1084 N MILWAUKEE, CHICAGO

Everywhere is Anywhere

Video and performance work by Sara Condo

Tuesday, December 11 at 8:00 PM, $7-10

The Nightingale is excited to welcome multidisciplinary artist Sara Condo to present a selection of her video and performance work. Condo grapples with technology, landscape and feminism, finding unexpected meanings along the highways and byways of the United States. Trust the journey.

The program includes:

Everywhere is Anywherea scrolling landscape photograph and science fiction piece mourning the death of the “American Dream.” The video follows the zen warrior path of the main character, D a queer cyberpunk goddess, who wanders across the land following the death of her estranged father, whom we will call The Wizard. D is on a spiritual journey on a search to unravel the layers of patriarchal power systems embedded in the fabric of her life. Struggling to come to grips with the loss of her ego, she completes walking meditation upon the built environment. Using the landscape as her friendly companion, D reflects on the history of each location and her place within.

The Wizarda live performance piece incorporating computer generated audio and video visuals

Wanderlust, a short experimental documentary centered around a woman who travels alone. As she travels, she contemplates notions of female hysteria, agriculture, and the dawning of the New Age.

Total screening time: approx 55 minutes



Filed under: artist in attendance, autobiography, expanded cinema, feminism, geography, landscape, music, performance, travel

KINOSONIK

SSSS! Second Sexing Sound Symposium
Featuring performances by Frauke Aulbert and Seth Parker Woods accompanying films by JoAnn Elam

Saturday, December 2 at 8:00 pm, Free

Back for its third year, KINOSONIK is a collaboration between the Goethe-Institut, Experimental Sound Studio, and Chicago Film Archives. This year’s project, the  Second Sexing Sound Symposium (SSSS!), is a series of public events in Chicago dedicated to ideas, research, performance, and conversation surrounding female and trans-identifying practitioners in and around the sonic arts. Saturday’s screening kicks off the series which includes panel discussions and performances at Sector 2337, Constellation, and the Experimental Sound Studio. Musicians Frauke Aulbert and Seth Parker Woods will collaborate to compose live scores for a selection of films curated and sequenced by CFA from the JoAnn Elam Collection. Aulbert and Woods were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

The soprano, voice performer, and multivocalist, “Hamburg’s queen of Avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o. Concerts led her to festivals all over the world: Europe, Korea, Australia, Brasil, Georgia, Tunesia, and the USA. Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project ‘Beatboxing and the Avant Garde’. Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’.

Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke’s. A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Heinz Holliger, G.F. Haas, Helmut Lachenmann, Klaus Lang, Steve Mackey and Peter Eotvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata. His debut solo album, asinglewordisnotenough, has garnered great acclaim since its release in November 2016, and has been profiled in the Guardian, I Care If You Listen, Musical America, and Strings Magazine amongst others.

JoAnn Elam (1949-2009) is a central figure in the in the history of Chicago’s experimental film community. Her short experimental and documentary films capture the spirit and ethos of a politically active, feminist, and socially conscious artist. Along with Bill Brand, Warner Wada, and Dan O’Chiva, Elam founded Chicago Filmmakers (initially called Filmgroup, with screenings held at N.A.M.E. Gallery) in 1973.

 



Filed under: 8mm, artist in attendance, collaboration, documentary, feminism, film, Free Screening!, history, international, music, performance, queer, Super 8mm, Uncategorized, video

SHALA MILLER

Heat Situated/Necessary Accessories

Thursday, August 31 at 8 PM, $7-10

The Nightingale presents Heat Situated/Necessary Accessories: new video works and poetry by Shala Miller. Her work primarily consists of photography, text, video and drawing from time to time. Language and conversation serve as the thematic umbrella for Shala’s work. Whether it’s the language of a photograph and it’s poetic capabilities or the conversation between the soprano and alto.

Originally from Cleveland, OH, Shala is a recent graduate of the School of the Art Institute of Chicago, and she is soon to be a New Yorker.

PROGRAM NOTES:

THE ECHO, Super 8 converted to video, video, digital collage 8:14
LET’S GET IN THE DARK, video, 2:50
LULLABY FOR THE FALLING/A SPELL, video, 2:59
SOMETHING TO DO WITH THE HEAD AT THE TAIL, video, 5:08

videos to be followed by a reading of new poems.



Filed under: artist in attendance, documentation, essay, experimental, feminism, film, performance, poetry, Super 8mm, video

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