RETURN TO THE MOON HOTEL

Videos by Jessie Stead

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Saturday, January 3, 2015 at 8:00 pm, $7-10
Video chat Q & A with Jessie following the screening!
Chicago premiere of Meanwhile At The Moon Hotel!

Return to the Moon Hotel: a selection of recent solo and collaborative cinema works by Jessie Stead, including Page 59, Ambient Whiskey Slap, and the Chicago premiere of Meanwhile at the Moon Hotel, from the Nocturnes episodics: “A reverie in 10 overlapping Meanwhiles at a downloaded lunar hotel…”

BIO: Jessie Stead is a New York based artist working with installation, cinema, music, collaboration and other overlapping disciplines.

VISIT: www.jessiestead.com

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Filed under: artist in attendance, documentary, documentation, experimental, narrative, new media, reading, surveillance, Uncategorized, video

SHAPESHIFTERS

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Filed under: experimental, new media, Uncategorized, video

SUITCASE of LOVE and SHAME

Premiere Screening  for RUN OF LIFE:
Experimental Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

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Monday, September 22nd at 7:00pm,
$8 in advance / $10 at the door
Purchase tickets here

The Nightingale’s Christy LeMaster and Kartemquin Film’s Beckie Stocchetti join forces to present RUN OF LIFE, a co-curated experimental documentary and expanded media series to be held at Constellation  beginning September 22nd, 2014 and running every third Monday for nine months through May 2015.

This new series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making: “We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.

PREMIERE SCREENING
SUITCASE OF LOVE AND SHAME
Dir. Jane Gillooly // 70 min // 2013 // video

Tender, erotic, and pathetic, this reconstructed narrative examines the obsession to chronicle the details of an adulterous affair. Suitcase of Love and Shame is a mesmerizing collage woven from 60 hours of reel-to-reel audiotape discovered in a suitcase purchased on eBay. Recorded in the 1960’s, a Midwestern woman and her lover become reliant on recording devises to document and memorialize their affair. The film aims at a cross-generational consciousness about exhibitionism, privacy and voyeurism. Focusing on the aural and experiential nature of the audio the imagery in the film is restrained – abstract, evocative and expectant, so that the audience will see with their ears. The listener/viewer is variously located within and outside of the events – complicit and voyeuristic. The “eavesdropping viewer” is compelled, despite feeling embarrassed and uncomfortable with the knowledge and access they have been given into the transgressions they imagine they see. Selected to screen as part of the distinguished Art of The Real series at the Film Society at Lincoln Center 2014, the film has screened internationally winning Best International Film at Images Festival in Toronto.

(more…)



Filed under: documentary, experimental, film, found footage, narrative, new media, surveillance, Uncategorized, video

BASEMENT MEDIA FEST

LO-DEF, LO-TECH, LO-FI
programmer LJ Frezza in attendance

Thursday, August 28th at 8:00 pm, $7 -10

THE NIGHTINGALE IS ECSTATIC TO BE BRINGING THE BASEMENT UP TO THE FIRST FLOOR. BASEMENT MEDIA FEST IS A SURVEY OF CONTEMPORARY ARTISTS WORKING WITH LO-DEF, LO-TECH, AND LO-FI MOTION PIX TECHNIQUES. FOUNDED IN RESPONSE TO HI-RES COMMERCIAL MEDIA AND CORPORATE-SPONSORED FILM FESTS, BASEMENT IS A CELEBRATION OF THE MEDIATED EXPERIENCE AS AN AESTHETIC EXPERIENCE. HASHTAG FUZZY / HASHTÅG GLITCHY / HÅSHTÅG  GRIMY.

///WARNING/// SUM OF THESE MOVIES FEATURE FLICKERING LIGHT AND RAPIDLY CHANGING MOTION. MAY CAUSE SEIZURES/MOTION SICKNESS. IF YOU HAVE TO SPEW, SPEW IN THIS.

Still from Tyler Tamburo – Cold Blood

/START PROGRAM:

House (Andy Birtwistle, 3:45, Digital)

I Am All Men As I Am No Man and Therefore I Am (Gilberto Alfredo Salazar­ Caro, 5:29, Digital)

Election Coverage (Chris Paul Daniels, 1:01, Digital)

Cold Blood (Tyler Tamburo, 3:24, Digital)

Queens Quay (Stephen Broomer, 1:11, 16mm)

[phrases] (Ben Balcom, 4:24, Digital)

Doubt #2 (Josh Lewis, 5:26, 16mm)

Smashed (Emma Varker, 3:53, Digital)

The HandEye (Bone Ghosts) (Anja Dornieden & Juan David Gonzalez Monroy, 7:09, 16mm)

[RGB] (N. Heppding, 4:30, Digital)

Seriously Delinquent (Dylan Pasture, 6:49, Digital)

The Way You Recognize It (Laura Thatcher, 1:32, Digital)

How to Draw Clouds (Salise Hughes, 2:20, Digital)

RIP Geocities (Faith Holland, 2:31, Digital)

Every Feature Film on My Hard Drive 3 Pixels Tall and Sped Up 7000% (Ryan Murray, 3:29, Digital)

holiday 13 (Jordan Lopez, 1:44, Digital)

Up (Scott Fitzpatrick, 4:47, Digital)

/END PROGRAM

FOR MORE INFO, CHECK OUT: HTTP://BASEMENTMEDIAFEST.COM

 



Filed under: artist in attendance, experimental, film, found footage, new media, video

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