1084 N MILWAUKEE, CHICAGO

NSEW TOUR

Work by Vanessa Renwick
Artist in Attendance!

mt_blowup

Tuesday, October 27, 7 pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

TWO CHICAGO PROGRAMS!
(different work in each, artist in attendance at both!)

NSEW Tour: An Evening with Vanessa Renwick
Friday, October 30, 2015, 7:00pm, Free
Logan Center for the Arts (915 E. 60th St., Chicago)
https://filmstudiescenter.uchicago.edu/events/2015/nsew-tour

Chicago born Vanessa Renwick returns to screen a 80-min. program of her work that begins with early experimental films and concludes with a work in progress. These short, personal constructions demonstrate a wide range of formal approaches and subjects that include hitchhiking, Toxic Shock and a taste of the wild west, be it a horse fighting a bear, a homoerotic rodeo or the gentrification of Portland. Renwick’s films share a restless spirit, an interest in outlaw art-making, and an unflagging sense of wanderlust. Without fail, the work is intense, hard to pin down, and even harder to forget.

Featuring:
Britton, South Dakota (16mm to video, 9 min, 2003)
Toxic Shock (16mm, 3 min, 1983)
Crowdog (super8 to video, 7 min, 1984/1998)
Red Stallions Revenge (16mm to video, 7 min, 2007)
The Yodeling Lesson (video, 3 min, 1998)
Mighty Tacoma (digital video, 9 min, 2011)
Westward Ho (video, 1 min, 2001)
SF HITCH (super 8 & 16mm to video, 5 min, 1981/2012)
Portrait #1: Cascadia Terminal (16mm hand processed & tinted to video, 6 min, 2005)
Portrait #3: House of Sound (35mm to HD, 11 min, 2009)
The Land Piranha (work in progress)

Vanessa Renwick has been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insaitiable curiosity and unflenching engagement with the world around her. Often focusing her lens on themes of westward expansion and the locaes of her adopted home, the Pacific northwest, Renwicks uses avant-garde formal elements to explore radical politics, and environmental issues. An artist who often self-distribrutes, her screening history reads as a map of independent cinema in North Amercia. She has screened work in dozens of venues, institutional and not, including Art Basel, Light Industry, The Wexner Center, NW Film Center, True/False Film Festival among many others.

“Vanessa Renwick’s films reveal the hidden stories & secret lives that define our great national weirdness, imbued with the radical curiosity and vision of a true pioneer.”
Todd Haynes- filmmaker
“Vanessa Renwick was a powerful influence on me in my twenties — here is a woman who has taught herself how to make movies, following her own rules about what movies can be and creating them in ways that are personal, organic, and sometimes wildly risky. Her body of work is substantial and important, and radiates with love and anger and sense of real joy in the gritty specifics of life (and death) on Earth.”
Miranda July- filmmaker
“Vanessa Renwick has a wanderer’s soul. She will never be tamed. Freedom can never do more than spend itself searching for itself. Vanessa’s seeking, unsatisfied kind of freedom will thus never reach the end of the road. But her movies are not only about herself, or about the borders and patterns she sees. She gives love and recognition to the strivings of other outlaws. The result is a rare public spiritdness.”
William T. Vollmann, – author


Filed under: 16mm, artist in attendance, documentary, experimental, feminism, film, narrative, queer, Uncategorized, video

«
»