1084 N MILWAUKEE, CHICAGO

Another As A Second Self

New Video Works By Grace Mitchell

1084 N. Milwaukee
Friday, June 16th, 7:00 pm, $7-10

Grace is an image maker whose work is often inspired or facilitated by writing and language (body-language, spoken language, and other communicating forms). Discourse in her films functions much like how talking to yourself does: it lingers, disagrees; it’s sporadic and disjointed. Rarely concludes.

Join us for a special screening of new video work by Milwaukee based artist Grace Mitchell. Artist in attendance!

Accompanying the screening will be issues 3, 4 & 5 of Cineviews, an experimental publication revolving around filmic endeavours, founded by Mitchell with the designing forte and collaborative efforts of Reece Ousey, as well as a yet-to-be-released book of images created by Mitchell and published through Martian Press, a risograph printing press run by Stephanie Gage, located in Milwaukee, WI.

Program details:

Fate Parts (3 min)
Ilse, Irene (5 min)
Another’s Window (7 min)
Red Heel In Field (2 min)
Top Thrill (7 min)
Yards (7 min)
Been Waiting (6 min)
Was Here (4 min)
Sunset Song (5 min)

 



Filed under: artist in attendance, documentary, documentation, essay, experimental, feminism, painting, performance, queer, video

First Year SAIC MFA Students

The Nightingale will host a screening of first year SAIC MFA students’ film, video, and new media work.

___-STILL

The Nightingale Cinema, 1084 N. Milwaukee
Friday, May 6th, 7 pm, $7-10

Ranging from experimental documentary to 3D and 2D experimental animation, these films and videos represent the culmination of a year spent in thought and labor at the School of the Art Institute of Chicago. These works, produced as first year students in the MFA program, explore themes of loss and displacement, the role of the accordion in Chinese culture, and chance operations. Join us for a screening of works completed and in progress, including a live kazoo soundtrack.

Including:

Joe Houlberg – BIRTHz

Ricardo Salcedo Martínez – Home(s)

Julia Pello – In the Time//In the House\\ of Slow Sex

Emily Sasmor – COWBOYS, COWBOYS, COWBOYS, MINERS, COWBOYS – ACT III – THE GIRL GANG AND THE PONY

Benji Sayed – ihavefailedyouall

Kelsey Velez – Pinwheel

Peng Zuqiang – Accordion Class

Joe Houlberg is an Ecuadorian film director, born in 1986. He studied Film and Philosophy at Universidad San Francisco de Quito. At the moment, Houlberg is studying an MFA in Filmography at the School of the Art Institute of Chicago.
Throughout his career, Joe has explored the forms of communication present among the living beings, beyond words. This exploration may be experienced in SED, his first feature film (Chicago Latino Film Fest), as well as in BEUEU (Best Short film: Cero Latitud, Official Selection: Chicago Latino, Lakino Berlin), NO VA A NINGÚN LADO (Official Selection: Cine- marea, Tamaulipas, Espejo) and NIEBLA MUDA (Honorable Mention: La Orquídea).

Ricardo Salcedo Martínez was born in Cuenca, Ecuador in 1989. He got his undergraduate degree Film at the School of Arts and Social Sciences in Chile. Through fiction, documentary and essay film forms his work often delves into questions of identity, belonging and perception. He is currently studying for his Master’s at SAIC.

Julia Pello is a Russian-born poet and filmmaker who has shown work around the world including at The Getty, Le Centre Pompidou, and the Bangkok International Film Festival among many others. She has collaborated on various audio-visual projects including Hour of Star and Zerkalo and presented live projections at such venues as Cité de La Musique. Julia is currently a Master of Fine Arts candidate at the School of the Art Institute of Chicago.

Emily Sasmor’s work focuses on power relationships. Telling narratives focusing on interpersonal relationships allows her to talk about domination on both a small and large scale. Using both tangible and intangible materials, she brings up the roles that reality and the imaginary play within them. The stories and spaces she creates are meant to leave questions. None of which are answered. By reveling in these interactions, the viewer is asked to enter into limbos, engaging with unending, repetitious power struggles.

Desi-Corean artist Benji is interested in glitch, noise, and game environments to explore concepts of identity loss, alienation, anxiety, and failure.

Kelsey Velez is an MFA candidate at the School of the Art Institute of Chicago. Her work has screened at Indie Grits in Columbia, SC, New Orleans, LA & in Athens, Greece. She is interested in marrying traditions of representation and abstraction to depict and distort ideas of recreation, diversion and sport.

Peng Zuqiang is a filmmaker and translator born in Changsha, China in 1992. His film and video works speculate and question the potential and condition of collectivism through exploring historical objects and environments. Recent exhibitions include: “De arrogantie van De jeugd” (2015) at Galerie Gabriel Rolt, Amsterdam. “Casual Contradictions” (2014) at MOCA Shijiazhuang, and “The Temporary: 01” (2014), at ARTicle Gallery, Birmingham. His has participated in screenings at Acadia Missa and Chinese Visual Festival, both in London where he completed his BA at Goldsmiths College. He is currently a candidate of MFA in Film at the School of Art Institute in Chicago.

Programmed by Emily Eddy and Kelsey Velez



Filed under: 16mm, animation, documentary, experimental, feminism, film, music, narrative, new media, opening, painting, performance, video

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