1084 N MILWAUKEE, CHICAGO

INAATE/SE/

[it shines a certain way. to a
certain place/it flies. falls./]


Friday, September 22 at 8 PM, $7-10
Part of RUN OF LIFE
Experimental Documentary Series
Director Adam Khalil, in person!

 

History is written by the victors, but this film reminds us
 that the history of the oppressed can still be saved from being extinguished. Native American video artists Adam and Zack Khalil here reclaim the narrative of the Ojibway of Sault Ste. Marie, in Michigan’s Upper Peninsula, from the archives and museums that would confine it to the past. Using personal interviews, animated drawings, performance, and provocative intercutting, the Khalil brothers’ feature debut makes a bold case for the Ojibway people to be their own storytellers—while seeking a cure for the damage inflicted by colonization—in a spiritual reconnection with tradition.

Read an interview with the makers here.

Program Details:
INAATE/SE/[it shines a certain way. to a
certain place/it flies. falls./]
Directed by Adam Khalil, Zack Khalil.
(2016. USA/Canada, 75 min.)

Adam Shingwak Khalil (Ojibway) is a filmmaker and artist. His practice attempts to subvert traditional forms of ethnography through humor, relation, and transgression. Adam’s work has been exhibited at UnionDocs, e-flux, Maysles Cinema, Microscope Gallery (New York), Museo ExTeresa Arte Actual (Mexico City), Spektrum (Berlin), Trailer Gallery (Sweden), Carnival of eCreativity (Bombay), and Fine Art Film Festival Szolnok (Hungary). Khalil is a UnionDocs Collaborative Fellow and Gates Millennium Scholar. In 2011 he graduated from the Film and Electronic Arts program at Bard College.

Zack Khalil (Ojibway) is a filmmaker and artist from Sault Ste. Marie, Michigan, currently based in Brooklyn, NY. His work often explores an indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms. He recently completed a B.A. at Bard College in the Film and Electronic Arts Department, and is a UnionDocs Collaborative Fellow and Gates Millennium Scholar.

 

 



Filed under: animation, artist in attendance, collaboration, documentary, experimental, geography, history, home movies, landscape, narrative, rural, social justice, Uncategorized

STOM SOGO

PS When You Thought You Are Going To Die

The Nightingale Cinema, 1084 N. Milwaukee
Friday, June 30th, 7:30 pm, $7-10

“[A] movie’s reality should be as nasty and fucked up as possible, so we want to get fuck out of the theater and hope for something better in life…. I try not to have a message or even word in my movie. But I usually have some sick stories behind each of the movies. Those are just mental eye candy that it taste sweet first, seizure second.” – Stom Sogo

The Nightingale is pleased to present another tribute to Stom Sogo on the day before he died. A special thanks goes to Anthology Film Archives, John Klacsmann, Karen Johannesen and the following for their kind words and continued support of such an incredible, unstoppable force.

“A dynamo whose thunderous potential was cut short by his premature death, Japanese moving-image artist Stom Sogo (1975-2012) remains a romantic rebel if ever there was one. For over two decades he created a hair-raising body of aggressively beautiful films and videos. His distinctive, psychically charged work revels in optic and aural jolts just as much as it attempts a sincere connection with the viewer. While he mastered numerous approaches, his primary technique involved heavy amounts of re-photography, a process that allowed him to fashion multiple electrified layers of strobing imagery. Other pieces demonstrate his uncanny editing prowess in their startling juxtaposition of home movies with materials taken from an expansive array of unlikely sources.” – Andrew Lampert

“Total anarchy, pushing the limits, going out/within further and further, marveling at all the beauties and laughing at all the absurdities. To me this is what Stom was all about at all times.” – Raha Raissnia

“The films of Stom Sogo are incantatory and self combustible. An erratic master of low tech do-it-yourself sortilege, he puts his works through seemingly perpetual remakes.” – Mark McElhatten

“Stom was both cunning and tender, even now I use him to measure imposters. He certainly laughed at the solemnity with which the courtiers behave. He always wanted more, again.” – Albert Herter

 

Program Details:

SILVERPLAY, 2002, video, 16m
Song for TV, 2002, video, 4m
YA PRIVATE SKY, 2001, S8mm/video, 3.5m
SLOW DEATH, 2000, S8mm to video, 16m
PERIODICAL EFFECT, 2001, S8mm/video, 10m
REPEAT, 2006, video, 9.5m
PS WHEN YOU THOUGHT YOU ARE GOING TO DIE, 2003, video, 14m

 

STOM SOGO was born in 1975 and moved to the United States in 1992. He graduated with a BA in art and film from Hunter College, New York, in 2000. Sogo started Open Screenings at Anthology Film Archives in 1995, inspiring a whole crew of filmmakers. His Super8 films and video works have screened at various festivals and exhibitions including Rotterdam Film Festival; the Whitney Biennale; Lincoln Center, MoMA, Light Industry, Union Docs, Chicago Filmmakers, Image Forum (Tokyo), Microscope, and many others.

 

Films/videos courtesy of Anthology Film Archives, New York

Programmed by Lorenzo Gattorna



Filed under: archival, Asian, autobiography, cityscape, documentary, experimental, film, found footage, home movies, international, landscape, music, place, re-photography, rural, sound, Super 8mm, travel, Uncategorized, urban, video

HOME BASE

The Work of Emily Eddy &
the Nightingale’s 9th Birthday!!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 1, 7:00 pm, $7-10

Join us as we celebrate the ninth affordable renewal of our lease with a new series presenting the work of the folks behind the Nightingale. Over the course of the next year, we will treat each programmer to a mini-retrospective as a vehicle to ask you, our community, what this place has been and should become as it nears a decade in existence.

First up is heir apparent, Emily K. Eddy.  She has been curating film, video, and new media works as Co-Director of the  Nightingale since 2013. She is also a film, video, and digital media artist in her own right. This program spans the last four years and includes outside works that heavily inform Emily’s thematic and aesthetic interests.

Emily graduated from The School of the Art Institute of Chicago in 2013, where she received her Bachelors in Fine Arts. Combining many different forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. Emily has shown work and programmed screenings at many venues in Chicago, as well as her hometown, Portland, OR, Reykjavik, Iceland, and various mid-western cities. Her most recent curated program, HOW TO FIGHT LIKE A GIRL will be presented at Echo Park Film Center in Los Angeles on March 24.

As always at Nightingale birthdays there will be cake, questionable punch, and dancing.

 

Program Details

Amsterdam Camera Vacation – Steve Reinke
Digital Video, 12:00
2001

No Chick Is An Island – Emily Eddy
Digital Video, 6:59
2013

I (can?) not be defeated – Emily Eddy
Digital Video, Super 8mm, 9:02
2013

I Touched Her Legs – Eva Marie Rødbro
Digital Video, 15:13
2010

this must be the place – Emily Eddy
Digital Video, 6:09
2014

Vesturbæjar – Emily Eddy
Digital Video, 8:08
2017

 

 

 



Filed under: 8mm, BIRTHDAY PARTY, experimental, feminism, geography, iceland, icelandic, international, landscape, new media, performance, queer, rural, Super 8mm, travel, Uncategorized, urban, video

A ROLL FOR PETER

A Tribute Screening for Peter Hutton
Contributors, Michael Wawzenek and           Paul Marcus, in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, March 25th, 7:00 pm, $7-10

The Nightingale is pleased to present A ROLL FOR PETER, a multi-maker, 16mm, black & white tribute to filmmaker Peter Hutton (1944-2016).

Participating filmmakers, Michael Wawzenek and Paul Marcus, in attendance!

Many filmmakers and artists were deeply affected by Peter’s death in June 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A ROLL FOR PETER. The parameters were simple: shoot a single 100 foot roll of 16mm black and white reversal film. The rolls are strung together with black leader separating the rolls, as Peter often separated the single shots in his films. Organized and assembled by Jennifer Reeves and Mark Street, and set on tour thanks to the energies of Eric Theise, this series of pieces speaks to Peter’s strong contemplative aesthetic ethos. Each filmmaker has 2 minutes and 47 seconds of screen time to commune with Peter’s memory, and the collected rolls become more than the sum of their parts.

The organizers write, “Peter Hutton’s contemplative, visually arresting landscape and urban films invite us to take our time within silent cinematic tableaux of place, so that we may discover the beauty of overlooked moments. His carefully composed long-duration shots, whether of city, nature, sea or factory, remind us of the wonder we can discover in the familiar. As we observe with patience, humility and vulnerability, Peter’s work offers us a sanctuary from the frantic, goal oriented state of current visual culture.”

“To me one of the most attractive things about cinema is the fact that you can evoke a sense of mystery, of wonder or curiosity in an environment, a landscape, a room, anyplace, by suspending time. So much of the information that we perceive in film is explained or presented to us in such a way that we can’t help but rationalize it. Once someone leaves us to our own interpretive devices, we can feel a great reprieve and the opportunity to actually give something to the work. It’s like sitting and looking at a painting, at first it might not grab you, but the longer you look at it, the more things reveal themselves.” (Peter Hutton in A Critical Cinema 3, interview with Scott MacDonald)

Program Details:

A Roll for Peter (2016)
16mm and 16mm x 2, black & white, silent, 60 minutes

Participating Filmmakers:
Dominic Angerame, Roddy Bogawa, Cassandra Bull, Jacob Burckhardt, Jesse Cain, David Gatten, Richard Max Gavrich, George Griffin, Eve Heller, Mott Hupfel, Nikolas Jaeger, Amanda Katz & Josh Lewis, Theodore Rex King, Robbie Land, rebecca (marks) leopold, Paul Marcus, Daryl Meador, Mary Beth Reed, Jennifer Reeves, Dave Rodriguez, Peter Rose, Lynne Sachs, Josephine Shokrian, Fern Silva & students, Jordan Stone, Mark Street, G. Anthony Svatek & Zachary Nichols, Eric Theise, Audrey Turner, Michael Wawzenek, Max Weinman & Jake Carl Magee, Timoleon Wilkins

*Catalogues from the Thomas Cole Historic Site screening and tribute on October 9, 2016, which honored and recognized Peter Hutton as a Hudson River Filmmaker, will be available at The Nightingale on Saturday, March 25.

Further information about the film:
http://erictheise.com/films/a-roll-for-peter/

 


Programmed by Lorenzo Gattorna



Filed under: 16mm, artist in attendance, cityscape, collaboration, documentary, dual projection, experimental, film, geography, hand-processing, international, landscape, place, travel, Uncategorized

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