1084 N MILWAUKEE, CHICAGO

COMICS THAT INTERRUPT

Featuring  Ezra Claytan Daniels
and Ben Passmore with Vicko Alvarez Vega
and Jessica Campbell

Tuesday, October 9 at 8 PM, Free

The Nightingale is delighted to welcome back Ezra Claytan Daniels as he celebrates the book version of his inventive graphic novel Upgrade Soul. Originally released as an interactive iPhone App, the innovative sci-fi story follows an aging couple in the aftermath of an experimental operation to clone themselves gone awry. Daniels asks probing questions about what shapes our identity -Is it the capability of our mind or the physicality of our bodies? Is a newer, better version of yourself still you? This page-turning graphic novel follows Hank and Molly as they discover the harsh truth that only one version of themselves is fated to survive.

Touring with Daniels is Philadelphia-based cartoonist Ben Passmore reading from his comic-collection released in March of 2018, Your Black Friend and Other  Strangers. Passmore masterfully tackles comics about race, gentrification, the prison system, online dating, gross punks, bad street art, kung fu movie references, beating up God, and lots of other grown-up stuff with refreshing doses of humour and lived relatability. These comics are essential, humorous, and accessible, told through Passmore’s surreal lens in the vibrant full-color hues of New Orleans.

At this event, Ben and Ezra will both present sections of their new releases. Afterwards, they will join Chicago-based  comic artists, Jessica Campbell and Vicko Alvarez Vega in a roundtable discussion about creating comics that address white supremacy, sexism, and xenophobia.

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Filed under: animation, artist in attendance, expanded cinema, Free Screening!, literature, narrative, new media, reading, science, social justice, Uncategorized, video

CANTOS

Recent 16mm Films by Margaret Rorison
Filmmaker in Attendance!

funes_el_memorioso

The Nightingale Cinema, 1084 N. Milwaukee
Friday, November 18th, 7 pm, $7-10

The Nightingale welcomes Margaret Rorison to present a program of short films shot on 16mm from 2012-2016. Many of these works have developed from travel and explorations through rural and urban landscapes and function as odes to memories of experience. Some films are explorations of the relationship between time and the frame, between pacing and cut and of memory … Sound is an important component to these works as well. Rorison has composed many of the soundtracks with the use of field recordings, contact mics and lucid narrations made by her grandfather. One of her most recent films, Memory of August is an ode and portrait study of her 95 year old grandmother, Margaret Bennett, the widow of Harry Bennett who has been another strong influence in Rorison’s earlier work. Prior to filmmaking, Rorison worked primarily with painting and poetry and is interested in exploring these methods of language and thought through the medium of 16mm film.

“Rorison’s works frequently wander through empty or seemingly empty spaces. Her soundtracks—often consisting largely of electronic music on the drone/noise spectrum—often create a sense of warm alienation, coloring the films’ empty landscapes. Rorison’s films abound with “negative space” compositions—shots which frame a “nothing” (for example an empty sky, a wall, water) against borders of dark (shadows, bridges, walls)… this seems to suggest something of a turning away from the world of the social and a turn towards a state of introspection. These films relish solitude and alone-ness, and even while this solitude is sometimes tinged with dread or alienation, even as the filmmaker’s visions tend toward the apocalyptic, this solitude is asserted often as a source of strength.” — Steve Polta, Artistic Director, San Francisco Cinematheque

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Filed under: 16mm, 8mm, archival, artist in attendance, autobiography, documentary, essay, experimental, film, found footage, geography, hand-processing, landscape, literature, music, performance, place, poetry, social justice, sound, surveillance, travel, Uncategorized, video