1084 N MILWAUKEE, CHICAGO

KINOSONIK

SSSS! Second Sexing Sound Symposium
Featuring performances by Frauke Aulbert and Seth Parker Woods accompanying films by JoAnn Elam

Saturday, December 2 at 8:00 pm, Free

Back for its third year, KINOSONIK is a collaboration between the Goethe-Institut, Experimental Sound Studio, and Chicago Film Archives. This year’s project, the  Second Sexing Sound Symposium (SSSS!), is a series of public events in Chicago dedicated to ideas, research, performance, and conversation surrounding female and trans-identifying practitioners in and around the sonic arts. Saturday’s screening kicks off the series which includes panel discussions and performances at Sector 2337, Constellation, and the Experimental Sound Studio. Musicians Frauke Aulbert and Seth Parker Woods will collaborate to compose live scores for a selection of films curated and sequenced by CFA from the JoAnn Elam Collection. Aulbert and Woods were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

The soprano, voice performer, and multivocalist, “Hamburg’s queen of Avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o. Concerts led her to festivals all over the world: Europe, Korea, Australia, Brasil, Georgia, Tunesia, and the USA. Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project ‘Beatboxing and the Avant Garde’. Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’.

Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke’s. A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Heinz Holliger, G.F. Haas, Helmut Lachenmann, Klaus Lang, Steve Mackey and Peter Eotvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata. His debut solo album, asinglewordisnotenough, has garnered great acclaim since its release in November 2016, and has been profiled in the Guardian, I Care If You Listen, Musical America, and Strings Magazine amongst others.

JoAnn Elam (1949-2009) is a central figure in the in the history of Chicago’s experimental film community. Her short experimental and documentary films capture the spirit and ethos of a politically active, feminist, and socially conscious artist. Along with Bill Brand, Warner Wada, and Dan O’Chiva, Elam founded Chicago Filmmakers (initially called Filmgroup, with screenings held at N.A.M.E. Gallery) in 1973.

 



Filed under: 8mm, artist in attendance, collaboration, documentary, feminism, film, Free Screening!, history, international, music, performance, queer, Super 8mm, Uncategorized, video

INAATE/SE/

[it shines a certain way. to a
certain place/it flies. falls./]


Friday, September 22 at 8 PM, $7-10
Part of RUN OF LIFE
Experimental Documentary Series
Director Adam Khalil, in person!

 

History is written by the victors, but this film reminds us
 that the history of the oppressed can still be saved from being extinguished. Native American video artists Adam and Zack Khalil here reclaim the narrative of the Ojibway of Sault Ste. Marie, in Michigan’s Upper Peninsula, from the archives and museums that would confine it to the past. Using personal interviews, animated drawings, performance, and provocative intercutting, the Khalil brothers’ feature debut makes a bold case for the Ojibway people to be their own storytellers—while seeking a cure for the damage inflicted by colonization—in a spiritual reconnection with tradition.

Read an interview with the makers here.

Program Details:
INAATE/SE/[it shines a certain way. to a
certain place/it flies. falls./]
Directed by Adam Khalil, Zack Khalil.
(2016. USA/Canada, 75 min.)

Adam Shingwak Khalil (Ojibway) is a filmmaker and artist. His practice attempts to subvert traditional forms of ethnography through humor, relation, and transgression. Adam’s work has been exhibited at UnionDocs, e-flux, Maysles Cinema, Microscope Gallery (New York), Museo ExTeresa Arte Actual (Mexico City), Spektrum (Berlin), Trailer Gallery (Sweden), Carnival of eCreativity (Bombay), and Fine Art Film Festival Szolnok (Hungary). Khalil is a UnionDocs Collaborative Fellow and Gates Millennium Scholar. In 2011 he graduated from the Film and Electronic Arts program at Bard College.

Zack Khalil (Ojibway) is a filmmaker and artist from Sault Ste. Marie, Michigan, currently based in Brooklyn, NY. His work often explores an indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms. He recently completed a B.A. at Bard College in the Film and Electronic Arts Department, and is a UnionDocs Collaborative Fellow and Gates Millennium Scholar.

 

 



Filed under: animation, artist in attendance, collaboration, documentary, experimental, geography, history, home movies, landscape, narrative, rural, social justice, Uncategorized

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