1084 N MILWAUKEE, CHICAGO

Kamau Patton: The Sky Above

Saturday, October 26th, 7 PM, $7-$10 suggested donation (cash only)

Artist in attendance!

The Sky Above: a video work and experience by Kamau Patton
(2014, US, digital, 66 min total)

In Partnership with Machine Project as part of the Getty initiative “Pacific Standard Time Presents: Modern Architecture in L.A.”, Machine Project asked artists to take on the whole environment of Los Angeles and create performances shot on video and edited into short experimental films in response to notable architectural sites throughout the city.

As part of The Machine Project Field Guide to L.A. Architecture, artist Kamau Patton engaged with a series of buildings in Los Angeles via a chartered helicopter, while performing a sound work composed for the flight. Accompanied by a cameraman and sound engineer, the entire flight was streamed live to Machine Project’s storefront space and the web.

Kamau Patton is an interdisciplinary artist and art educator. His work is an examination of history and culture through engagement with archives, documents, stories and sites. His research focuses on questions of human ecology, environment, memory, cyberspace, telematics, and transmission technologies. Patton’s projects take form as expanded field conversations, always becoming, continuing and undergoing transformation.Patton received his MFA from Stanford University in 2007 and his BA in Sociology from the University of Pennsylvania.



Filed under: artist in attendance, cityscape, documentation, experimental, sound

THE BEAM

small matters and cosmic scans from Nina Barnett + Jeremy Bolen, Deborah Stratman, Mike Gibisser and Semiconductor

Wednesday, September 19 at 8 PM, $7-10

The Beam plays like a science nonfiction road film–– following the largely invisible NOVA experiment path over 550 miles – from Illinois to Northern Minnesota – in search of something that’s everywhere: neutrinos, the tiny subatomic particles that fill our world, unbothered by matter or its related matters. Visually striking, enlightening but never didactic, first time collaborators Barnett and Bolen—draw out the poetics of seeking the unseeable, of trying to name and know the invisible bits that we share space with. In celebration of its world premiere, we’ve paired it with some other incredible films playing in the interstices of the scientific and poetic, dispensing with those classifications, but keen to understand the links between technologies of vision and visualization, the metaphors through which we understand the universe.

 

Nina Barnett + Jeremy Bolen — The Beam | 27 mins. | HD | color | sound | 2018

“They go through everything and they never stop.”

“There is no stop.”

“It just keeps going into the cosmos”

 

Mike Gibisser — Second Law: S Leh St. | 14 mins. | 16mm to HD | color | sound | 2010

The second of a four part series. The second law of thermodynamics, the law of entropy, states order tends toward disorder. An old woman passes time in her home. The dust in the air sometimes floats skyward.

 

Semiconductor — 20Hz | 5 mins. | HD | b+w | sound | 2011

20Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.

 

Deborah Stratman — …These Blazeing Starrs! | 14 mins. | 16mm to HD | b+w | sound | 2011

Since comets have been recorded, they’ve augured disaster: catastrophe, messiahs, upheaval and end times. A short film about these meteoric ice-cored fireballs and their historic ties to divination that combines imagery of 15th-18th century European broadsides with NASA Jet Propulsion Laboratory footage.

…These Blazeing Starrs! juxtaposes a modern empirical desire to probe and measure against older methods, when star gazers were translators, explicating the sky more intuitively for predictions of human folly. Comets are now understood as time capsules harboring elemental information about the formation of our solar system. Today we smash rockets into them to read spectral signatures. In a sense, they remain oracles – it’s just the manner of divining which has changed.

programmed by Jesse Malmed



Filed under: artist in attendance, collaboration, documentary, environmental, essay, experimental, place, science, sound, video

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