3 were edited entirely in camera.

Famous Irish Americans (2003, 8:00, digital video)
Who’s your famous Irish American? Georgia O’Keefe? William McKinley? Sandra Day O’Connor? How about Shaquille O’Neal? This videotape is a secret history of some of our most overlooked Irish-American citizens; a hyperflat exploration of race, America, and the limits of binary thought.

Money Changes Everything (2009-2011, 5:00, 3x16mm)
Three days in Las Vegas, Nevada; three different visions of the discarded past and of the constantly renewed future. A three-part portrait of a town in transformation: a suburban utopia in the desert, a cancerous sprawl of unplanned development, a destination for suicides.

S A V E (2006, 5:15, 16mm)
A disused gas station offers a curious imperative to passersby: “SAVE.” A riddle posed in the form of architecture: what is there to save? One more installment in the history of Americans pointing their cameras at gas stations; an attempt to figure out something about where we’ve been, where we’re headed, and what’s been left behind. The first part of “S A V E” was edited entirely in camera.

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Filed under: 16mm, archival, documentary, experimental, film, found footage, performance, Super 8mm

YOUR DAY IS MY NIGHT

RUN OF LIFE Experimental
Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

YDMN_Stills_9

Monday, November 17th at 7:00pm
$8 in advance / $10 at the door
Q&A following the movie featuring Cinematographer, Sean Hanley
and Chicago Housing Activist, Mary Tarullo!

Purchase tickets here.

The Nightingale’s Christy LeMaster and Kartemquin Film’s Beckie Stocchetti join forces to present RUN OF LIFE, a co-curated experimental documentary and expanded media series to be held at Constellation  beginning September 22nd, 2014 and running every third Monday for nine months through May 2015.

This new series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making: “We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.


YOUR DAY IS MY NIGHT: a hybrid documentary by Lynne Sachs
64 min // United States // 2013 // Chinese, English, & Spanish with English Subtitles // HD digital projection

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life. Working from the idea that anytime someone is on camera they inadvertently engage in a performance, Sachs asked her subjects to become her collaborators, inviting them to participate in the construction of a film about their lives. In 2012, Lynne began a series of live film performances of Your Day is My Night in alternative theater spaces around New York City. She then completed the hour-long hybrid video which premiered at the Museum of Modern Art in 2013 and screened at the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in the US and abroad.

Preceeded by
LIGHT READINGS by Stephen Vitiello
8 min // United States //2001 //sound piece

WINDOW CLEANING IN SHANGHAI by Laura Kissel
3 minutes // United States //2011 // HD digital projection

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Filed under: artist in attendance, documentary, experimental, narrative, Uncategorized, video

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