1084 N MILWAUKEE, CHICAGO

A ROLL FOR PETER

A Tribute Screening for Peter Hutton
Contributors, Michael Wawzenek and           Paul Marcus, in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, March 25th, 7:00 pm, $7-10

The Nightingale is pleased to present A ROLL FOR PETER, a multi-maker, 16mm, black & white tribute to filmmaker Peter Hutton (1944-2016).

Participating filmmakers, Michael Wawzenek and Paul Marcus, in attendance!

Many filmmakers and artists were deeply affected by Peter’s death in June 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A ROLL FOR PETER. The parameters were simple: shoot a single 100 foot roll of 16mm black and white reversal film. The rolls are strung together with black leader separating the rolls, as Peter often separated the single shots in his films. Organized and assembled by Jennifer Reeves and Mark Street, and set on tour thanks to the energies of Eric Theise, this series of pieces speaks to Peter’s strong contemplative aesthetic ethos. Each filmmaker has 2 minutes and 47 seconds of screen time to commune with Peter’s memory, and the collected rolls become more than the sum of their parts.

The organizers write, “Peter Hutton’s contemplative, visually arresting landscape and urban films invite us to take our time within silent cinematic tableaux of place, so that we may discover the beauty of overlooked moments. His carefully composed long-duration shots, whether of city, nature, sea or factory, remind us of the wonder we can discover in the familiar. As we observe with patience, humility and vulnerability, Peter’s work offers us a sanctuary from the frantic, goal oriented state of current visual culture.”

“To me one of the most attractive things about cinema is the fact that you can evoke a sense of mystery, of wonder or curiosity in an environment, a landscape, a room, anyplace, by suspending time. So much of the information that we perceive in film is explained or presented to us in such a way that we can’t help but rationalize it. Once someone leaves us to our own interpretive devices, we can feel a great reprieve and the opportunity to actually give something to the work. It’s like sitting and looking at a painting, at first it might not grab you, but the longer you look at it, the more things reveal themselves.” (Peter Hutton in A Critical Cinema 3, interview with Scott MacDonald)

Program Details:

A Roll for Peter (2016)
16mm and 16mm x 2, black & white, silent, 60 minutes

Participating Filmmakers:
Dominic Angerame, Roddy Bogawa, Cassandra Bull, Jacob Burckhardt, Jesse Cain, David Gatten, Richard Max Gavrich, George Griffin, Eve Heller, Mott Hupfel, Nikolas Jaeger, Amanda Katz & Josh Lewis, Theodore Rex King, Robbie Land, rebecca (marks) leopold, Paul Marcus, Daryl Meador, Mary Beth Reed, Jennifer Reeves, Dave Rodriguez, Peter Rose, Lynne Sachs, Josephine Shokrian, Fern Silva & students, Jordan Stone, Mark Street, G. Anthony Svatek & Zachary Nichols, Eric Theise, Audrey Turner, Michael Wawzenek, Max Weinman & Jake Carl Magee, Timoleon Wilkins

*Catalogues from the Thomas Cole Historic Site screening and tribute on October 9, 2016, which honored and recognized Peter Hutton as a Hudson River Filmmaker, will be available at The Nightingale on Saturday, March 25.

Further information about the film:
http://erictheise.com/films/a-roll-for-peter/

 


Programmed by Lorenzo Gattorna



Filed under: 16mm, artist in attendance, cityscape, collaboration, documentary, dual projection, experimental, film, geography, hand-processing, international, landscape, place, travel, Uncategorized

HOME BASE

The Work of Emily Eddy &
the Nightingale’s 9th Birthday!!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 1, 7:00 pm, $7-10

Join us as we celebrate the ninth affordable renewal of our lease with a new series presenting the work of the folks behind the Nightingale. Over the course of the next year, we will treat each programmer to a mini-retrospective as a vehicle to ask you, our community, what this place has been and should become as it nears a decade in existence.

First up is heir apparent, Emily K. Eddy.  She has been curating film, video, and new media works as Co-Director of the  Nightingale since 2013. She is also a film, video, and digital media artist in her own right. This program spans the last four years and includes outside works that heavily inform Emily’s thematic and aesthetic interests.

Emily graduated from The School of the Art Institute of Chicago in 2013, where she received her Bachelors in Fine Arts. Combining many different forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. Emily has shown work and programmed screenings at many venues in Chicago, as well as her hometown, Portland, OR, Reykjavik, Iceland, and various mid-western cities. Her most recent curated program, HOW TO FIGHT LIKE A GIRL will be presented at Echo Park Film Center in Los Angeles on March 24.

As always at Nightingale birthdays there will be cake, questionable punch, and dancing.

 

Program Details
No Chick Is An Island
Digital Video, 6:59
2013

I (can?) not be defeated
Digital Video, Super 8mm, 9:02
2013

this must be the place
Digital Video, 6:09
2014

Vesturbæjar
Digital Video, 9:48
2017

 

 



Filed under: 8mm, BIRTHDAY PARTY, experimental, feminism, geography, iceland, icelandic, international, landscape, new media, performance, queer, rural, Super 8mm, travel, Uncategorized, urban, video

The HARD EARTH

Filmmaker Sally Lawton in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 8th, 7:00 pm, $7-10

Join us for this special premiere screening of The Hard Earth, a feature documentary by Sally Lawton, preceded by The 51st Star, a short 16mm film by Ian Curry.

THE HARD EARTH is an experimental documentary charting the relationship of five Ukrainians and one Ukrainian American to the 2014 revolution and preceding war.

The film is shot over the central and western regions of Ukraine, immediately post-revolution. Six figures explain their relationship to previous and furthering events in their homes and towns. First the Euromaidan protests are discussed as a singular, illuminating event. After abstracted information, stories of the annexation of Crimea, war in the East, and the disillusionment of the USSR, reveal complex portraits.The director examines interpersonal relationships and how the making of the film impacts realizations. The guides and narrations take on specific forms, showing the miniature in global news stories. The elusive categorization of Ukraine, free and yet oppressed is framed by the difficulty and ease of documentation.

SALLY LAWTON is making film and video work in Chicago and grew up in Detroit. She owns Sincerely Productions which makes commercials for local businesses. She has done curatorial work with experimental film and documentary in Chicago. Her academic background is in film and nonprofit studies, graduating from DePaul University in 2013. Her interest in this project began after her friend, Maya Demianczuk, returned from the Euromaidan. Sally began filming interviews primarily for a public archiving project Maya began, which lead to traveling to Ukraine in summer 2015 and collecting material for the film.

IAN CURRY’s moving image work takes inspiration from the many genres within the 16mm format such as: silent, educational, experimental, avant garde, ethnographic, and documentary films. He combines formal strategies gleaned from celluloid’s history through experimentation to produce stunning imagery that embraces the feeling of a memory or reflection. His films use contact printing, multiple exposures, and in-camera editing or feature on the fly remixing with multiple projectors driving the audience down expanded cinema alley. Characterized by unique moments or observations, rushing energies of light, and striking rhythmic edits; concepts of film and performance are married into a raw celluloid trip with 16mm prints, projectors, and double system soundscapes.

 



Filed under: artist in attendance, documentary, documentation, experimental, film, geography, international, narrative, place, social justice, travel, video

CANTOS

Recent 16mm Films by Margaret Rorison
Filmmaker in Attendance!

funes_el_memorioso

The Nightingale Cinema, 1084 N. Milwaukee
Friday, November 18th, 7 pm, $7-10

The Nightingale welcomes Margaret Rorison to present a program of short films shot on 16mm from 2012-2016. Many of these works have developed from travel and explorations through rural and urban landscapes and function as odes to memories of experience. Some films are explorations of the relationship between time and the frame, between pacing and cut and of memory … Sound is an important component to these works as well. Rorison has composed many of the soundtracks with the use of field recordings, contact mics and lucid narrations made by her grandfather. One of her most recent films, Memory of August is an ode and portrait study of her 95 year old grandmother, Margaret Bennett, the widow of Harry Bennett who has been another strong influence in Rorison’s earlier work. Prior to filmmaking, Rorison worked primarily with painting and poetry and is interested in exploring these methods of language and thought through the medium of 16mm film.

“Rorison’s works frequently wander through empty or seemingly empty spaces. Her soundtracks—often consisting largely of electronic music on the drone/noise spectrum—often create a sense of warm alienation, coloring the films’ empty landscapes. Rorison’s films abound with “negative space” compositions—shots which frame a “nothing” (for example an empty sky, a wall, water) against borders of dark (shadows, bridges, walls)… this seems to suggest something of a turning away from the world of the social and a turn towards a state of introspection. These films relish solitude and alone-ness, and even while this solitude is sometimes tinged with dread or alienation, even as the filmmaker’s visions tend toward the apocalyptic, this solitude is asserted often as a source of strength.” — Steve Polta, Artistic Director, San Francisco Cinematheque

(more…)



Filed under: 16mm, 8mm, archival, artist in attendance, autobiography, documentary, essay, experimental, film, found footage, geography, hand-processing, landscape, literature, music, performance, place, poetry, social justice, sound, surveillance, travel, Uncategorized, video

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