1084 N MILWAUKEE, CHICAGO

Heaven Is a Place


Tuesday, March 6 at 8 PM, $7-10

In conjunction with the exhibition of the same name in its final days at our Milwaukee Avenue (but Chicago City) sibling Heaven Gallery, this screening brings together a buoyant and brilliant batch of films for and from other contexts.

Substituting the small, large and medium specificity, the second half of the statement for the former becomes the latter:

Heaven Is a Place brings together a barker’s dozen of artists each making work for a specific screening, just not the same one. Each work constitutes a(n art) historical insertion and a speculative citation and a wormhole to another screening. Featuring some of our continent’s sharpest, this screening offers the opportunity for a bit of historical re-vision-ing, in which the august museum group screening from our birth year—first discovered through a tattered library copy of the program notes—finally includes our work; where the hot new screening at the cool new screening space in the temperate old town that included every idea you have but not the name you use gets rectified; where the doodle in the margin becomes canon with the blithe affect of a butterfly.

Artists include: Selina Trepp, Anthony Buchanan, Nazlı Dinçel, Deborah Stratman, Jen Proctor, Ian Bryce Jones, Benjamin Schultz-Figueroa, Sky Hopinka, Kelly Gallagher, Ben Balcom, Clint Enns and more!



Filed under: 16mm, artist in attendance, Uncategorized, video

ASIDES & BESIDES

video artists remixing artists’ videos

The Nightingale Cinema, 1084 N. Milwaukee
Tuesday, July 11th, 8:00 pm, $5 suggested donation

Ashley McClenon
Benjamin Pearson
Blair Bogin
Cameron Granger
Clint Enns
Emily Eddy
Hannah Piper Burns
Scott Fitzpatrick

This program draws into focus our own (often productive) sloppiness in the language surrounding artistic production that includes the work of others. In this case, these works are less interested in (though not opposed to) ideas like détournement, appropriation, reenactment, “found” footage, glitch, covers, samples, collage, etc. than to how we can apply the thinking behind the music industry’s idea of the remix into the contexts and histories of experimental film, video art and critical cinema. Think: the extended remix, the dub remix, the club remix, the dirty remix, the radio remix, the house remix, the porch remix, the czech remix, the lights on remix. Serious is fun, fun is serious. Seat dancing allowed. Fresh looks assumed.

Organized by Jesse Malmed



Filed under: artist in attendance, experimental, found footage, video

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