FOLLOW FOCUS

Daviel Shy and THE LADIES ALMANACK
Winter Screening and Inaugural Party

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Sunday, December 7th at 7:00 pm, $15

The Nightingale is delighted to introduce FOLLOW FOCUS- a new process-oriented screening series that rallies audiences and resources behind a moving image maker as they complete a feature project. Designed to expand viewership into the production stage, FOLLOW FOCUS invites audiences to observe a director’s process, collaborations, and inspiration. Our inaugural featured project is THE LADIES ALMANACK written and directed by Chicago-based filmmaker, Daviel Shy and produced by NYC-based performer, Stephanie Acosta.

THE LADIES ALMANACK is a feature-­length experimental narrative film shot on Super 8 and based on the novel of the same title by Djuna Barnes. The film is a kaleidoscopic tribute to women’s writing through the friendships, jealousies, flirtations and publishing woes of authors and artists in 1920’s Paris.

The Nightingale will host 4 screenings during the course of the next year, each one in a different season and  highlighting a different element of the process ending with a rough cut screening in Fall of 2015. The production of a commissioned art object will also raise funds for the film.  Admission price  at each of the four screenings includes part of a limited edition, risograph-printed Ladies Almanack Tarot Deck designed and illustrated by Jess LeMaster. Attend all four screenings for a complete 24-card set.

The Winter Screening will include a treatment presentation by director Daviel Shy,  exclusive trailer release, and dramatic readings from The Ladies Almanack 1928 original novel. Reception with artists to follow the screening.

To support the THE LADIES ALMANACK right away, check out the movie’s website. Donations are tax-deductible.

http://theladiesalmanack.tumblr.com/contribute

Image Credit: Collage made by  Sarah Patten. Full image may be found here. See more of her amazing collage work here.



Filed under: experimental, feminism, film, narrative, queer, reading, Super 8mm

PERMANENT VACATION

Beguiled Cinema presents
PERMANENT VACATION by Jim Jarmusch

perm vacay from net

Wednesday, January 7th at 7:00 pm, $7-10

Don’t you wish you were on a PERMANENT VACATION with Jim Jarmusch? So do we.

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Filed under: 16mm, narrative

YOUR DAY IS MY NIGHT

RUN OF LIFE Experimental
Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

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Monday, November 17th at 7:00pm
$8 in advance / $10 at the door
Q&A following the movie featuring Cinematographer, Sean Hanley
and Chicago Housing Activist, Mary Tarullo!

Purchase tickets here.

The Nightingale’s Christy LeMaster and Kartemquin Film’s Beckie Stocchetti join forces to present RUN OF LIFE, a co-curated experimental documentary and expanded media series to be held at Constellation  beginning September 22nd, 2014 and running every third Monday for nine months through May 2015.

This new series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making: “We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.


YOUR DAY IS MY NIGHT: a hybrid documentary by Lynne Sachs
64 min // United States // 2013 // Chinese, English, & Spanish with English Subtitles // HD digital projection

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life. Working from the idea that anytime someone is on camera they inadvertently engage in a performance, Sachs asked her subjects to become her collaborators, inviting them to participate in the construction of a film about their lives. In 2012, Lynne began a series of live film performances of Your Day is My Night in alternative theater spaces around New York City. She then completed the hour-long hybrid video which premiered at the Museum of Modern Art in 2013 and screened at the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in the US and abroad.

Preceeded by
LIGHT READINGS by Stephen Vitiello
8 min // United States //2001 //sound piece

WINDOW CLEANING IN SHANGHAI by Laura Kissel
3 minutes // United States //2011 // HD digital projection

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Filed under: artist in attendance, documentary, experimental, narrative, Uncategorized, video

CINEMA BABYLON

Experiments in Narrative
Programmers, Christine Kolozvary and
Michael Bucuzzo, in person!

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Friday, September 26th at 8:00 pm, $7-10 

Cinema Babylon is a program of shorts by emerging artists who are exploring both the tropes and excesses of narrative form, and the unraveling structure of avant garde film. Influenced by filmmakers such as George Kuchar, Kenneth Anger, Lewis Klahr, and Ericka Beckman, many of these films remain unseen for being both too narrative and too experimental. This screening is an opportunity to showcase works that abandon the confines of narrative cause and effect for the tenuous logic of a dream.

With support from the Millenium Film Workshop in NYC, Cinema Babylon will tour across the United States in September 2014 in an effort to bridge together like minded film communities, and to spark a discourse about new young talent.

Programmed by Christina Kolozsvary & Michael Bucuzzo

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Filed under: artist in attendance, experimental, film, narrative, video

SUITCASE of LOVE and SHAME

Premiere Screening  for RUN OF LIFE:
Experimental Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

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Monday, September 22nd at 7:00pm,
$8 in advance / $10 at the door
Purchase tickets here

The Nightingale’s Christy LeMaster and Kartemquin Film’s Beckie Stocchetti join forces to present RUN OF LIFE, a co-curated experimental documentary and expanded media series to be held at Constellation  beginning September 22nd, 2014 and running every third Monday for nine months through May 2015.

This new series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making: “We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.

PREMIERE SCREENING
SUITCASE OF LOVE AND SHAME
Dir. Jane Gillooly // 70 min // 2013 // video

Tender, erotic, and pathetic, this reconstructed narrative examines the obsession to chronicle the details of an adulterous affair. Suitcase of Love and Shame is a mesmerizing collage woven from 60 hours of reel-to-reel audiotape discovered in a suitcase purchased on eBay. Recorded in the 1960’s, a Midwestern woman and her lover become reliant on recording devises to document and memorialize their affair. The film aims at a cross-generational consciousness about exhibitionism, privacy and voyeurism. Focusing on the aural and experiential nature of the audio the imagery in the film is restrained – abstract, evocative and expectant, so that the audience will see with their ears. The listener/viewer is variously located within and outside of the events – complicit and voyeuristic. The “eavesdropping viewer” is compelled, despite feeling embarrassed and uncomfortable with the knowledge and access they have been given into the transgressions they imagine they see. Selected to screen as part of the distinguished Art of The Real series at the Film Society at Lincoln Center 2014, the film has screened internationally winning Best International Film at Images Festival in Toronto.

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Filed under: documentary, experimental, film, found footage, narrative, new media, surveillance, Uncategorized, video

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