THE NEW (NEW) CORPSE

Closing Program to Celebrate
the Opening Exhibit of Sector 2337
Screening at Sector 2337
(2337 N. Milwaukee)

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Friday, December 19th  at 7:00pm, Free

There are three types of possible bodies in the cinema. There is the subject body onscreen, there is the camera as an imaginary body- a conduit body made up mainly of eyes choosing what we will see, and there is us, the audience bodies that do the watching through a system of involuntary physiological processes and cognitive responses that make up human perception.

THE NEW NEW CORPSE: (1971-2014, various formats, TRT 59 min)

To celebrate the closing of SECTOR 2337’s inaugural exhibition  The New [New] Corpse,  Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen. These works subvert the traditional mode of watching bodies in narrative action, or as objects of sexual desire, or as merely characters. Rather these works use body as conceptual site, performative metaphor, or abstracted modular component.

Program Details: 
BOUNCING IN THE CORNER #36DDD by Dara Greenwald
(1999, USA,  3 min)

BABY ! LOVE YOUR BODY ! EPISODE 1 (ENGLISH) by Poussy Draama & Fannie Sosa
(2014, France,  7 min)

AFFECTION by Blair Bogin & Dayna Gross
(2014, USA, 1 min)

CUT by Matthias Müller and Christoph Girardet
(2013, Germany,  13 min)

DEEP SLEEP by Basma Alsharif
(2014, Malta/Greece/France/Palestine. HD video, 13 min)

NINE GATES by Paweł Wojtasik
(2012, United States,  12 min)

TWO FACES by Hermine Freed
(1972, United States, 6 min)

Special Thanks to VIDEO DATA BANK for their support in presenting this program.

 



Filed under: 16mm, archival, experimental, film, Free Screening!, international, video

VESSEL

RUN OF LIFE Experimental
Documentary Series Sidebar
Post Screening Discussion
with Jeanne Galatzer-Levy of the JANE Collective

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Friday, January 9th at 7:00 pm, $10

The Nightingale is delighted to present the Chicago premiere of the new documentary VESSEL. Dr. Rebecca Gomperts sails a ship around the world, providing abortions at sea for women with no legal alternative. Her idea begins as flawed spectacle, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca realizes she can use new technologies to bypass law – and train women to give themselves abortions using WHO-researched protocols with pills.
From there we witness her create an underground network of emboldened, informed activists who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.

http://vesselthefilm.com/

Program Details:
Dir. Diana Whitten // 88:00 // USA // 2014 // HD Video

Preceeded by a reading from
JANE: Documents From Chicago’s Clandestine Abortion Service 1968-1973

Post Screening Discussion with Jeanne Galatzer-Levy of  the JANE Collective

The first 40 ticket holders will receive a free copy of JANE: purchased from Microcosm Publishing in Portland, OR.
http://microcosmpublishing.com/catalog/zines/2071/

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Filed under: documentary, international, queer, surveillance, Uncategorized, video

DRESS REHEARSAL FOR UTOPIA

RUN OF LIFE Experimental
Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

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Monday, December 15th  at 7:00pm
Featuring storyteller, Katie Williams
Q&A with funerary artist and researcher, Kelly Christian
$8 in advance /$10 at the door
Purchase tickets here.

DRESS REHEARSAL FOR UTOPIA
Dir. Andrés Duque // 75 min // 2012

Experimental documentary-maker Andrés Duque travels to Mozambique to look for old footage that had been made there. But when it becomes apparent that his elderly father is seriously ill, he returns to his homeland of Venezuela. As his father lies dying in a hospital room in Venezuela, the filmmaker’s thoughts travel to Mozambique. Images of dance and revolution – some retrieved from archival footage, some newly shot – conjure up a spectral alternate reality where human figures take part in a cascade of excited movements. A commentary on the finiteness of life, Dress Rehersal for Utopia emanates a personal collage in which feelings transcend- part experimental travelogue, part political statement. A gentle rustling links the different images, their origins and significance together.

http://www.andresduque.com/ensayofinaleng.html

Preceded by
Katie Williams recording an excerpt of
THE YEAR OF MAGICAL THINKING by Joan Didion
(script for stage, 2007)

Andrés Duque is a Spanish-Venezuelan filmmaker. studied journalism in his homeland before moving to Spain for a master’s degree in creative documentary at the Universidad Autónoma de Barcelona. He now works as a filmmaker, film programmer and teacher.He is best known for his 2004 film “Ivan Z”, a portrait of the cult filmmaker Ivan Zulueta, which participated in dozens of international film festivals and received a Goya Award nomination. In 2011, he made his first feature film debut with COLOR RUNAWAY DOG. The film premiered at the International Film Festival Rotterdam and won the Audience Award at Punto de Vista International Documentary Film Festival. He was a featured artist at 2012 Flaherty Film Seminar and in 2013 he won the City of Barcelona Award for DRESS REHEARSAL FOR UTOPIA.

Katie Williams is one half of Patchwork Farms, an urban farm in Chicago, founded and operated by herself and Molly Medhurst. She is a storyteller and rugby player. Her thoughtful Bruce Springsteen cover band, Miss Bossy and The D Street Band recently played the Indianapolis Museum of Contemporary Art. They hope to play more museums and maybe weddings.

Kelly Christian is a Chicago-based researcher, writer, and artist. Her most recent work explores postmortem and funerary photography. Kelly photographed military funerals in Maine during the height of the Iraq War and created her own new media-Daguerreotypes. She has presented her work at conferences and galleries across the country on postmortem photography, embalming, and “corpse-as-culture.”

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Filed under: documentary, experimental, found footage, international, queer, Uncategorized, video

EYEWORKS 2014

Experimental Animation Festival

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Friday & Saturday, November 14-15th
Doors open one half hour before every screening

Mark your calendars! The 2014 Eyeworks Festival, now in its 5th year,  returns to The Nightingale. The kickoff program will be at the Museum of Contemporary Art on Nov. 11, with additional screenings, including a program with  festival guest Caleb Wood, at the Nightingale on Nov. 14-15.

Nightingale Program 1
Friday, November 14, 2014
7:00 PM, admission $10Festival guest Caleb Wood in person! Caleb will be showing a program of his animated short films, as well as a selection of films that have inspired his work.
Wood’s animations have been screened at top animation festivals internationally, and his work has been featured on Adult Swim. He was selected for the prestigious Animation Artist in Residency Tokyo program in 2013, where he made his film “Goodbye Rabbit Hop Hop.” He will introduce the program of his work, which will include around 20 short pieces, and participate in an audience Q&A after the screening.

 

Nightingale Program 2
Saturday, November 15, 2014
5:00 PM, admission $10
Robert Breer, 69, 1968
Doris Chase, Circles I, 1971
Larry Cuba, 3/78, 1978
Chris Sullivan, The Beholder, 1983
Nicole Hewitt, In/Dividu, 1998
Neil Taylor, Copy Copy, 1999
Sandra Desmazieres, Sans Queue Ni Tete, 2001
Laszlo Csaki, Days That Were Filled With Sense by Fear, 2002-03
Daniel Barrow, Advanced Search Terms, 2012-13
Sarina Nihei, Trifling Habits, 2013
Karolina Glusiec, Velocity, 2013
Nick Butcher, Sidewalk, 2014
Allison Schulnik, Eager, 2014


Nightingale Program 3
Saturday, November 15, 2014
8:00 PM, admission $10Note: Program 3 is a modified version of the MCA program, screening Tuesday Nov. 11.
John Whitney Jr, Terminal Self, 1971
Florence Miailhe, Hammam, 1992
Georges Schwizgebel, Jeu, 2006
Hoji Tsuchiya, Black Long Skirt, 2010
Leslie Baum and Frederick Wells, Megillat Breakdown, 2013
Eri Kawaguchi, Flower and Steam, 2013
Joung Yumi, Love Games, 2013
Johan Rijpma, Descent, 2014
Joshua Mosley, Jeu de Paume, 2014
Yoriko Mizushiri, Snow Hut, 2014
Jake Fried, Headspace, 2014
Zeitguised, Birds, 2014
All programs preceded by works by Neil Taylor: “Roll Film” and “Short Lives”

Check here for more exciting EYEWORKS news!



Filed under: 16mm, animation, archival, experimental, film, international, video

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