The Nightingale will host a screening of first year SAIC MFA students’ film, video, and new media work.
The Nightingale Cinema, 1084 N. Milwaukee
Friday, May 6th, 7 pm, $7-10
Ranging from experimental documentary to 3D and 2D experimental animation, these films and videos represent the culmination of a year spent in thought and labor at the School of the Art Institute of Chicago. These works, produced as first year students in the MFA program, explore themes of loss and displacement, the role of the accordion in Chinese culture, and chance operations. Join us for a screening of works completed and in progress, including a live kazoo soundtrack.
Ricardo Salcedo Martínez – Home(s)
Julia Pello – In the Time//In the House\\ of Slow Sex
Emily Sasmore – ___
Benji Sayed – ihavefailedyouall
Kelsey Velez – Pinwheel
Peng Zuqiang – Accordion Class
Ricardo Salcedo Martínez was born in Cuenca, Ecuador in 1989. He got his undergraduate degree Film at the School of Arts and Social Sciences in Chile. Through fiction, documentary and essay film forms his work often delves into questions of identity, belonging and perception. He is currently studying for his Master’s at SAIC.
Julia Pello is a Russian-born poet and filmmaker who has shown work around the world including at The Getty, Le Centre Pompidou, and the Bangkok International Film Festival among many others. She has collaborated on various audio-visual projects including Hour of Star and Zerkalo and presented live projections at such venues as Cité de La Musique. Julia is currently a Master of Fine Arts candidate at the School of the Art Institute of Chicago.
Emily Sasmore’s work focuses on power relationships. Telling narratives focusing on interpersonal relationships allows her to talk about domination on both a small and large scale. Using both tangible and intangible materials, she brings up the roles that reality and the imaginary play within them. The stories and spaces she creates are meant to leave questions. None of which are answered. By reveling in these interactions, the viewer is asked to enter into limbos, engaging with unending, repetitious power struggles.
Desi-Corean artist Benji is interested in glitch, noise, and game environments to explore concepts of identity loss, alienation, anxiety, and failure.
Kelsey Velez is an MFA candidate at the School of the Art Institute of Chicago. Her work has screened at Indie Grits in Columbia, SC, New Orleans, LA & in Athens, Greece. She is interested in marrying traditions of representation and abstraction to depict and distort ideas of recreation, diversion and sport.
Peng Zuqiang is a filmmaker and translator born in Changsha, China in 1992. His film and video works speculate and question the potential and condition of collectivism through exploring historical objects and environments. Recent exhibitions include: “De arrogantie van De jeugd” (2015) at Galerie Gabriel Rolt, Amsterdam. “Casual Contradictions” (2014) at MOCA Shijiazhuang, and “The Temporary: 01” (2014), at ARTicle Gallery, Birmingham. His has participated in screenings at Acadia Missa and Chinese Visual Festival, both in London where he completed his BA at Goldsmiths College. He is currently a candidate of MFA in Film at the School of Art Institute in Chicago.
Programmed by Emily Eddy and Kelsey Velez
Filed under: 16mm, animation, documentary, experimental, feminism, film, music, narrative, new media, opening, painting, performance, video