Video and performance work by Sara Condo
Tuesday, December 11 at 8:00 PM, $7-10
The Nightingale is excited to welcome multidisciplinary artist Sara Condo to present a selection of her video and performance work. Condo grapples with technology, landscape and feminism, finding unexpected meanings along the highways and byways of the United States. Trust the journey.
The program includes:
Everywhere is Anywhere, a scrolling landscape photograph and science fiction piece mourning the death of the “American Dream.” The video follows the zen warrior path of the main character, D a queer cyberpunk goddess, who wanders across the land following the death of her estranged father, whom we will call The Wizard. D is on a spiritual journey on a search to unravel the layers of patriarchal power systems embedded in the fabric of her life. Struggling to come to grips with the loss of her ego, she completes walking meditation upon the built environment. Using the landscape as her friendly companion, D reflects on the history of each location and her place within.
The Wizard, a live performance piece incorporating computer generated audio and video visuals
Wanderlust, a short experimental documentary centered around a woman who travels alone. As she travels, she contemplates notions of female hysteria, agriculture, and the dawning of the New Age.
Total screening time: approx 55 minutes
Filed under: artist in attendance
, expanded cinema
Multi-media Documentary Project
by Matt Peterson & Malek Rasamny
Artists in attendance!
Tuesday, October 16 at 7pm, $7-10
The Native and the Refugee is a multimedia documentary project by Matt Peterson and Malek Rasamny that profiles the Palestinian and Native American experience by examining the infrastructure, politics, and geography of American Indian reservations alongside Palestinian refugee camps. In connecting these two spaces, the goals of the project are to understand the centrality of the question of land and territory for any conception of autonomy; to look at the camp as an “extra-national” space with all the contradictions entailed; and to meet with those getting organized politically in these places to understand their communal concerns.
The History of the Camp (2015, 10 minutes)
Indian Winter (2017, 26 minutes)
Black Mesa (2018, 10 minutes)
The Native and the Refugee has been presented in Canada, Ecuador, England, France, Guatemala, Jordan, Lebanon, Palestine, Portugal, Quebec, and Syria, including within refugee camps and reservations, and at other venues including cinemas, community centers, galleries, and universities.
Matt Peterson co-directed the documentary features Scenes from a Revolt Sustained (2014), on the Tunisian insurrection, and Spaces of Exception (2018). He was a member of the collectives Red Channels and the 16 Beaver Group, and is currently part of a commune in New York called Woodbine. His films and videos have screened at Anthology Film Archives, e-flux, Eyebeam, the Film Society of Lincoln Center, Indiana University, International House Philadelphia, Millennium Film Workshop, and MoMA PS1. He has spoken and organized events at Artists Television Access, BAMcinematek, Centre Pompidou, DCTV, dOCUMENTA 13, Goethe-Institut, Interference Archive, Light Industry, Maysles Cinema, the New School, School of the Art Institute of Chicago, SculptureCenter, and UnionDocs.
Malek Rasamny is a researcher and filmmaker based in both New York and Beirut whose writings have been published in The Daily Star and Fuse. He’s worked at the Maysles Documentary Center, and was a founding member of the LERFE space in Harlem, the Ground Floor Collective, and Red Channels. He is a regular speaker at the Afikra international monthly series on Arab history and culture, and has presented on his travels to Kurdish Iraq and Syria at Interference Archive, Ta Marbouta in Beirut, and La Passe in Montreal. He has organized a series of meetings and fora in support of the Syrian revolution at Columbia University. He is currently working on a research project surrounding Druze sovereignty in Lebanon, Syria, and Israel, and has presented at the conferences of the American Druze Society.
Programmed by Christy LeMaster & Matt Peterson
Filed under: artist in attendance
, social justice