1084 N MILWAUKEE, CHICAGO

SKY HOPINKA

Simple Movements, Complications, Fainting Spells and Present Joys
Filmmaker in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Friday, October 14th, 7 pm, $7 – 10

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Filed under: artist in attendance, documentary, experimental, geography, history, landscape, poetry, Uncategorized, video

ALL ROADS LEAVE WINNIPEG

Scott Fitzpatrick, Clint Enns, Aaron Zeghers
Filmmakers in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Thursday, October 6th, 7 pm, $7-10

The Nightingale welcomes experimental / expanded filmmakers Scott Fitzpatrick, Clint Enns and Aaron Zeghers, as they flee the ravaged streets of their fair Winnipeg, in search of a warmer, more exotic climate to present their work. “All Roads Leave Winnipeg” is 7-date film tour featuring expanded cinema performances and single channel films by three of Winnipeg’s most notorious cine-stars, Scott Fitzpatrick, Aaron Zeghers and Clint Enns.

the program//

-Part I – Work by Aaron Zeghers-

Holland, Man.
[2015, 20min, 16mm + Super 8 + Digital + Live Sound]

As two growing years pass, Don Zeghers – farmer from Holland, Manitoba – phases out his multi-generational family farm. With experimental photography on Super 8, 16mm and digital mediums, his son Aaron Zeghers follows this life change. The dissolution of the family farm is seen both intimately but also as a microcosm of the modern industrialized world. Nature is contrasted with industrial might in this sentimental and existential portrait of one’s own family. (This will not be performed in Milwaukee)

Everything Turns…
[2016, 12min, Super8]

From 1 to 12 minutes, ‘Everything Turns…’ is a shorthand study of the mythology of numbers. Scientific tradition is adopted then eschewed for rumours, legends and defunct theories from across the ages. As the days turn to night and the seasons pass, the camera pens a year-long record of space, movement and the passing of time in historic locations around the world. This almanac of anthropomorphic numerology is recorded in-camera onto Super 8 using a myriad of experimental techniques. Just like Richter nearly 100 years ago, we will discover that everything turns, everything revolves and everything feels the deep score of time.

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Filed under: 16mm, animation, archival, artist in attendance, documentary, dual projection, expanded cinema, experimental, film, found footage, history, landscape, performance, science, sound, Super 8mm, travel, triple projection, Uncategorized

THE LANTHANIDE SERIES

An Experimental Documentary by Erin Espelie
Filmmaker in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Thursday, September 22nd, 7 pm, $7-10

The Nightingale welcomes Erin Espelie to present her experimental documentary about rare earth elements (the lanthanides), black mirrors (from obsidian to iPads), and how technology is reshaping the way we record the present and replay the past.

From the portals of personal computing devices to ancient obsidian mirrors, optical tools control how people see, foresee, record, and remember their lives. The Lanthanide Series ( 2014, USA/France/UK, 72 minutes) meditates on how we frame and understand the world through such material means and instruments, with a reliance on certain chemical elements and the people who we love.

“Part poetry, part chemistry lesson, part landscape film, part cinematic exploration, part history and geography lesson, part environmental revelation,part magic. The Lanthanide Series is something new under the sun.” – Scott MacDonald

“The Lanthanide Series fuses poetry and science to create a thrillingly uncategorizable work.” – Anthology Film Archives

Preceded by Kari Altman’s R-U-INS

 

ERIN ESPELIE is a writer, editor, and filmmaker, with a background in the research sciences. Her poetic, nonfiction films have shown around the world at the New York Film Festival, the British Film Institute’s London Film Festival, the Whitechapel Gallery, the International Film Festival Rotterdam, the Copenhagen International Documentary Film Festival, the Full Frame Documentary Film Festival, Imagine Science Film Festival, and more. Espelie currently holds an assistant professorship in Film Studies and Critical Media Practices at the University of Colorado Boulder; she serves as an Associate Director of the Center for Environmental Journalism and is editor in chief of Natural History magazine, a centenarian publication for which she has worked since 2001. erinespelie.com

 

Programmed by Lorenzo Gattorna



Filed under: archival, artist in attendance, documentary, environmental, essay, experimental, found footage, geography, history, landscape, poetry, science, Uncategorized, video

DIFFICULT BUT POSSIBLE

A Supplement to Rules, Tools and Fools

The Nightingale Cinema, 1084 N. Milwaukee
Sunday, September 18th, 8 pm, $7-10

A selection of shorts surrounding not just the the how-to but to-how. Bearing fully in mind the notion of utopia as a no-place, Difficult but Possible animates the notion of a diffuse set of not-yet-places, of worlds unbuilt, of worlds unbuilding, of the crazy-eyed mirage we keep moving toward. Together, we explore terrains fantastical, domestic, speculative and utopian; we learn to dodge the camera all around us and to stare deeply into and through others; we receive allegories from beyond underground weather and beyond Drop City, venture into cited non-sites and pick up some skills along the way.

Co-presented by Spudnik Press, in conjunction with Rules, Tools and Fools,
curated by Jaclyn Jacunski and Jason Pallas;
made possible through the generosity of the Chicago Film Archives,
and the sense of possibility and adventure of the artists

Programmed by Jesse Malmed

 

Mike Lopez | Whole Earth Land | 2016 | 10 minutes  | Playthrough Performance

Gene Bernofsky | 1993 | 1980 | 9 minutes | 16mm to Video | Sound

JoAnn Elam | The Last Whole Earth Catalog | 1967-1990 | 20 minutes | 8mm to Video | Silent

Jillian Mayer | Makeup Tutorial – How to Hide from Cameras | 2013 | 3.5 minutes | Video | Sound

Sam Green | Clear Glasses | 2008 | 4 minutes | Video | Sound

Jennifer Proctor | Alternative Forms of Energy | 2005 | 5 minutes | Super 8 to Video | Sound

Ben Russell | Trypps 7 (Badlands) | 2010 | 10 minutes | S16mm to Video | Sound

 



Filed under: archival, documentary, environmental, essay, experimental, feminism, geography, hand-processing, history, landscape, lecture, new media, performance, social justice, surveillance, video