Closing Program to Celebrate
the Opening Exhibit of Sector 2337
Screening at Sector 2337
(2337 N. Milwaukee)
Friday, December 19th at 7:00pm, Free
There are three types of possible bodies in the cinema. There is the subject body onscreen, there is the camera as an imaginary body- a conduit body made up mainly of eyes choosing what we will see, and there is us, the audience bodies that do the watching through a system of involuntary physiological processes and cognitive responses that make up human perception.
THE NEW NEW CORPSE: (1971-2014, various formats, TRT 59 min)
To celebrate the closing of SECTOR 2337’s inaugural exhibition The New [New] Corpse, Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen. These works subvert the traditional mode of watching bodies in narrative action, or as objects of sexual desire, or as merely characters. Rather these works use body as conceptual site, performative metaphor, or abstracted modular component.
BOUNCING IN THE CORNER #36DDD by Dara Greenwald
(1999, USA, 3 min)
BABY ! LOVE YOUR BODY ! EPISODE 1 (ENGLISH) by Poussy Draama & Fannie Sosa
(2014, France, 7 min)
AFFECTION by Blair Bogin & Dayna Gross
(2014, USA, 1 min)
CUT by Matthias Müller and Christoph Girardet
(2013, Germany, 13 min)
DEEP SLEEP by Basma Alsharif
(2014, Malta/Greece/France/Palestine. HD video, 13 min)
NINE GATES by Paweł Wojtasik
(2012, United States, 12 min)
TWO FACES by Hermine Freed
(1972, United States, 6 min)
Special Thanks to VIDEO DATA BANK for their support in presenting this program.
Filed under: 16mm
, Free Screening!
Videos by Jessie Stead
Saturday, January 3, 2015 at 8:00 pm, $7-10
Video chat Q & A with Jessie following the screening!
Chicago premiere of Meanwhile At The Moon Hotel!
Return to the Moon Hotel: a selection of recent solo and collaborative cinema works by Jessie Stead, including Page 59, Ambient Whiskey Slap, and the Chicago premiere of Meanwhile at the Moon Hotel, from the Nocturnes episodics: “A reverie in 10 overlapping Meanwhiles at a downloaded lunar hotel…”
BIO: Jessie Stead is a New York based artist working with installation, cinema, music, collaboration and other overlapping disciplines.
Filed under: artist in attendance
, new media
RUN OF LIFE Experimental
Documentary Series Sidebar
Post Screening Discussion
with Jeanne Galatzer-Levy of the JANE Collective
Friday, January 9th at 7:00 pm, $10
The Nightingale is delighted to present the Chicago premiere of the new documentary VESSEL. Dr. Rebecca Gomperts sails a ship around the world, providing abortions at sea for women with no legal alternative. Her idea begins as flawed spectacle, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca realizes she can use new technologies to bypass law – and train women to give themselves abortions using WHO-researched protocols with pills.
From there we witness her create an underground network of emboldened, informed activists who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.
Dir. Diana Whitten // 88:00 // USA // 2014 // HD Video
Preceeded by a reading from
JANE: Documents From Chicago’s Clandestine Abortion Service 1968-1973
Post Screening Discussion with Jeanne Galatzer-Levy of the JANE Collective
The first 40 ticket holders will receive a free copy of JANE: purchased from Microcosm Publishing in Portland, OR.
Filed under: documentary
RUN OF LIFE Experimental
Screening at Constellation
(3111 N. Western Ave.)
Monday, December 15th at 7:00pm
Featuring storyteller, Katie Williams
Q&A with funerary artist and researcher, Kelly Christian
$8 in advance /$10 at the door
Purchase tickets here.
DRESS REHEARSAL FOR UTOPIA
Dir. Andrés Duque // 75 min // 2012
Experimental documentary-maker Andrés Duque travels to Mozambique to look for old footage that had been made there. But when it becomes apparent that his elderly father is seriously ill, he returns to his homeland of Venezuela. As his father lies dying in a hospital room in Venezuela, the filmmaker’s thoughts travel to Mozambique. Images of dance and revolution – some retrieved from archival footage, some newly shot – conjure up a spectral alternate reality where human figures take part in a cascade of excited movements. A commentary on the finiteness of life, Dress Rehersal for Utopia emanates a personal collage in which feelings transcend- part experimental travelogue, part political statement. A gentle rustling links the different images, their origins and significance together.
Katie Williams recording an excerpt of
THE YEAR OF MAGICAL THINKING by Joan Didion
(script for stage, 2007)
Andrés Duque is a Spanish-Venezuelan filmmaker. studied journalism in his homeland before moving to Spain for a master’s degree in creative documentary at the Universidad Autónoma de Barcelona. He now works as a filmmaker, film programmer and teacher.He is best known for his 2004 film “Ivan Z”, a portrait of the cult filmmaker Ivan Zulueta, which participated in dozens of international film festivals and received a Goya Award nomination. In 2011, he made his first feature film debut with COLOR RUNAWAY DOG. The film premiered at the International Film Festival Rotterdam and won the Audience Award at Punto de Vista International Documentary Film Festival. He was a featured artist at 2012 Flaherty Film Seminar and in 2013 he won the City of Barcelona Award for DRESS REHEARSAL FOR UTOPIA.
Katie Williams is one half of Patchwork Farms, an urban farm in Chicago, founded and operated by herself and Molly Medhurst. She is a storyteller and rugby player. Her thoughtful Bruce Springsteen cover band, Miss Bossy and The D Street Band recently played the Indianapolis Museum of Contemporary Art. They hope to play more museums and maybe weddings.
Kelly Christian is a Chicago-based researcher, writer, and artist. Her most recent work explores postmortem and funerary photography. Kelly photographed military funerals in Maine during the height of the Iraq War and created her own new media-Daguerreotypes. She has presented her work at conferences and galleries across the country on postmortem photography, embalming, and “corpse-as-culture.”
Filed under: documentary
, found footage