1084 N MILWAUKEE, CHICAGO

HOW TO FIGHT LIKE A GIRL

Recent Video Work Made by Powerful Femmes

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The Nightingale Cinema, 1084 N. Milwaukee
Friday, September 30th, 7:00 pm, $7-10

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Filed under: anarchy, animation, artist in attendance, experimental, feminism, film, new media, performance, queer, Uncategorized, video

DIFFICULT BUT POSSIBLE

A Supplement to Rules, Tools and Fools

The Nightingale Cinema, 1084 N. Milwaukee
Sunday, September 18th, 8 pm, $7-10

A selection of shorts surrounding not just the the how-to but to-how. Bearing fully in mind the notion of utopia as a no-place, Difficult but Possible animates the notion of a diffuse set of not-yet-places, of worlds unbuilt, of worlds unbuilding, of the crazy-eyed mirage we keep moving toward. Together, we explore terrains fantastical, domestic, speculative and utopian; we learn to dodge the camera all around us and to stare deeply into and through others; we receive allegories from beyond underground weather and beyond Drop City, venture into cited non-sites and pick up some skills along the way.

Co-presented by Spudnik Press, in conjunction with Rules, Tools and Fools,
curated by Jaclyn Jacunski and Jason Pallas;
made possible through the generosity of the Chicago Film Archives,
and the sense of possibility and adventure of the artists

Programmed by Jesse Malmed

 

Mike Lopez | Whole Earth Land | 2016 | 10 minutes  | Playthrough Performance

Gene Bernofsky | 1993 | 1980 | 9 minutes | 16mm to Video | Sound

JoAnn Elam | The Last Whole Earth Catalog | 1967-1990 | 20 minutes | 8mm to Video | Silent

Jillian Mayer | Makeup Tutorial – How to Hide from Cameras | 2013 | 3.5 minutes | Video | Sound

Sam Green | Clear Glasses | 2008 | 4 minutes | Video | Sound

Jennifer Proctor | Alternative Forms of Energy | 2005 | 5 minutes | Super 8 to Video | Sound

Ben Russell | Trypps 7 (Badlands) | 2010 | 10 minutes | S16mm to Video | Sound

 



Filed under: archival, documentary, environmental, essay, experimental, feminism, geography, hand-processing, history, landscape, lecture, new media, performance, social justice, surveillance, video

THE SPACES BETWEEN CITIES

& The Spaces Between Chicagos
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The Nightingale Cinema, 1084 N. Milwaukee
Thursday, September 8th, 8 pm, $7-10

An experiment in collective filmmaking and speculative collaboration featuring dozens of artists from across the globe!

Seattle-based filmmaker and EXcinema founder Salise Hughes commissioned twenty-one international experimental filmmakers spread across four continents to create a short works, resulting in a feature-length film set in North America, Europe, South America and Asia. Employing the cadavre exquis (exquisite corpse) technique invented by the surrealists, the filmmakers wove together a single story by relying on “prompts” for the beginning and ending of their contribution that were supplied to them in advance. The result is a playful experimental road movie in which the closing images of one work also signal the opening of a work created by another artist somewhere else in the world.

To poke around that collage corpus a bit more, ten Chicago artists have been drawn into the exquisite experiment to create a lean dream version of the same.

Tonight, the Chicago version makes its world premiere and the world version makes its Chicago premiere.

THE SPACES BETWEEN CITIES features Pip Chodorov, Charles Chadwick, Kate Lain, Amy Bassin & Mark Bickley, Reed O’Beirne, Konstantinos-Antonios Goutos, Stephen Broomer, Salise Hughes, Douglas Katelus, Blanca Rego, Arto Polus, Robert Zverina, Margaret Rorison,Dustin Zemel, Ben Popp, Insa Langhorst, Anna Kipervaser, Pablo Molina Guerrero, Milan Milosavljevic and Jesse Malmed.

THE SPACES BETWEEN CHICAGOS features Molly Hewitt, Lori Felker,Amir George, Christopher Renton, Paula Pinho Martins Nacif, Josh B Mabe, By Way of Today, Paul Dickinson, Blair Bogin and Jillian Hansen-Lewis.

(Still by Robert Zverina, The Spaces Between Cities. Shooting Location: Seattle, Washingtion)



Filed under: artist in attendance, experimental, international, narrative, new media, video

FIRE AFTER THE SUN

Five Videomakers from Mexico City

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The Nightingale Cinema, 1084 N. Milwaukee
Friday, August 19th, 7:30 pm, $7-10


Fire After the Sun
presents the work of five videomakers from Mexico City addressing the legacy of delusionment/disillusionment after history, anecdotes around collective catastrophes, and deconstructions of national symbols.

The program creates a  dialogue between the antagonistic perspectives and conceptual coincidences between the different works. Originally they were all created as video installations. Thus they challenge the mono channel projection by creating non-linear narratives, departing from fiction and nonfiction film strategies through selected media archeologies and techniques.

 

Program Details

Isaac Torres

“Todo se derrumbó” Mini DV (05:17)

“La Marcha” Mini DV (11:11)

Amanda Gutierrez 

“Fallas de Tlatelolco” Mini DV, VHS and HD (3:17)

“Arqueología mediática” Mini DV, VHS and HD (8:00)

“Complot Mongol” HD video (00: 48)

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Paola De Anda

“Fogata del disturbio”  HD video(5:25)

Federico Martinez

“Forjar Dinero” HD video (1:35)

Adela Goldbard

“Enter the Dragon”  HD video(0:45)

“CoCa Cola Chrismas Tree” HD video (1:57)

“Microbus”  HD video(4:38)

“Oxxo”  HD video(2:57)

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Filed under: anarchy, artist in attendance, experimental, international, new media, video

4my_broken_hard_drive

New Video works by SAIC Students

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The Nightingale Cinema, 1084 N. Milwaukee
Sunday, May 15, 7 pm, Free

Dearly beloved, we are gathered here tonight to celebrate the life and love of Hard Drive. :~(

When we started this journey together, we assumed it would end in planned obsolescence, but the years we spent together were the best of our lives.

There are so many good memories to back up. :~)

Like the time we improperly ejected Hard Drive, or the great migration from Windows ➡️ Mac OS, but being so solid and dependable, you didn’t lose a bit or byte of info.

Or that fateful day when your sleek, compact design that had once brought us so much joy, made you slip through our fingers to your final resting place.

We held you in our hands, and felt your 7200 RPMS slow down to zero, until the click of death finally overtook your drive as you entered the great bit bucket in the sky.⛅️

Every time we see a ‘media offline’ message, we are reminded of your absence.

We wish there was a Time Machine that could take us back to all the good times you kept in store for us.

Hard Drive, thank you for being part of our lives, and thank you for the memory. ✌️

Your final wishes of being responsibly recycled will be followed though. ❤️♻️☁️

Unfortunately, it was too expen$$$ive to save your contents so all we have now are these videos. ▶︎

Come pay your respects at our screening/funeral for Hard Drive @ The Nightingale.

❤️Family and Friends of Hard Drive❤️:

Zeynep Aslanoba

Margaret Carsello

Riley Goss

Holly Henry

Melissa Hespelt

Corey McCullar

Talixa

Valentina Pozo

Allison Anne Ramirez

Joey Scher

Stella Serne

Lu Shan

Natalie Ullman

Claire Jade Wong

Pearl Marie Salas

eric fleischauer

≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈~≈

4my_broken_hard_drive is a screening of moving image/video works organized & made by students from the “Video” class at the School of the Art Institute of Chicago, taught by eric fleischauer and TA Pearl Marie Salas during “Spring” 2016.

 



Filed under: animation, artist in attendance, documentary, experimental, feminism, film, narrative, new media, queer, video

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