1084 N MILWAUKEE, CHICAGO

Duke & Battersby

short works by Emily Vey Duke & Cooper Battersby

Friday, November 22nd, 7 PM, $7-$10

(2001-2019, Canada / United States, digital, 52 min + discussion)

Cooper Battersby (b. 1971, Penticton British Columbia, Canada) and Emily Vey Duke (b. 1972, Halifax Nova Scotia, Canada) have been working collaboratively since June 1994. They work in printed matter, installation, new media, curation and sound, but their primary practice is in single-channel video. Between discussions of life, death, and sexuality, Duke & Battersby craft a simultaneously cute, violent, and emotive universe, starting a poetic and psychoanalytic dialog between humans, animals, plants, and their camera.

Bad Ideas for Paradise
(2001, 20 min)

Lesser Apes
(2011, 12 min)

Here is Everything
(2013, 14 min)

Civil Twilight at the Vernal Equinox
(2019, 6 min, Work in Progress)

This program is produced in partnership with The Block Museum.



Filed under: animation, artist in attendance, environmental, essay, experimental, feminism, new media

VIX: Pomegranates

VIX: virtual international exchange — brings together national and international artists to contemplate ideas of intimacy and queering spaces, places and gestures. The artists advance a more intergenerational, queer, & poc centered dialogue that introduce meditations on practices deeply rooted in performance, moving image, voyeurism, spectacle & theater.

Queer Blessings for Eid al-Adha
Programmed by Nabil

Nabil is an artist, creative organizer and experience
designer currently based in Chicago. Since 2014, they
have been organizing and curating performance
and new media works in collaboration with organizations
and artist run platforms such as MIX NYC and VIX.

Currently, Nabil is a programmer of
The Nightingale Cinema and
UX/UI Design Faculty at the Flatiron School.

Nabil’s works have been exhibited nationally and
internationally in museums, festivals and galleries;
including a solo exhibition at the
New Bedford Museum of Art (2018) and featured
in publications such as Phaidon’s Art and Queer Culture(2019),
Emergency Index Vol. 6&7, The Guardian,
The Washington Post and The Aerogram.



Filed under: artist in attendance, Asian, autobiography, black and brown, cityscape, collaboration, documentary, environmental, ethnography, expanded cinema, history, home movies, international, muslim, narrative, new media, performance, place, queer, social justic, south asian, urban

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