1084 N MILWAUKEE, CHICAGO

CANTOS

Recent 16mm Films by Margaret Rorison
Filmmaker in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Friday, November 18th, 7 pm, $7-10

The Nightingale welcomes Margaret Rorison to present a program of short films shot on 16mm from 2012-2016. Many of these works have developed from travel and explorations through rural and urban landscapes and function as odes to memories of experience. Some films are explorations of the relationship between time and the frame, between pacing and cut and of memory … Sound is an important component to these works as well. Rorison has composed many of the soundtracks with the use of field recordings, contact mics and lucid narrations made by her grandfather. One of her most recent films, Memory of August is an ode and portrait study of her 95 year old grandmother, Margaret Bennett, the widow of Harry Bennett who has been another strong influence in Rorison’s earlier work. Prior to filmmaking, Rorison worked primarily with painting and poetry and is interested in exploring these methods of language and thought through the medium of 16mm film.

“Rorison’s works frequently wander through empty or seemingly empty spaces. Her soundtracks—often consisting largely of electronic music on the drone/noise spectrum—often create a sense of warm alienation, coloring the films’ empty landscapes. Rorison’s films abound with “negative space” compositions—shots which frame a “nothing” (for example an empty sky, a wall, water) against borders of dark (shadows, bridges, walls)… this seems to suggest something of a turning away from the world of the social and a turn towards a state of introspection. These films relish solitude and alone-ness, and even while this solitude is sometimes tinged with dread or alienation, even as the filmmaker’s visions tend toward the apocalyptic, this solitude is asserted often as a source of strength.” — Steve Polta, Artistic Director, San Francisco Cinematheque

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Filed under: 16mm, 8mm, archival, artist in attendance, autobiography, documentary, essay, experimental, film, found footage, geography, hand-processing, landscape, literature, music, performance, place, poetry, social justice, sound, surveillance, travel, Uncategorized, video

The ANDRE TRILOGY

Three Short Films by James N. Kienitz Wilkins
Director in Attendance!

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 The Nightingale Cinema, 1084 N. Milwaukee
Sunday, October 23, 7 pm, $7-10

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Filed under: artist in attendance, documentary, experimental, found footage, narrative, performance, surveillance, Uncategorized, video

ALL ROADS LEAVE WINNIPEG

Scott Fitzpatrick, Clint Enns, Aaron Zeghers
Filmmakers in Attendance!

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The Nightingale Cinema, 1084 N. Milwaukee
Thursday, October 6th, 7 pm, $7-10

The Nightingale welcomes experimental / expanded filmmakers Scott Fitzpatrick, Clint Enns and Aaron Zeghers, as they flee the ravaged streets of their fair Winnipeg, in search of a warmer, more exotic climate to present their work. “All Roads Leave Winnipeg” is 7-date film tour featuring expanded cinema performances and single channel films by three of Winnipeg’s most notorious cine-stars, Scott Fitzpatrick, Aaron Zeghers and Clint Enns.

the program//

-Part I – Work by Aaron Zeghers-

Holland, Man.
[2015, 20min, 16mm + Super 8 + Digital + Live Sound]

As two growing years pass, Don Zeghers – farmer from Holland, Manitoba – phases out his multi-generational family farm. With experimental photography on Super 8, 16mm and digital mediums, his son Aaron Zeghers follows this life change. The dissolution of the family farm is seen both intimately but also as a microcosm of the modern industrialized world. Nature is contrasted with industrial might in this sentimental and existential portrait of one’s own family. (This will not be performed in Milwaukee)

Everything Turns…
[2016, 12min, Super8]

From 1 to 12 minutes, ‘Everything Turns…’ is a shorthand study of the mythology of numbers. Scientific tradition is adopted then eschewed for rumours, legends and defunct theories from across the ages. As the days turn to night and the seasons pass, the camera pens a year-long record of space, movement and the passing of time in historic locations around the world. This almanac of anthropomorphic numerology is recorded in-camera onto Super 8 using a myriad of experimental techniques. Just like Richter nearly 100 years ago, we will discover that everything turns, everything revolves and everything feels the deep score of time.

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Filed under: 16mm, animation, archival, artist in attendance, documentary, dual projection, expanded cinema, experimental, film, found footage, history, landscape, performance, science, sound, Super 8mm, travel, triple projection, Uncategorized

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