Daviel Shy and THE LADIES ALMANACK
Spring Screening / The Nightingale Turns 7!
Saturday, April 4, 7 pm, $15
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL
The Nightingale is delighted to introduce FOLLOW FOCUS- a new process-oriented screening series that rallies audiences and resources behind a moving image maker as they complete a feature project. Designed to expand viewership into the production stage, FOLLOW FOCUS invites audiences to observe a director’s process, collaborations, and inspiration. Our inaugural featured project is THE LADIES ALMANACK written and directed by Chicago-based filmmaker, Daviel Shy and produced by NYC-based performer, Stephanie Acosta.
THE LADIES ALMANACK is a feature-length experimental narrative film shot on Super 8 and based on the novel of the same title by Djuna Barnes. The film is a kaleidoscopic tribute to women’s writing through the friendships, jealousies, flirtations and publishing woes of authors and artists in 1920’s Paris.
The Nightingale will host 4 screenings during the course of the next year, each one in a different season and highlighting a different element of the process ending with a rough cut screening in Fall of 2015. The production of a commissioned art object will also raise funds for the film. Admission price at each of the four screenings includes part of a limited edition, risograph-printed Ladies Almanack Tarot Deck designed and illustrated by Jess LeMaster. Attend all four screenings for a complete 24-card set.
The Spring Screening will include moving image work by cast and crew members of the movie, including work by Stephanie Acosta, Alexia Morinaux, Fannie Sosa & Poussy Draama, Jessica Wienstein, Weléla Kindred, Caitlin Baucom, and Slaveya Minkova, among others.
Party to celebrate The Nightingale’s 7th birthday to follow the screening. We will premiere the 2015 Nightingale trailer made by Jillian Hansen-Lewis.
Filed under: artist in attendance
, BIRTHDAY PARTY
, found footage
, Super 8mm
The Radiant & People To Be Resembling
RUN OF LIFE Experimental
Monday, March 23, 7 pm, $10
Constellation, 3111 N Western Ave, Chicago, IL
Purchase tickets here.
THE RADIANT and PEOPLE TO BE RESEMBLING
by The Otolith Group
Screened in association with LUX
Preceded by BABBIT RESERVE MINING BLAST by Jack Behrend
Courtesy of Chicago Film Archives
With minimalist synth improvisation by Nick Broste, Kent Lambert, and Seth Vanek
THE RADIANT(2012, HD video, 64 min)
Commissioned as part of dOCUMENTA (13) in 2012, The Radiant explores the aftermath of March 11, 2011, when the Tohoku earthquake triggered a tsunami that killed many thousands and caused the partial meltdown of the Fukushima Daiichi nuclear power plant on the east coast of Japan. A film essay burdened by the difficult task of representing the invisible aftermath of nuclear fallout, The Radiant travels through time and space to invoke the historical promises of nuclear energy and the threats of radiation that converge in Japan’s illuminated cities and evacuated villages in the months immediately following the disasters. The Otolith Group’s cinematic document offers glimpses into the shape and presence of an unseen entity and its abstract manifestation through visual phenomena.
PEOPLE TO BE RESEMBLING (2102, HD video, 22min)
People To Be Resembling can be described as a five sided portrait of the methodologies of the post-free jazz, pre-world music trio Codona, founded by multi-instrumentalists Collin Walcott, Don Cherry, and Nana Vasconcelos in 1978. Consisting of stills by renowned photographers Roberto Masotti and Isio Saba, newly filmed and archival footage and original music performed by musician Charles Hayward, People to be Resembling reimagines the poetics of permutation that informed the sonic geography of the first Codona album recorded with ECM in September 1978. People to be Resembling returns to 1978 in order to redream the recording process at Tonstudio Bauer as a meditation upon the relations between visual anthropology, anti-colonial choreography, nuclear annihilation and Weltmusik. In its arrangement of positive and negative with colour and black and white and still and moving imagery, The Otolith Group’s People to Be Resembling stages an experiment in mnemonic cohabitation inspired by the visionary music of Codona.
The Otolith Group was founded in 2002 and consists of Anjalika Sagar and Kodwo Eshun who live and work in London. During their longstanding collaboration The Group have drawn from a wide range of resources and materials. They explore the moving image, the archive, the sonic and the aural within the gallery context. The work is research based and in particular has focused on the essay film as a form that seeks to look at conditions, events and histories in their most expanded form.
Special thanks to LUX and Chicago Film Archives for Program Support
Filed under: animation
, found footage
, new media
RUN OF LIFE Experimental
Documentary Series Sidebar
Post Screening Discussion
with Jeanne Galatzer-Levy of the JANE Collective
Friday, January 9th at 7:00 pm, $10
The Nightingale is delighted to present the Chicago premiere of the new documentary VESSEL. Dr. Rebecca Gomperts sails a ship around the world, providing abortions at sea for women with no legal alternative. Her idea begins as flawed spectacle, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca realizes she can use new technologies to bypass law – and train women to give themselves abortions using WHO-researched protocols with pills.
From there we witness her create an underground network of emboldened, informed activists who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.
Dir. Diana Whitten // 88:00 // USA // 2014 // HD Video
Preceeded by a reading from
JANE: Documents From Chicago’s Clandestine Abortion Service 1968-1973
Post Screening Discussion with Jeanne Galatzer-Levy of the JANE Collective
The first 40 ticket holders will receive a free copy of JANE: purchased from Microcosm Publishing in Portland, OR.
Diana Whitten (director/producer) has a decade of professional film/TV direction, production and design experience. She founded Sovereignty Productions in 2008, following a Fulbright Fellowship to Indonesia, and was the Director of Communications at Ford Foundation International Fellowships Program. Vessel, her first feature film, premiered at South by Southwest Film Festival and won the Audience Award in the Documentary Competition, as well as a Special Jury Award for Political Courage. Awards include the inaugural Peter Wintonick Award from Sheffield DocFest, an Honorable mention for the Moving Mountains Award at Mountainfilm in Telluride, and the Adrienne Shelly Excellence in Filmmaking Award.
Jeanne Galatzer-Levy was a member of the JANE Collective. These days she is associate director in the UIC News Bureau, handling media relations for the biomedical and natural sciences. Her previous experience includes media relations for the American Medical Association, the University of Chicago and the Alzheimer’s Association. Her freelance experience includes articles on health topics in the Chicago Tribune, Tribune Magazine and Loyola Medicine. She has a master’s degree in biochemistry from UIC, an undergraduate degree in anthropology from the University of Chicago and a B.A. in science journalism from Columbia College.
RUN OF LIFE is a co-curated experimental documentary and expanded media series to be held at Constellation beginning September 22nd, 2014 and running every third Monday for nine months through May 2015. This new series pairs a recent feature experimental documentarywith a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making. We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.
Co-curated by Beckie Stocchetti & Christy LeMaster
Programming Board: Robin Amer, Jillian Hansen-Lewis, Sally Lawton, & Jenny Miller
Filed under: documentary
Closing Program to Celebrate
the Opening Exhibit of Sector 2337
Screening at Sector 2337
(2337 N. Milwaukee)
Friday, December 19th at 7:00pm, Free
There are three types of possible bodies in the cinema. There is the subject body onscreen, there is the camera as an imaginary body- a conduit body made up mainly of eyes choosing what we will see, and there is us, the audience bodies that do the watching through a system of involuntary physiological processes and cognitive responses that make up human perception.
THE NEW NEW CORPSE: (1971-2014, various formats, TRT 59 min)
To celebrate the closing of SECTOR 2337’s inaugural exhibition The New [New] Corpse, Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen. These works subvert the traditional mode of watching bodies in narrative action, or as objects of sexual desire, or as merely characters. Rather these works use body as conceptual site, performative metaphor, or abstracted modular component.
BOUNCING IN THE CORNER #36DDD by Dara Greenwald
(1999, USA, 3 min)
BABY ! LOVE YOUR BODY ! EPISODE 1 (ENGLISH) by Poussy Draama & Fannie Sosa
(2014, France, 7 min)
AFFECTION by Blair Bogin & Dayna Gross
(2014, USA, 1 min)
CUT by Matthias Müller and Christoph Girardet
(2013, Germany, 13 min)
DEEP SLEEP by Basma Alsharif
(2014, Malta/Greece/France/Palestine. HD video, 13 min)
NINE GATES by Paweł Wojtasik
(2012, United States, 12 min)
TWO FACES by Hermine Freed
(1972, United States, 6 min)
Special Thanks to VIDEO DATA BANK for their support in presenting this program.
Filed under: 16mm
, Free Screening!