1084 N MILWAUKEE, CHICAGO

VIX: Pomegranates

VIX: virtual international exchange — brings together national and international artists to contemplate ideas of intimacy and queering spaces, places and gestures. The artists advance a more intergenerational, queer, & poc centered dialogue that introduce meditations on practices deeply rooted in performance, moving image, voyeurism, spectacle & theater.

Queer Blessings for Eid al-Adha
Programmed by Nabil

Nabil is an artist, creative organizer and experience
designer currently based in Chicago. Since 2014, they
have been organizing and curating performance
and new media works in collaboration with organizations
and artist run platforms such as MIX NYC and VIX.

Currently, Nabil is a programmer of
The Nightingale Cinema and
UX/UI Design Faculty at the Flatiron School.

Nabil’s works have been exhibited nationally and
internationally in museums, festivals and galleries;
including a solo exhibition at the
New Bedford Museum of Art (2018) and featured
in publications such as Phaidon’s Art and Queer Culture(2019),
Emergency Index Vol. 6&7, The Guardian,
The Washington Post and The Aerogram.



Filed under: artist in attendance, Asian, autobiography, black and brown, cityscape, collaboration, documentary, environmental, ethnography, expanded cinema, history, home movies, international, muslim, narrative, new media, performance, place, queer, social justic, south asian, urban

Still Birds in Shifting Places

Three Experimental Narratives

Monday, February 25, 7 PM – 10 PM, $7-10 suggested donation

The Nightingale Cinema is delighted to present the works of three international female filmmakers for a night of travels and contemplation.

Camille Laut takes us to the coastal side of California, a cliff abstracted into a body, breathing through the filmmaker’s handheld camera in which we immerse ourselves. While in Cuba, Paloma Rincón’s character looks at herself through the birds she observes and a zooming lens sensorially drives us into her constrained world. It is winter when we land in Sarajevo, where Emma Rozanski’s powerful minimalism stumbles over the fantastic as Damir’s monotonous order is disrupted by Tasya’s imposing system.

Camille Laut — Black’s Beach | (2016, HD, sound, color, 16:9, 05:37)
A place portrait of A. and Black’s Beach – one of San Diego’s nude beach. Accompanied by a soundscape recorded at The Annenberg Community Beach House in Santa Monica.

Paloma Rincón — ¿Deberíamos acercarnos a los pájaros? | (2016, HD, sound, color, 16:9, 05:00)

Emma Rozanski — Papagajka | (2017, 2K, sound, color, 16:9, 1:21:00)
A stranger arrives in Sarajevo and barges into Damir’s reclusive world. Little by little she takes over his life. She absorbs his dreams. Until finally she threatens his very existence.

~

Camille Laut

Camille Laut is a French artist and filmmaker, raised between Tokyo, Paris, Beijing, Strasbourg and Seoul. She earned her BFA from the School of the Art Institute of Chicago where she experimented with documentary, animation, and short experimental narratives around the theme of isolation in the urban landscape. She is now finishing her MFA in Film Directing at CalArts, and for that, is preparing a short magical realist film taking place on an unusual tour bus around Los Angeles.
https://vimeo.com/camillelaut

~

Paloma Rincón

Paloma Rincón is a Colombian artist and filmmaker, interested in experimental narratives, strongly attracted by the relation between film and poetry. Her first short film, “Bark”, was awarded for the Most Original Film at the Film School Fest München, and it is still being screened at various other film festivals around the world. In 2016 she attended the workshop Filming in Cuba with Abbas Kiarostami, where “Should we go near to the birds?” was made. She is currently working on editing a new short film, as well as involved in music and sound experimentation.
https://vimeo.com/palomarincon

~

Emma Rozanski

Emma is an Australian filmmaker, multi-media artist and a first-generation MFA graduate of Bela Tarr’s film.factory experiment in Sarajevo. Her debut feature-length film, PAPAGAJKA (The Parrot) had its World Premiere at the SXSW Film Festival in 2016 and continued on to a successful festival run worldwide. Emma is part of the artist collective, Bistrik7 (@Bistrik7), a group of 20 filmmaker-artists from around the globe who make collective projects and curate screenings and exhibitions of their work. In 2018 Emma was the summer/fall artist in resident at The International Museum of Surgical Science, culminating in a solo exhibition. She is currently a FIELD/WORK resident at the Chicago Artists Coalition.
https://www.facebook.com/PapagajkaFilm/
www.emmarozanski.com

~

Programmed by Valentina Manzoni



Filed under: artist in attendance, experimental, international, landscape, narrative, place

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