1084 N MILWAUKEE, CHICAGO

Heaven Is a Place


Tuesday, March 6 at 8 PM, $7-10

In conjunction with the exhibition of the same name in its final days at our Milwaukee Avenue (but Chicago City) sibling Heaven Gallery, this screening brings together a buoyant and brilliant batch of films for and from other contexts.

Substituting the small, large and medium specificity, the second half of the statement for the former becomes the latter:

Heaven Is a Place brings together a barker’s dozen of artists each making work for a specific screening, just not the same one. Each work constitutes a(n art) historical insertion and a speculative citation and a wormhole to another screening. Featuring some of our continent’s sharpest, this screening offers the opportunity for a bit of historical re-vision-ing, in which the august museum group screening from our birth year—first discovered through a tattered library copy of the program notes—finally includes our work; where the hot new screening at the cool new screening space in the temperate old town that included every idea you have but not the name you use gets rectified; where the doodle in the margin becomes canon with the blithe affect of a butterfly.

Artists include: Selina Trepp, Anthony Buchanan, Nazlı Dinçel, Deborah Stratman, Jen Proctor, Ian Bryce Jones, Benjamin Schultz-Figueroa, Sky Hopinka, Kelly Gallagher, Ben Balcom, Clint Enns and more!



Filed under: 16mm, artist in attendance, Uncategorized, video

A Very Kuchar Christmas

Seasonal Potluck and Screening

Thursday, December 14 at 6:30 pm, FREE

Come celebrate the Yuletide’s of Yesteryear with a very special presentation of our beloved George Kuchar’s Christmas Classics.

In the Kuchar spirit, it’s a Gluttonous Gastronomic Get-Together! Bring a dish or a drink to share, but don’t stay home if you can’t, we love you anyway.

We’re excited to share the Kuchar Christmas Sprit with you, our cinema family.

Screening at 7:30

Program Lineup:
Dingleberry Jingles (1994)
Fill Thy Crack With Whiteness (1989)
Xmas 1987 New Years (1987)

Total Runtime: 46 minutes

Screening sponsored by the Video Data Bank
All images copyright of the artist, courtesy of Video Data Bank,www.vdb.org, School of the Art Institute of Chicago.

Love,
The Nightingale



Filed under: Uncategorized

KINOSONIK

SSSS! Second Sexing Sound Symposium
Featuring performances by Frauke Aulbert and Seth Parker Woods accompanying films by JoAnn Elam

Saturday, December 2 at 8:00 pm, Free

Back for its third year, KINOSONIK is a collaboration between the Goethe-Institut, Experimental Sound Studio, and Chicago Film Archives. This year’s project, the  Second Sexing Sound Symposium (SSSS!), is a series of public events in Chicago dedicated to ideas, research, performance, and conversation surrounding female and trans-identifying practitioners in and around the sonic arts. Saturday’s screening kicks off the series which includes panel discussions and performances at Sector 2337, Constellation, and the Experimental Sound Studio. Musicians Frauke Aulbert and Seth Parker Woods will collaborate to compose live scores for a selection of films curated and sequenced by CFA from the JoAnn Elam Collection. Aulbert and Woods were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

The soprano, voice performer, and multivocalist, “Hamburg’s queen of Avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o. Concerts led her to festivals all over the world: Europe, Korea, Australia, Brasil, Georgia, Tunesia, and the USA. Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project ‘Beatboxing and the Avant Garde’. Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’.

Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke’s. A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Heinz Holliger, G.F. Haas, Helmut Lachenmann, Klaus Lang, Steve Mackey and Peter Eotvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata. His debut solo album, asinglewordisnotenough, has garnered great acclaim since its release in November 2016, and has been profiled in the Guardian, I Care If You Listen, Musical America, and Strings Magazine amongst others.

JoAnn Elam (1949-2009) is a central figure in the in the history of Chicago’s experimental film community. Her short experimental and documentary films capture the spirit and ethos of a politically active, feminist, and socially conscious artist. Along with Bill Brand, Warner Wada, and Dan O’Chiva, Elam founded Chicago Filmmakers (initially called Filmgroup, with screenings held at N.A.M.E. Gallery) in 1973.

 



Filed under: 8mm, artist in attendance, collaboration, documentary, feminism, film, Free Screening!, history, international, music, performance, queer, Super 8mm, Uncategorized, video

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