ANDEAN-GARDE

Experimental Documentation
in the Andes (1963-2014)
Presented by Tiempo Libre
Curator, Daniel F. Molero in person!

adelante

Sunday, September 14th at 7:30 pm, $7-10

The NIGHTINGALE is delighted to host this slate of short films that showcase a chronological development of experiments in non-fiction from filmmakers of the Andean region. These works articulate conflicted ideas about politics, media and indigenous representation.

Revolución / Revolution
Dir. Jorge Sanjinés
9 min – Bolivia – 1963
Made out of fragments of footage filmed while making propaganda documentaries for the state lottery, and edited according to theoretical precepts of Soviet montage, Revolución could be considered Bolivia’s first experimental film. In addition to using cinema to resist dictatorships and American imperialism, Jorge Sanjinés was also one of the first to theorize the representation of non-Western subjectivities in cinema.

Vía Satélite: En vivo y en directo / Via Satellite: live
Dir. Armando Robles Godoy
10 min – Perú – 1973
Five radial narrations of the same soccer match of the Peruvian national team juxtaposed with a suggestive montage of empty streets and emblematic monuments of the country’s capital city, Lima. Robles Godoy is Peru’s first and main auteur but still undiscovered for international audiences. His films, like The Green Wall (1970), are a mysterious combination of lyrical images and a fragmented structures.

Radio Belén
Dir. Gianfranco Annichini
11 min – Perú -1983
Located in the middle of a market and a port on the Amazon jungle, a poor radio station can only broadcast through speakers. The filmmaker reduces his commentary to a few final shots, the rest is from the voice of the people.

Enterprisse
Dir. Kiro Russo
9 min – Bolivia – 2010
The man, the city, the machine. Once he’s up in the Enterprisse, he has to follow the instructions. Russo’s next short film, Juku, premiered at Sundance 2012.

(more…)



Filed under: documentary, experimental, film, international, video

LOST IN THE WOODS

Works by Olivia Ciummo and Christopher Meerdo (in Person!)

On The Evening by Olivia Ciummo (2014)

Wednesday, September 10th at 8:00 pm, $7 -10

Lost in the Woods is a program of short moving image works by Olivia Ciummo and Christopher Meerdo. Their works, though aesthetically divergent, provoke patient observation vs. anxiety driven themes. Taking cues, leaving footprints, stealing apathy, appropriating transcendence and encapsulating it—non-sequiturs become the texture and a summary that repeats and replicates, inviting perpetuity. This first co-screening by the artists brings together both recent and unseen projects. Both artists will be present following the screening.

Victoria – 10:00, 2012
An ode to R.S. – 3:30, 2013
In Reps of Long-Play – 6:30, 2013
Untitled (Redactions) – 3:20, 2014
On the Evening – 7:00, 2014
Anthology – ≈ 4:00, 2014
(On Fractured Water) – 4:00, 2014
Cipher II (excerpt) – 3:00, 2014
Invert and All That is Solid – 3:00, 2014
Wesserunsett – 5:00, 2014
(alternating artists, starting with Olivia Ciummo)

(more…)



Filed under: experimental, film, found footage, video

BASEMENT MEDIA FEST

LO-DEF, LO-TECH, LO-FI
programmer LJ Frezza in attendance

Thursday, August 28th at 8:00 pm, $7 -10

THE NIGHTINGALE IS ECSTATIC TO BE BRINGING THE BASEMENT UP TO THE FIRST FLOOR. BASEMENT MEDIA FEST IS A SURVEY OF CONTEMPORARY ARTISTS WORKING WITH LO-DEF, LO-TECH, AND LO-FI MOTION PIX TECHNIQUES. FOUNDED IN RESPONSE TO HI-RES COMMERCIAL MEDIA AND CORPORATE-SPONSORED FILM FESTS, BASEMENT IS A CELEBRATION OF THE MEDIATED EXPERIENCE AS AN AESTHETIC EXPERIENCE. HASHTAG FUZZY / HASHTÅG GLITCHY / HÅSHTÅG  GRIMY.

///WARNING/// SUM OF THESE MOVIES FEATURE FLICKERING LIGHT AND RAPIDLY CHANGING MOTION. MAY CAUSE SEIZURES/MOTION SICKNESS. IF YOU HAVE TO SPEW, SPEW IN THIS.

Still from Tyler Tamburo – Cold Blood

/START PROGRAM:

House (Andy Birtwistle, 3:45, Digital)

I Am All Men As I Am No Man and Therefore I Am (Gilberto Alfredo Salazar­ Caro, 5:29, Digital)

Election Coverage (Chris Paul Daniels, 1:01, Digital)

Cold Blood (Tyler Tamburo, 3:24, Digital)

Queens Quay (Stephen Broomer, 1:11, 16mm)

[phrases] (Ben Balcom, 4:24, Digital)

Doubt #2 (Josh Lewis, 5:26, 16mm)

Smashed (Emma Varker, 3:53, Digital)

The HandEye (Bone Ghosts) (Anja Dornieden & Juan David Gonzalez Monroy, 7:09, 16mm)

[RGB] (N. Heppding, 4:30, Digital)

Seriously Delinquent (Dylan Pasture, 6:49, Digital)

The Way You Recognize It (Laura Thatcher, 1:32, Digital)

How to Draw Clouds (Salise Hughes, 2:20, Digital)

RIP Geocities (Faith Holland, 2:31, Digital)

Every Feature Film on My Hard Drive 3 Pixels Tall and Sped Up 7000% (Ryan Murray, 3:29, Digital)

holiday 13 (Jordan Lopez, 1:44, Digital)

Up (Scott Fitzpatrick, 4:47, Digital)

/END PROGRAM

FOR MORE INFO, CHECK OUT: HTTP://BASEMENTMEDIAFEST.COM

 



Filed under: artist in attendance, experimental, film, found footage, new media, video

DEAREST CHICAGO …

DEAREST CHICAGO, PLEASE LOVE ME!
YOURS TRULY, DETROIT
A Detroit Mini-Festival
Programmer Brandon Walley in person!

vacancy

Saturday, August 23rd at 6:00, 8:00, & 10:00 pm
$5 per screening or $10 for all

The NIGHTINGALE is delighted to host  Detroit filmmaker and programmer, Brandon Walley, to present 3 separate moving image programs that survey the cultural and physical landscape of Detroit from filmmakers that have lived there and created these works over the past decade. This mini-film-fest titled DEAREST CHICAGO, PLEASE LOVE ME! YOURS TRULY, DETROIT is a retort against the two extremes of content that usually dominate media about Detroit; that of exploitive ruin porn or the over-simplification that Detroit is quickly rising from the ashes.

 Brandon Walley is the Program Director for CORKTOWN CINEMA, the new incarnation of The BURTON THEATRE: an eclectic independent cinema that features art house, avant-garde, LGBT, foreign, local, and cult films. For the past six years he has also acted as the Regional Programmer for Media City International Film Festival in Windsor, Ontario. As a filmmaker, Brandon’s work has been received at film festivals and art exhibitions internationally.

This screening continues a dual city moving image dialogue. Last summer at Trinosophes in Detroit, The Nightingale’s Christy LeMaster presented CHICAGO LOVES DETROIT: Recent Short Film & Video Work from Chicago.

(more…)



Filed under: artist in attendance, documentary, experimental, film, found footage, video

« Previous PageNext Page »