1084 N MILWAUKEE, CHICAGO

BAD ROMANCE

Screening and Performance

The Nightingale Cinema, 1084 N. Milwaukee
Friday, February 17th, 7:00 pm, $7-10

Bad Romance features video works by performers and video artists that play with well-worn conventions of portraying seduction, romantic relationships, or intimate encounters in popular culture. The artists included in this screening expose the underlying mechanics of creating these seductive, and often instructive, images and scenes. They place themselves or their loved ones in front of the camera, employ illuminating voice-overs, construct awkward revelations and propose humorous antidotes to problematic romantic tropes.

Steven Summers – Chicago, IL
First Time, 6:22, 2016

Charmaine Ortiz – Carolina Beach, NC
Search: “How to draw a Woman”, Male Perspectives from YouTube result pages 1-50, 2012, 10:00

Marlo Koch – Chicago, IL
Cherry, 2014 6:27

Marlo Koch and Emerson Sigman – Chicago, IL
Wide Open, 2016, 2:39

Karin Stothart – Los Angeles, CA
Beach, 2013, 6:12
White Horse, 2012, 4:32

Casey Smallwood – Chicago, IL
Four Scenes for Mother, 2011,12:56
Smallwood Satyricon, 2013, 11:35

With Performance by Marilyn Volkman – Chicago, IL
NEO-Craft: The Easiest and Quickest Way to Gain Advantages for Prosperity, Happiness and Romantic Love

Programmed by Sara Holwerda

  • Image Credit: still from White Horse, by Karin Stothart


Filed under: artist in attendance, autobiography, feminism, narrative, performance, queer, Uncategorized, video

NEAR DEAD

Recent Films and Videos by Michael Wawzenek
Filmmaker in attendance!

Wawzenek_BreakboneFever_Still_nightingalewebsite

The Nightingale Cinema, 1084 N. Milwaukee
Friday, December 16th, 7:00 pm, $7-10

The Nightingale welcomes Chicago-based filmmaker Michael Wawzenek who brings recent work on video and 16mm, including an expanded cinema 16mm projector performance.

His work investigates the precipice between life and death, translates into video the emotions of near-death experiences and examines what it means to be present.

Come see an all encompassing sunrise, a glitter glitch fist, a video re-make of a John Cage classic, and a 16mm tribute to Peter Hutton.

TONIGHT ONLY – LIVE! expanded cinema performance including sounds by M. Azzarello !

 

Program Details:

No Gloves (2016, 16mm, silent, 3 min)
In memory of Peter Hutton.

Breakbone Fever (2013, video, 7 min)
An all consuming fever takes its toll as it transfixes and grows. A recreation of my experience contracting Dengue Fever via the sights and sounds of Bali.

Blue Island  (2014, video, 7 min)
A meditation on abruptness and loss. From Blue Island Ave in Chicago to the Mississippi Swamps. In Memory of Robert Johnson and Bessie Smith.

Interleukin 1 (2016video, 3 min)
The fist is clenched, but how do you defeat an attack from within?

be (w)here (2015, 16mm on video, 6 min)
A question, a command, a caution.
In collaboration with Traci Hercher.

4’33” 4:3 (2015, video, 5 min)
After John Cage.

NEAR DEAD (2016, 16mm, ~10 min)
Live projector performance with live audio by M. Azzarello

Risings (2012, video, 20 min)
Foreigners are impressed, Thai children are impressed upon and all the while one man sits obstinately. Three unadulterated looks at the rise of globalization as seen from the streets of Thailand.

 
Total runtime ~1hr

 

Programmed by Lorenzo Gattorna



Filed under: 16mm, artist in attendance, documentary, expanded cinema, experimental, film, video

MOVEMENT MATERIAL

Camera/Dance Works by Jeremy Moss & Pamela Vail
Artists in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Wednesday, December 7th, 7 pm, $7-10

The Nightingale welcomes Jeremy Moss and Pamela Vail to present a 60-minute program of video, 16mm projection, and live performance that highlights transfigurative gestures via the collision of camera and dance. This program explores the roles and functions of both the cinematographer (Jeremy Moss) and the dancer (Pamela Vail) while engaging questions of space, movement, and the ways in which the frame and the cut create alternate walls and rhythms. The progression of this camera/dance collaboration has led the artists to pointedly examine equality, balance, interactivity, and reciprocity between both forms.

Jeremy Moss and Pamela Vail have been actively collaborating since the fall of 2008 and their collective films and videos have shown at prominent national and international festivals including Experiments in Cinema, Crossroads in San Francisco, Cucalorus, Next Dance Cinema, Cinedans in Amsterdam, Arkipel in Jakarta, and at renowned North American venues such as the Northwest Film Forum, San Francisco Cinematheque, Vox Populi in Philadelphia, and Echo Park Film Center.

Their non-narrative visual explorations investigate and present the singular moving body via structural camera and rhythmic editing. Both durational and intense, phrasing of movement and cutting range from assaulting and severe to meditative and lulling. Through this program, the artists ask: how do/can camera and movement inform the other, and offer new possibilities without favoring one over the other? Can the camera act as a dynamic partner, more than simply a new “stage” or documenting device for the dancer? Can the dancer be more than a subject embedded within the frame and altered by the cut? What is the role of location when considering the duet between dancer and camera? How can the dance film continue the early investigations of camera and movement radically propelled by Maya Deren in the twentieth century.

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Filed under: 16mm, artist in attendance, collaboration, dance, experimental, hand-processing, landscape, music, performance, place, rural, sound, Uncategorized, video

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