1084 N MILWAUKEE, CHICAGO

VIDEO! VIDEO! VIDEO FESTIVAL

2nd Annual Video! Video!
Video Festival Day 3
Grantee Showcase!

Saturday, September 23 at 7 PM, Free

hey hey hey!
FREE FILM FESTIVAL!

Video! Video! Zine is devoted to obtaining visibility for moving image makers. Through monthly open calls, we motivate and encourage makers to participate, no matter what skill level or knowledge of moving image. We also hope to inspire through monthly guest curated “5 videos you must see” and interviews of moving image makers who need a spotlight. ☆By doing this Video! Video! Zine hopes to become an accessible submission-based Internet archive of amazing moving images from around the world.

This year we gave 3 grants to 3 artists who display work that we feel demands visibility! This night we would like to honor Xitlalli Sixta Tarin, Zhi Yuan Yang and Wayne P. Tate Jr. by looking at their work and having a discussion afterword.

MORE ABOUT THE GRANTEES~
Wayne P. Tate Jr. (they/he) is an interdisciplinary artist based in Chicago and a SAIC BFA Candidate. Their work travels within the mediums of comics, writing, video, and sometimes new media. Overall, they like to explore mental illness and its ties to their identity as a mixed queer/trans person of color.
@tatertotter on Instagram.

Xitlalli Sixta Tarin is an interdisciplinary queer mestiza artist working primarily with video, installation, performance, and new media. They were born in San Antonio, Texas and are a SAIC BFA candidate.

Zhiyuan Yang, born in Beijing, China. Yang is the recipient of James Weinstein Memorial Fellowship. Her works have been exhibited and screened extensively throughout Chicago including Filter Photo, Latitude, Hairpin art center, ARC Gallery, and Sullivan Galleries. Her photograph is part of a collective photographic portfolio at The Joan Flasch Artists’ Book Collection and The Art Institute of Chicago.Yang will participate the residency program by Skowhegan School of Painting and Sculpture (2017), and her work will be included in the biennial of South Bend Museum of Art.

Aproximate runtime is one hour.

Also check out the first two days of the festival~!
Video! Video! Video Festival Day 1 and Video! Video! Video Festival Day 2



Filed under: Free Screening!, narrative, new media, queer, sound, Uncategorized, video

INNER DISTANCES

Programmer, Amanda VanValkenburg,
in Attendance

Friday, September 8 at 8 PM, $7-10

Inner Distances, a screening curated by Amanda VanValkenburg, examines how technology affects sense of place and sense of self. Relationships to location becomes abstracted through the mediation of devices. The internet creates familiar landing sites, social media pages become extensions of identity, and google maps can be used to explore topographically accurate recreations of locations around the world. Sense of place is an abstraction of location navigated by information, senses, and physical stimulus. This screening is focused on repurposing devices or software to explore concepts of space and technology, or other strategies that investigate relationships between the virtual and the physical.

This project was developed with support from High Concept Labs.

Program Details:

Parastoo Anoushahpour, Ryan Ferko and Faraz Anoushahpour
Bunte Kuh
(5 min)
Through a flood of images and impressions, a narrator attempts to recall a family holiday. Produced in Berlin and Toronto, Bunte Kuh combines a found postcard, family photo album, and original footage to weave together the temporal realities of two separate vacations.

Johann Lurf
Embargo
(10 minutes)
The oscillating sound of video games, glass facades, barbed wire and high walls that block our view of what goes on behind them. Someone has something to hide here. In EMBARGO we peer over the barriers, past red eyes and CCTV cameras and into state-of-the-art premises of arms and drone manufacturers. The elaborate recording techniques create quite a distinctive spatiality, drifting between distance and closeness. A science-fiction nightmare, dangerously close to reality.

Orr Menirom
Clinton and Sanders Looking at the World and Naming Things for the First Time
(11 minutes)
This short video is based on a CNN debate which took place in April 2016 between Hillary Clinton and Bernie Sanders. The visuals of the debate have been removed and replaced with a series of dreamlike images. Paired with this alternative footage, the politicians’ words narrate a new and personal story, revealing the subconscious of the politicians. The debate turns into a Rorschach test onto which viewers can project their own thoughts and associations.

Brock Neilson
Reunion 1
(7 minutes)
The artist re-enters a space from their childhood as an adult, freely exploring and reimagining the tone of the space through the lens of an iphone and a year-long process of editing sound and footage on an apple desktop computer.

Daniel Spangler
The Age of Branches
(8 minutes)
A dramatic retelling of systemic collapse, unfolding on the scale of nanoseconds, The Age of Branches examines the American power infrastructure during a crisis of continental proportions, reframing the jargon of its technical port-mortem as mythic language.

Amanda VanValkenburg
Unnatural Disasters
(10 minutes)
A 3D sculpted environment full of architecture caught in the act of critical change. Simulated disasters oscillate on the border between realism and complete artifice with a slow observation of decay. Basing each vignette off of existing locations, the 3D re-enactment allows an destructive intervention that is ephemeral by design.

Calum Walter
Terrestrial
(10 minutes)
The observations of an object in motion: A mobile device captures the trajectories of objects liberated from and bound to land, against a backdrop of uniquely human dissonance. Terrestrial attempts to articulate a desire to transcend bodily limits with electronics and machines, while acknowledging an unavoidable level of dysfunction. The film was inspired by an incident in 2014 where a Blue Line train in Chicago failed to stop at its final destination, the O’Hare airport, and eventually came to a stop halfway up the escalator at the airport’s entrance. Terrestrial re- imagines this accident as an earthbound machine’s failed takeoff.

Blake Williams
Red Capriccio
(7 minutes) 
An anaglyph 3D found footage film about machines and landscape that interlaces motion with stasis, crescendos with glissandos, and reds with blues. Its triangular structure juxtaposes scenes of a parked Chevy Caprice police vehicle, a cruise along Montréal’s infamous Turcot Interchange, and a visit to a basement rave room.

About the Artists:

Parastoo Anoushahpour, Faraz Anoushahpour, and Ryan Ferko have worked in collaboration since 2013. Using various performative structures to work in relation to speci c sites, their projects explore collabora- tion as a way to upset the authority of a singular narrator or position. Currently based in Toronto, recent lm and installation work has been shown at Projections (New York Film Festival), Wavelengths (Toronto Inter- national Film Festival), International Film Festival Rotterdam, Internationale Kurz lmtage Oberhausen (Ger- many), Portland International Film Festival, Media City Festival (Windsor/Detroit), Experimenta (Bangalore), Crossroads Festival (San Francisco), and ZK/U Centre for Art & Urbanistics (Berlin), Gallery 44 Centre for Contemporary Photography (Toronto), SPACES Art Centre (Cleveland), and Trinity Square Video (Toronto).

Johann Lurf is an artist and filmmaker, using the moving image to analyse and restructure space and film. His practice involves observational and documentary filmmaking especially in the field of structural film, as well as an approach to found footage which is strongly oriented on filmic language itself. Born in 1982 in Vienna Lurf has studied at the Academy of Fine Arts in Vienna and the Slade School of Art in London. He graduated from Harun Farocki’s film class in 2009. He received the State Grant of Austria for Video and Media Art and participated in the Artist-in- Residence Programs at the MAK Center for Arts and Architecture in Los Angeles 2011, the SAIC in Chicago 2015 and in Tokyo 2016. His work has been shown internationally and recognized with awards in numerous exhibitions and festivals.

Orr Menirom’s work explores the border between what is real and what is barely or beyond perceptible. Mixing appropriated materials with self shot footage, she cuts and pastes sentences and uses other people’s words to question language as the border between the political and the existential. Originally from Tel Aviv, Israel, Menirom is an alumna of the Skowhegan School of Painting and Sculpture (2016), the School of the Art Institute of Chicago (MFA, 2014), Kuvataideakatemia (exchange student, 2009) and Bezalel Academy of Art and Design (BFA, 2010). She was a 2016-17 research fellow at the Jan Van Eyck Academy (NL). Solo and two person shows include The Tel-Aviv Museum of Art, Des Moines Art Center (IA), Aspect/Ratio Gallery (IL) and Fafa Gallery (Helsinki, Finland). Screenings include the International Film Festival Rotterdam (NL), Expo Chicago (IL) and Chicago Underground Film Festival (IL). Awards include a New Artist Society Merit Scholarship, Toni and Tim Urban Artist-in-Residence and an Anna Louise Raymond Fellowship.

Brock Neilson grew up in a rural part of Idaho and is currently based in Salt Lake City. They typically work in abstract sound, costume-making, drag performance and electronic music.

Based in a diverse and expanding multimedia practice, Pennsylvania-born artist, musician, and writer Daniel Spangler creates speculative, narrative-based works that examine the construction of personal and mass-media languages used by humans to reconcile themselves with the complexities of the natural world–a process by which storytelling arises as an emergent phenomena. Formerly a visual effects artist, he attended the Tisch School of the Arts at New York University, and later received an MFA from the School of the Art Institute of Chicago, where he was awarded the New Artists Society Fellowship. His work has been exhibited and screened at the Whitney Museum of American Art, the Anthology Film Archives in New York, the Gene Siskel Film Center in Chicago, and many others.

Amanda VanValkenburg uses her background in painting and drawing to inform her work with 3D software to make videos that play in the uncanny valley. Her work has been shown in the MCA, Mana Contemporary, the Gene Siskel, the Elmhurst Museum, the Nightingale, 6018 North Gallery, Links Hall, LeRoy Neiman Center Gallery, and the Chicago Digital Media Festival. She was recently a High Concept Labs sponsored artist and an Oxbow Artist in Residence.

Calum Walter is an artist focusing on sound and the moving image. He has a BFA from the University of Colorado where he studied filmmaking with an emphasis on sound, and later received a MFA from the School of the Art Institute of Chicago. His work has screened at places including the New York Film Festival, Toronto International Film Festival, Rotterdam International Film Festival, Rencontres Internationales Paris/Berlin, Hong Kong Arts Centre, Slamdance, FIC Valdivia, and Ann Arbor Film Festival. He lives in Chicago and teaches in the department of Radio, Television and Film at Northwestern University.

Blake Williams was in born in Houston, Texas and currently lives, works, and writes in Toronto, Canada, where he is a PhD candidate at the University of Toronto’s Cinema Studies Institute. His stereoscopic videos propose mutant and imaginary histories of representational media by exploring the buried or ‘useless’ functionalities of visual technologies. His work has screened at venues such as the Toronto International Film Festival, New York Film Festival, Locarno Festival, and International Short Film Festival of Oberhausen.



Filed under: animation, architecture, artist in attendance, collaboration, experimental, geography, new media, Uncategorized

CHICAGOLAND SHORTS: VOL. 3

Recent Moving Image Work from Chicago

GIANTS ARE SLEEPING by Amanda Gutierrez

The Nightingale, 1084 N. Milwaukee
Thursday, July 27, 7:30 pm, $7-10

Chicagoland Shorts celebrates the new wave of independent cinema in Chicago. Vol. 3 champions work by underrepresented filmmakers and combines experimental genres into one seamless anthology.

Program Details:
ZWISCHEN
Lori Felker
ZWISCHEN (“between” in German) exists on the thin line between opposing forces. Dirt moves over light to a hand-drawn soundtrack of noise and space. 3min, 2006.

BLOKD
Martin Mulcahy
Through the voices and tools of his great grandfather, an early avant-garde filmmaker, a man explores the world as if we are living inside a movie set. 5min, 2016.

YO NO SOY ESA
Diana Delgado Pineda
On an ordinary winter afternoon, a mother does laundry and her daughter puts her clothes away. What could happen when Mom isn’t looking? 6min, 2014.

(more…)



Filed under: animation, architecture, archival, artist in attendance, Asian, documentary, experimental, new media

HER ENVIRONMENT

Mantel (part 1)

Thursday April 27th at 7:30 pm, $7-10
The Nightingale (1084 N. Milwaukee)

Her environment is an expanded New Media art series highlighting feminine spectrum artists focusing on broadening the understanding of how New Media practices can be used in multiple forms of art making. Artists have shown work in performance, writing, light, textile, and sound as well as more traditional embodiments of the term “new media” including computer games, video installation and rendered worlds. Our aim is to show pieces that challenge how new media can be used, and the male dominated culture that surrounds it.

(more…)



Filed under: experimental, feminism, new media, Uncategorized, video

HOME BASE

The Work of Emily Eddy &
the Nightingale’s 9th Birthday!!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 1, 7:00 pm, $7-10

Join us as we celebrate the ninth affordable renewal of our lease with a new series presenting the work of the folks behind the Nightingale. Over the course of the next year, we will treat each programmer to a mini-retrospective as a vehicle to ask you, our community, what this place has been and should become as it nears a decade in existence.

First up is heir apparent, Emily K. Eddy.  She has been curating film, video, and new media works as Co-Director of the  Nightingale since 2013. She is also a film, video, and digital media artist in her own right. This program spans the last four years and includes outside works that heavily inform Emily’s thematic and aesthetic interests.

Emily graduated from The School of the Art Institute of Chicago in 2013, where she received her Bachelors in Fine Arts. Combining many different forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. Emily has shown work and programmed screenings at many venues in Chicago, as well as her hometown, Portland, OR, Reykjavik, Iceland, and various mid-western cities. Her most recent curated program, HOW TO FIGHT LIKE A GIRL will be presented at Echo Park Film Center in Los Angeles on March 24.

As always at Nightingale birthdays there will be cake, questionable punch, and dancing.

 

Program Details

Amsterdam Camera Vacation – Steve Reinke
Digital Video, 12:00
2001

No Chick Is An Island – Emily Eddy
Digital Video, 6:59
2013

I (can?) not be defeated – Emily Eddy
Digital Video, Super 8mm, 9:02
2013

I Touched Her Legs – Eva Marie Rødbro
Digital Video, 15:13
2010

this must be the place – Emily Eddy
Digital Video, 6:09
2014

Vesturbæjar – Emily Eddy
Digital Video, 8:08
2017

 

 

 



Filed under: 8mm, BIRTHDAY PARTY, experimental, feminism, geography, iceland, icelandic, international, landscape, new media, performance, queer, rural, Super 8mm, travel, Uncategorized, urban, video

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