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The Work of Emily Eddy &
the Nightingale’s 9th Birthday!!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 1, 7:00 pm, $7-10

Join us as we celebrate the ninth affordable renewal of our lease with a new series presenting the work of the folks behind the Nightingale. Over the course of the next year, we will treat each programmer to a mini-retrospective as a vehicle to ask you, our community, what this place has been and should become as it nears a decade in existence.

First up is heir apparent, Emily K. Eddy.  She has been curating film, video, and new media works as Co-Director of the  Nightingale since 2013. She is also a film, video, and digital media artist in her own right. This program spans the last four years and includes outside works that heavily inform Emily’s thematic and aesthetic interests.

Emily graduated from The School of the Art Institute of Chicago in 2013, where she received her Bachelors in Fine Arts. Combining many different forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. Emily has shown work and programmed screenings at many venues in Chicago, as well as her hometown, Portland, OR, Reykjavik, Iceland, and various mid-western cities. Her most recent curated program, HOW TO FIGHT LIKE A GIRL will be presented at Echo Park Film Center in Los Angeles on March 24.

As always at Nightingale birthdays there will be cake, questionable punch, and dancing.

 

Program Details

Amsterdam Camera Vacation – Steve Reinke
Digital Video, 12:00
2001

No Chick Is An Island – Emily Eddy
Digital Video, 6:59
2013

I (can?) not be defeated – Emily Eddy
Digital Video, Super 8mm, 9:02
2013

I Touched Her Legs – Eva Marie Rødbro
Digital Video, 15:13
2010

this must be the place – Emily Eddy
Digital Video, 6:09
2014

Vesturbæjar – Emily Eddy
Digital Video, 8:08
2017

 

 

 



Filed under: 8mm, BIRTHDAY PARTY, experimental, feminism, geography, iceland, icelandic, international, landscape, new media, performance, queer, rural, Super 8mm, travel, Uncategorized, urban, video

A ROLL FOR PETER

A Tribute Screening for Peter Hutton
Contributors, Michael Wawzenek and           Paul Marcus, in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, March 25th, 7:00 pm, $7-10

The Nightingale is pleased to present A ROLL FOR PETER, a multi-maker, 16mm, black & white tribute to filmmaker Peter Hutton (1944-2016).

Participating filmmakers, Michael Wawzenek and Paul Marcus, in attendance!

Many filmmakers and artists were deeply affected by Peter’s death in June 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A ROLL FOR PETER. The parameters were simple: shoot a single 100 foot roll of 16mm black and white reversal film. The rolls are strung together with black leader separating the rolls, as Peter often separated the single shots in his films. Organized and assembled by Jennifer Reeves and Mark Street, and set on tour thanks to the energies of Eric Theise, this series of pieces speaks to Peter’s strong contemplative aesthetic ethos. Each filmmaker has 2 minutes and 47 seconds of screen time to commune with Peter’s memory, and the collected rolls become more than the sum of their parts.

The organizers write, “Peter Hutton’s contemplative, visually arresting landscape and urban films invite us to take our time within silent cinematic tableaux of place, so that we may discover the beauty of overlooked moments. His carefully composed long-duration shots, whether of city, nature, sea or factory, remind us of the wonder we can discover in the familiar. As we observe with patience, humility and vulnerability, Peter’s work offers us a sanctuary from the frantic, goal oriented state of current visual culture.”

“To me one of the most attractive things about cinema is the fact that you can evoke a sense of mystery, of wonder or curiosity in an environment, a landscape, a room, anyplace, by suspending time. So much of the information that we perceive in film is explained or presented to us in such a way that we can’t help but rationalize it. Once someone leaves us to our own interpretive devices, we can feel a great reprieve and the opportunity to actually give something to the work. It’s like sitting and looking at a painting, at first it might not grab you, but the longer you look at it, the more things reveal themselves.” (Peter Hutton in A Critical Cinema 3, interview with Scott MacDonald)

Program Details:

A Roll for Peter (2016)
16mm and 16mm x 2, black & white, silent, 60 minutes

Participating Filmmakers:
Dominic Angerame, Roddy Bogawa, Cassandra Bull, Jacob Burckhardt, Jesse Cain, David Gatten, Richard Max Gavrich, George Griffin, Eve Heller, Mott Hupfel, Nikolas Jaeger, Amanda Katz & Josh Lewis, Theodore Rex King, Robbie Land, rebecca (marks) leopold, Paul Marcus, Daryl Meador, Mary Beth Reed, Jennifer Reeves, Dave Rodriguez, Peter Rose, Lynne Sachs, Josephine Shokrian, Fern Silva & students, Jordan Stone, Mark Street, G. Anthony Svatek & Zachary Nichols, Eric Theise, Audrey Turner, Michael Wawzenek, Max Weinman & Jake Carl Magee, Timoleon Wilkins

*Catalogues from the Thomas Cole Historic Site screening and tribute on October 9, 2016, which honored and recognized Peter Hutton as a Hudson River Filmmaker, will be available at The Nightingale on Saturday, March 25.

Further information about the film:
http://erictheise.com/films/a-roll-for-peter/

 


Programmed by Lorenzo Gattorna



Filed under: 16mm, artist in attendance, cityscape, collaboration, documentary, dual projection, experimental, film, geography, hand-processing, international, landscape, place, travel, Uncategorized

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