1084 N MILWAUKEE, CHICAGO

HD ABS

Found Footage Work-Out Video Mixtape

janestripey

Tuesday, September 1, 7 pm, Free
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

The Nightingale will host an open group work-out, led by a revolving mix of VHS-era hosts on the big screen. Jane will be there. Richard will be there. Billy & Marshall Fitness will be there. Events are free and open to anyone. Workout will be light to moderate and last an hour.

Areas of Interest:
***Being joyfully physical in a sedentary world ***
***Seeing your friends sweat and admiring their power***
***Swimming for a short time in the optimistic tone of SD era motivational workouts***
***Sharing practical ideas of how to manage being healthy & happy and balancing creative work/life demands***
***The endless appeal of self-improvement***



Filed under: archival, experimental, feminism, found footage, Free Screening!, performance, Uncategorized, video

THE FIRST FIVE YEARS

The First 5 Years and The Last 5 Years
as part of Platforms: 10 Years
of Chances Dances

platforms

Tuesday, September 8, 8 pm, Free
Saturday, October 17, 8 pm, Free
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

A bookended pair of lively screening events featuring works from the past, present, and future of CHANCES granted artists, organizers, and scenesters. This is your pre-party party, snacks and group travel to that night’s CHANCES DANCES included.

Including work by: Mark Aguhar, Cavenaw and Cavenis, Sky Cubacub, Ky Dickens, EMR (Math Bass & Dylan Mira), Hope Esser & Daviel Shy, Rami George, Jacquelyn Carmen Guerrero, Meg Leary, Marianna Milhorat, Madsen Minax, Dylan Mira, Fawzia Mirza, Aay Preston-Myint, Macon Reed, Oli Rodriguez, Amina Ross & NIC Kay, Jules Rosskam, Xina Xurner, Latham Owen Zearfoss

Program Design by Marian Runk
Curated by Christy LeMaster

_*_*_*_*_*_*_*_*_*_*_*_*_*_*_

Begun in 2005 as an inclusive, welcoming, and alternative queer dance party, Chances Dances is a collective of artists, activists, DJs, and educators who organize parties, build safer spaces, and support local art and activism through direct funding and other resources.

Since its founding, Chances has sought to bring together Chicago’s varied LGBTIQ communities
by organizing dance parties that welcome people of all gender expressions and racial identities. For the
last six years, Chances has channeled profits from its parties into a biannual microgrant for local artists. In 2008, Chances launched the Critical Fierceness Grant, which awards $500 to Chicago-based artists and collectives who identify themselves or their work as queer. In 2012, Chances expanded the Critical Fierceness Grant to include the Mark Aguhar Memorial Grant, which funds projects by queer feminine spectrum artists of color with $1,000 grants. Through this grassroots funding in addition to our robust performance programming, Chances has established itself as hub of queer artistic activity in Chicago for ten years running.

In Fall 2015, the Platforms retrospective will showcase the artworks, herstory, and community-building processes of the Chances community over the last 10 years at several sites across Chicago. Drawing from over one hundred Critical Fierceness grantees and finalists, past and present Chances organizers, and members of the Chances community, Platforms will elevate and expand the reach of a long-standing and multifaceted queer collective practice.



Filed under: artist in attendance, documentary, experimental, feminism, film, found footage, music, narrative, new media, opening, performance, queer, Uncategorized, video

KINOSONIK #4

Sound & Image Collaborations
Presented by ESS, Chicago Film Archives,
Black Cinema House, & The Nightingale

kinosonik15

Saturday, October 3, 8 pm, Free
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

Back for a second year, KINOSONIK is a collaboration with the Rebuild Foundation’s Black Cinema House, The Nightingale, and Chicago Film Archives. This year, in mini-residencies at ESS, three pairings of musicians will collaborate to compose live scores for anthologies of film curated and sequenced by CFA from their extensive vaults. The artist pairings—Mwata Bowden/Coppice, Damon Locks/Peter Maunu, and Walter Kitundu/Katherine Young—will perform their work at The Nightingale and at Black Cinema House throughout the late summer and fall of 2015. Once again, the artists were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

KINOSONIK #4:
Favorite Experimental Films from CFA
with live scores by Damon Locks & Peter Maunu

(more…)



Filed under: 16mm, archival, artist in attendance, documentation, experimental, found footage, Free Screening!, music, performance, video

KINOSONIK #5

Sound & Image Collaborations
Presented by ESS, Chicago Film Archives,
Black Cinema House, & The Nightingale

kinosonik15

Saturday, November 7, 8 pm, Free
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

Back for a second year, KINOSONIK is a collaboration with the Rebuild Foundation’s Black Cinema House, The Nightingale, and Chicago Film Archives. This year, in mini-residencies at ESS, three pairings of musicians will collaborate to compose live scores for anthologies of film curated and sequenced by CFA from their extensive vaults. The artist pairings—Mwata Bowden/Coppice, Damon Locks/Peter Maunu, and Walter Kitundu/Katherine Young—will perform their work at The Nightingale and at Black Cinema House throughout the late summer and fall of 2015. Once again, the artists were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.

 

KINOSONIK #5:
Design, Nature, & their Relationship
with live scores by Walter Kitundu & Katherine Young (more…)



Filed under: 16mm, archival, artist in attendance, documentary, documentation, experimental, found footage, Free Screening!, music, performance, Uncategorized, video

BASEMENT MEDIA #5

 Lo Fi-Lo Def-Lo Tech Moving Image Works
Curator  LJ Frezza in attendance!

Me.Dancing

Saturday, July 18, 7 pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

The BASEMENT MEDIA FESTIVAL is an annual traveling screening event, showcasing contemporary low-fidelity moving image works. Founded in response to hi-res commercial media and corporate-sponsored film fests, Basement is a celebration of the mediated experience as an aesthetic experience. We’ll be presenting a mix’dprogram of celluloid and .movs this year, so def drag yrself over for a wide array of glitch’d fuzzy, faded, and scratch’d. B THERE & B SQUARE. CU SOON.

 

/START PROGRAM

Yates – The Bags, Probably 1971 – 5 mins

Jarrett Hayman – Me, Dancing – 2 mins

John Wilson – How To Remain Single – 17 mins

Amelia Johannes – Family Crockery (Whiteness) – 2 mins

Eric Stewart – Wake – 8 mins

Paul Turano – Toward the Flame – 5 mins

Jared Hutchinson – The Infinity Scroll, pt. II – 3 mins

Hannah Piper Burns – Outer Darkness – 11 mins

Henning Frederik Malz – Rest in Me – 6 mins

Felipe Steinberg – Tudo Referente a Frio: Rua César Bierrenbach, 181, Campinas – 15 mins

/END PROGRAM

 

Watch the trailer here. // More info on tour dates and the fest in general here. // BASEMENT is co-organized by LJ FREZZA and NICHOLAS TAMBURO



Filed under: archival, documentation, experimental, found footage, music, narrative, new media, Uncategorized, video

RUN OF LIFE: AESTHELETICS

Co-presented with LIVE TO TAPE
Artist Television Festival

bowl

Monday, May 18th,  7 pm, $10-12
Links Hall, 3111 N Western Ave, Chicago, IL
Purchase tickets here.

Sports remains America’s favourite sport. We’re here to watch games, to watch the unending machinations of humans in intractable situations, trying to be best and bounce within and against a series of rules. Sure, games are a metaphor but so’s everything. Monica Panzarino opens the whole event with an anthem performed with her Freqshift/Reverb Audio Bra. Seth Vanek hosts a variety show. TVTV takes us to the Super Bowl (featuring Bill Murray in his Links Hall debut). Dara Birnbaum skates cut through hospital soap. Josh Weissbach contends with the dire consequences of head-to-head combat head-to-head, while Christine Lucy Latimer scrambles the signals, signifiers and a few faces. Chris Collins provides a post-show wrap-up, using another form of aesthletics—making a piece over the course of the evening.

Monica Panzarino — Monica Panzarino Sings The Star-Spangled Banner
Dara Birnbaum — Pop-Pop Video: General Hospital/Olympic Women Speed Skate
Josh Weissbach — Football Films Presents
Run of Life — Eligible Receiver (Hand Off from Ivan Ladislav Galeta)
TVTV — TVTV Goes to the Super Bowl
Christine Lucy Latimer — Mosaic
Seth Vanek — Talk Show
Chris Collins — Post-Show Wrap-Up

LIVE TO TAPE Artist Television Festival, a week-long — of performances and screenings of — May 18-24, curated by Links Hall Artistic Associate Jesse Malmed. Seven days of live talk shows, historical and contemporary moving image works and commissioned performances, television-as object, as concept, as antagonist, as material, as form, as inspiration-is unscrambled and reconceived. By turns hilarious and heartfelt, wonky and wild,Live to Tape gives us a glimpse into the futures and pasts of artist television. Over the course of the festival, Live to Tape will present a wide variety of performances and screenings organized into eight different video screening programs each followed by a talk show.

RUN OF LIFE is a co-curated experimental documentary and expanded media series held at Constellation every third Monday of the month. The series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to join experimental and documentary media audiences while exploring experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.  RUN OF LIFE is co-curated by  Christy LeMaster, Beckie Stochetti, Robin Amer, Jillian Hansen-Lewis, Sally Lawton, & Jenny Miller

Special thanks to Media Burn and Video Data Bank for their support of this program.

MediaBurn-2011-logo2                vdb_logo



Filed under: archival, artist in attendance, documentary, documentation, experimental, feminism, found footage, music, new media, opening, queer, surveillance, Uncategorized, video

A GEOGRAPHER’S LENS

Multimedia Methods and
Scholar-Activist Praxis
Presented by the Subconference of the
Annual Meeting of the AAG

rareearth

Wednesday, April 22, 6 pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

Join us for an evening of discussion and excerpts from four films with four documentarian-geographers. In coordination with the Subconference of the Association of American Geographers’ annual meeting, this event will provide an opportunity for an off-site, trans- and non-disciplinary, multi-method mingling of idea makers and media makers. While exploring different content in different geographic settings, the four panelists’ pieces take up the overlapping themes of economic, state, and extra-judicial violence amidst the quest for endless accumulation and surplus. The works explore the the prison and military industrial complexes, contested spaces of ‘urban renewal,’ and sites of accumulation and abandonment ranging from the body to the Mojave Desert to the city of Detroit and beyond.  We will gather to discuss process-oriented questions about filmmaking and public scholarship for liberatory social change. The event will comprise a panel discussion with the four filmmakers (Elizabeth Knafo, Amanda Matles, Alexis Mitchell, and Brett Story) moderated by Annie Spencer, as well as excerpts from their latest films.  We will reserve ample time for audience discussion.

 

Rare Earth (2014) // Elizabeth Knafo
From the Mojave desert, to the Pacific seabed, to the surface of the moon, the rush for rare earth minerals is afoot. “Rare Earth”explores the re-opening of an historically toxic rare earth mine in the California desert, and the intensifying land rush for the high-tech minerals across the world. The work is a portrait of changing desert landscapes and the residents who grapple with the impacts of industrial mining. “Rare Earth” traces the toxic and transformative legacy of treasure hunting in the American West—a legacy of speculation, produced scarcity and the social violence of resource extraction—deepening in our era of global climate change.

Rerooting the Motor City: Notes on a City in Transformation (2013) // Paper Tiger
This is Detroit as seen by Paper Tiger Television members, Maria Byck, Amanda Matles, Nadia Mohamed, Adrienne Silverman. From food deserts, to the plans to “rightsize” the city, Detroiters resist, rework, and remain resilient given the social and ecological failures of post-industrial global capitalism. With a critical lens on race and class dynamics, this documentary weaves together segments on Detroit’s labor history, the roots of Detroit’s urban agriculture movement, a critical look at philanthro-capitalism and its relationship to urban renewal, as well as media (mis)representations of a city in transformation.

STEALTH (2014) // Chase Joynt and Alexis Mitchell
By merging hidden camera footage from a patient’s hysterectomy, with interviews of the objects used in these procedures and spaces, STEALTH poignantly and humorously mobilizes ‘sousveillance’ to subvert the perspective of surveilling machinery. Through a triangulation of corporeal, medical and military technologies, STEALTH provocatively points to previously unexplored histories and relationships between inanimate objects and human bodies.

EMPIRE SYMBOL OR, A MAN AND HIS MULE(2015) // Bambitchell  (Alexis Mitchell & Sharlene Bamboat) 
Empire Symbol, Or A Man and his Mule, traces the journey of a Canadian veterinarian who was responsible for transporting mules from New York to Karachi, India during WWII. Employing his diary entries, Bambitchell unearth both the psychic life of The Vet, as well the histories of Canadian Militarism that are embedded within mundane processes of global trade and transport.

The Prison in Twelve Landscapes (in progress) // Brett Story
The Prison in Twelve Landscapes is a non-fiction work about the prison from the places we least expect to find it: the front yards, public spaces, and social rituals of everyday life. A meditation on the prison and its geographic disappearance in the era of mass incarceration, the doc unfolds as a cinematic journey through a series of landscapes across the United States where prisons do work and affect lives: an anti-sex offender pocket park in Los Angeles, a congregation of ex-incarcerated chess players shut out of the formal labor market, the overnight buses that carry visitors to far away prisons, an Appalachian coal town betting its future on the promise of prison jobs, and a host of other unexpected spaces.

 

The event is happening in collaboration with the Subconference of the Annual Meeting of the AAG. The Subconference was created to offer a space for radical academics and activists to think critically and creatively about the connections between academic geography, higher education, and social/political change. The subconference is an evolving ambition. Each year we seek out new ways to creatively appropriate the critical mass of the AAG, using the space of the conference as an asset for forging solidarities and facilitating collective exchanges between people who are already engaged in radical, socially transformative work in all the disparate locations that we come from.

Annie Spencer, curator of A GEOGRAPHER’S LENS,  is a writer, organizer, media maker, and doctoral candidate in economic geography at the City University of New York Graduate Center. Spencer’s work examines state improvement schemes, accumulation, addiction, and everyday wageless life in the post-American century.



Filed under: archival, documentary, experimental, found footage, lecture, narrative, new media, surveillance, Uncategorized, video

RECYCLED CINEMA

Work by  Roger Beebe
RUN OF LIFE Experimental
Documentary Series
Roger Beebe in person!

beebe

Monday, April 20,  7 pm, $10
Constellation, 3111 N Western Ave, Chicago, IL
Purchase tickets here.

Filmmaker/curator/professor Roger Beebe returns to Chicago with a contemporary expanded cinema program titled RECYCLED CINEMA that will immerse the audience in imagery and sound. Best known for his live cinema performances, Beebe will host an evening of carefully crafted and meticulously timed multi-projector experiments that pull from his practice of appropriating educational, industrial and mass-cultural imagery. Decidely analogue, Bebee intentionally places the projectors and the projectionist (himself) in the room with the audience. His performances often incorporate archival material to build loose themes and visual synchronicity into accumulative, experimental documentaries pieces.

Program Details:
Strip Mall Trilogy (2001, 9:10, super8mm)
“The Strip Mall Trilogy” is a series of three city symphonies that attempt to liberate color, sound, and form from the sprawling consumerist landscape of postmodern America. Part 1, “Green Means Go,” presents fragments of color over a musique concrete soundtrack composed of sounds recorded at the strip mall. Part 2, “The Abecedaire,” wrestles (and later plays) with alphabetic form extracted and abstracted from the signs of commerce of which they are normally a part. Part 3, “X-formations,” tries to argue that there is, in fact, beauty after strip malls. Let’s hope so. Parts 1 and 3 were edited entirely in camera.

Famous Irish Americans (2003, 8:00, digital video)
Who’s your famous Irish American? Georgia O’Keefe? William McKinley? Sandra Day O’Connor? How about Shaquille O’Neal? This videotape is a secret history of some of our most overlooked Irish-American citizens; a hyperflat exploration of race, America, and the limits of binary thought.

Money Changes Everything (2009-2011, 5:00, 3x16mm)
Three days in Las Vegas, Nevada; three different visions of the discarded past and of the constantly renewed future. A three-part portrait of a town in transformation: a suburban utopia in the desert, a cancerous sprawl of unplanned development, a destination for suicides.

S A V E (2006, 5:15, 16mm)
A disused gas station offers a curious imperative to passersby: “SAVE.” A riddle posed in the form of architecture: what is there to save? One more installment in the history of Americans pointing their cameras at gas stations; an attempt to figure out something about where we’ve been, where we’re headed, and what’s been left behind. The first part of “S A V E” was edited entirely in camera.

(more…)



Filed under: 16mm, archival, documentary, experimental, film, found footage, performance, Super 8mm

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