Simple Movements, Complications, Fainting Spells and Present Joys
Filmmaker in Attendance!
The Nightingale Cinema, 1084 N. Milwaukee
Friday, October 14th, 7 pm, $7 – 10
With a style that feels at once vast and particular, sublime and ordinary, the moving image work of Sky Hopinka transforms place into distance and memory into song. Reveling in the mutability of the seemingly immutable, Hopinka’s ethno-poetic vision mobilises and challenges ideas of landscape, language and personal history through an array of fiercely stunning image, sound and text.
Visions of an Island
[2016, 15min., Digital Video]
An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores. A group of students and teachers play and invent games revitalizing their language. A visitor wanders in a quixotic chronicling of earthly and supernal terrain. These visions offer glimpses of an island in the center of the Bering Sea.
[2014, 6min., Digital Video]
Featuring speakers of Chinuk Wawa, a Native American language from the Pacific Northwest, Wawa begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.
Kuninkaga Remembers Red Banks, Kuninkaga Remembers the Welcome Song
[2014, 9:30min., Digital Video]
The video traverses the history and the memory of a place shared by both the Hočąk and the settler. Red Banks, a pre-contact Hočąk village site near present day Green Bay, WI was also the site of Jean Nicolet’s landing, who in 1634 was the first European in present day Wisconsin. Images and text are used to explore this space alongside my grandmother’s recollections. Each serve as representations of personal and shared memory, as well as representations of practices and processes of remembrance, from the Hočąk creation story to Jean Nicolet’s landing, to the present.
Venite et Loquamur, Come All and Let Us Speak
[2015, 12min., Digital Video]
Vidit homines inter se loquentes linguā, quam alii mortuam esse dicunt. Sed adhuc secum loquuntur. Eos secuti sum et mecum locuti sunt. Omnes de cubiculo tecti alti deciderunt, fortasse videre ad caelum res reponet.
[2015, 7:30min., Digital Video]
Logging and approximating a relationship between audio recordings of my father and videos gathered of the landscapes we have both separately traversed. The initial distance between the logger and the recordings, of recollections and of songs, new and traditional, narrows while the images become an expanding semblance of filial affect. Jáaji is a near translation for directly addressing a father in the Hočak language.
I’ll Remember You As You Were, Not As What You’ll Become
[2016, 12:30min., Digital Video]
An elegy to Diane Burns on the shapes of mortality, and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions.
Sky Hopinka is a Ho-Chunk Nation national and descendent of the Pechanga Band of Luiseño Indians. He was born and raised in Ferndale, Washington and spent a number of years in Palm Springs and Riverside, California, and Portland, Oregon and is currently based out of Milwaukee, Wisconsin. In Portland he studied and taught chinuk wawa, a language indigenous to the Lower Columbia River Basin. His work centers around personal positions of homeland and landscape, designs of language and the facets of culture contained within. He received his BA from Portland State University in Liberal Arts and his MFA in Film, Video, Animation, and New Genres from the University of Wisconsin-Milwaukee.
His work has played at various festivals including ImagineNATIVE Media + Arts Festival, Images Festival, Courtisane Festival, Ann Arbor Film Festival, American Indian Film Festival, Sundance Film Festival, Antimatter Film Festival, Chicago Underground Film Festival, FLEXfest, the LA Film Festival, the New York Film Festival – Projections and the Toronto International Film Festival – Wavelengths. He was awarded jury prizes at the Milwaukee Underground Film Festival, the More with Less Award at the 2016 Images Festival, the Tom Berman Award for Most Promising Filmmaker at the 54th Ann Arbor Film Festival, and 3rd Prize at the 2015 Media City Film Festival.
Programmed by Lee Ferdinand.
Filed under: artist in attendance, documentary, experimental, geography, history, landscape, poetry, Uncategorized, video