1084 N MILWAUKEE, CHICAGO

CANTOS

Recent 16mm Films by Margaret Rorison
Filmmaker in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Friday, November 18th, 7 pm, $7-10

The Nightingale welcomes Margaret Rorison to present a program of short films shot on 16mm from 2012-2016. Many of these works have developed from travel and explorations through rural and urban landscapes and function as odes to memories of experience. Some films are explorations of the relationship between time and the frame, between pacing and cut and of memory … Sound is an important component to these works as well. Rorison has composed many of the soundtracks with the use of field recordings, contact mics and lucid narrations made by her grandfather. One of her most recent films, Memory of August is an ode and portrait study of her 95 year old grandmother, Margaret Bennett, the widow of Harry Bennett who has been another strong influence in Rorison’s earlier work. Prior to filmmaking, Rorison worked primarily with painting and poetry and is interested in exploring these methods of language and thought through the medium of 16mm film.

“Rorison’s works frequently wander through empty or seemingly empty spaces. Her soundtracks—often consisting largely of electronic music on the drone/noise spectrum—often create a sense of warm alienation, coloring the films’ empty landscapes. Rorison’s films abound with “negative space” compositions—shots which frame a “nothing” (for example an empty sky, a wall, water) against borders of dark (shadows, bridges, walls)… this seems to suggest something of a turning away from the world of the social and a turn towards a state of introspection. These films relish solitude and alone-ness, and even while this solitude is sometimes tinged with dread or alienation, even as the filmmaker’s visions tend toward the apocalyptic, this solitude is asserted often as a source of strength.” — Steve Polta, Artistic Director, San Francisco Cinematheque

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Filed under: 16mm, 8mm, archival, artist in attendance, autobiography, documentary, essay, experimental, film, found footage, geography, hand-processing, landscape, literature, music, performance, place, poetry, social justice, sound, surveillance, travel, Uncategorized, video

The ANDRE TRILOGY

Three Short Films by James N. Kienitz Wilkins
Director in Attendance!

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 The Nightingale Cinema, 1084 N. Milwaukee
Sunday, October 23, 7 pm, $7-10

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Filed under: artist in attendance, documentary, experimental, found footage, narrative, performance, surveillance, Uncategorized, video

DIFFICULT BUT POSSIBLE

A Supplement to Rules, Tools and Fools

The Nightingale Cinema, 1084 N. Milwaukee
Sunday, September 18th, 8 pm, $7-10

A selection of shorts surrounding not just the the how-to but to-how. Bearing fully in mind the notion of utopia as a no-place, Difficult but Possible animates the notion of a diffuse set of not-yet-places, of worlds unbuilt, of worlds unbuilding, of the crazy-eyed mirage we keep moving toward. Together, we explore terrains fantastical, domestic, speculative and utopian; we learn to dodge the camera all around us and to stare deeply into and through others; we receive allegories from beyond underground weather and beyond Drop City, venture into cited non-sites and pick up some skills along the way.

Co-presented by Spudnik Press, in conjunction with Rules, Tools and Fools,
curated by Jaclyn Jacunski and Jason Pallas;
made possible through the generosity of the Chicago Film Archives,
and the sense of possibility and adventure of the artists

Programmed by Jesse Malmed

 

Mike Lopez | Whole Earth Land | 2016 | 10 minutes  | Playthrough Performance

Gene Bernofsky | 1993 | 1980 | 9 minutes | 16mm to Video | Sound

JoAnn Elam | The Last Whole Earth Catalog | 1967-1990 | 20 minutes | 8mm to Video | Silent

Jillian Mayer | Makeup Tutorial – How to Hide from Cameras | 2013 | 3.5 minutes | Video | Sound

Sam Green | Clear Glasses | 2008 | 4 minutes | Video | Sound

Jennifer Proctor | Alternative Forms of Energy | 2005 | 5 minutes | Super 8 to Video | Sound

Ben Russell | Trypps 7 (Badlands) | 2010 | 10 minutes | S16mm to Video | Sound

 



Filed under: archival, documentary, environmental, essay, experimental, feminism, geography, hand-processing, history, landscape, lecture, new media, performance, social justice, surveillance, video

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