1084 N MILWAUKEE, CHICAGO

THIS STRUCTURE EXISTS…

This Structure Exists in Real Life:
Digital Video Work by Orr Menirom
Artist in Attendance!

Monday, November 20 at 7:00 pm, $7-10

The Nightingale is delighted to present Orr Menirom and a solo screening of her digital video art. Surveying work from the past eight years, this screening follows Menriom’s development from a sculpture background into a concrete exploration of the materiality of the video medium. Broadly, Menirom’s work investigates how contemporary digital technologies complicate indexical representation of reality and human perception. In making work that plays on the edges of the technical and conceptual properties of digital video, Menirom engages narrative expectation and the murkiness of memory by using glitch, off-set editing, and conspicuous digital construction.

“My current video practice focuses on the ephemeral as a tool for the investigation of the social and political condition. Can the act of imagination, underlying the work of art, become a tool for social and political change? My short films move between figuration and abstraction, investigating what is real and what is barely or beyond perceptible. Some of the videos begin as a familiar form, such as a news interview, a political debate or a viral YouTube video. As the work progresses, the form slowly disintegrates into an abstract space, inhabited by glitched images and anonymous voices. Another area of interest in my work is the complex relations between video art and film. I re-edit materials from film, television and social media in order to investigate the mechanisms by which they construct meaning. Influenced by the video essay genre, I question the narrating voice often used in video essays and cinema in general, and try to find texts within the footage itself. I re-edit speeches, dub images and use others’ words to create new sentences. The editing is transparent, and the editor’s hand is felt through jump-cuts and glitches. This brings to the surface the power dynamic between the viewer and the author: Whose voice speaks in the video? Whose message is heard?”- OM

Orr Menirom was born in Tel Aviv and received an BFA from Bezalel Academy of Art and Design in Jerusalem in 2010 and an MFA from the School of the Art Institute of Chicago in 2014. Her work has been presented internationally at festivals and galleries including International Film Festival Rotterdam, Fafa Gallery in Helsinki, the Tel Aviv Museum of Art, the Chicago Underground Film Festival and Aspect/Ratio Gallery in Chicago.

Program Details:
The Vanishing Monuments (2009, 5:42)

Index (Untitled Symmetry) (2017, 0:39)

Sunset and a Tower (2010, 4:50)

Index (Untitled Gatekeeper) (2017, 1:11)

Limited Speech Holds Endless Misunderstandings (2013, 10:00)

Index (Untitled Exit) (2017, 0:37)

Exchange (2014, 12:03)

Index (Untitled Modern Savage) (2017, 2:10)

Clinton and Sanders Looking at the World and Naming Things for the First Time (2017, 11:23)

Index (Untitled Baudrillard) (2017, 1:12)

Homewrecker (2016, 14:32)

TRT 64:31

Programmed by Christy LeMaster

 



Filed under: artist in attendance, documentary, experimental, found footage, international, place, re-photography, surveillance, Uncategorized, video

ASIDES + BESIDES 2

Video Artists Remixing Artist Videos

Wednesday, November 15 at 8 PM, $7-10

A screening of video artists remixing artist videos, drawing into focus our own (often productive) sloppiness in the language surrounding artistic production that includes the work of others. In this case, these works are less interested in (though not opposed to) ideas like détournement, appropriation, reenactment, “found” footage, glitch, covers, samples, collage, etc. than to how we can apply the thinking behind the music industry’s idea of the remix into the contexts and histories of experimental film, video art and critical cinema.

Think: the extended remix, the dub remix, the club remix, the dirty remix, the radio remix, the house remix, the porch remix, the czech remix, the lights on remix. Serious is fun, fun is serious.

Seat dancing allowed. Fresh looks assumed.

Works by: Lori Felker, Nellie Kluz, Hale Ekinci, Coorain Devin, A.J. McClenon and Chris Little.

Doors at 7:30, screening at 8:00



Filed under: artist in attendance, dance, experimental, found footage, video

NEW WORKS FROM EPFC

New Works From the Echo Park Film Center
Filmmakers & EPFC Founders,
Paolo Davanzo and Lisa Marr, in attendance!

Tuesday, October 10 at 8 PM, $7-10

The Nightingale is delighted to host comrade in arms and Los Angeles’ favorite microcinema on a midwestern tour showcasing their large and creative cinema fam. In recognition of their countless hours as the Center’s educators, programmers, projectionists and facilitators, Echo Park Film Center Co-op members were commissioned to make new experimental lens-based works exploring their relationships to Los Angeles. Coming from all walks of life, Co-op members include both experienced and self-taught filmmakers, queer identifying filmmakers, artists of color, art school graduates, and EPFC youth film program alumni.

(more…)



Filed under: artist in attendance, collaboration, experimental, film, found footage, narrative, travel, Uncategorized

ASIDES & BESIDES

video artists remixing artists’ videos

The Nightingale Cinema, 1084 N. Milwaukee
Tuesday, July 11th, 8:00 pm, $5 suggested donation

Ashley McClenon
Benjamin Pearson
Blair Bogin
Cameron Granger
Clint Enns
Emily Eddy
Hannah Piper Burns
Scott Fitzpatrick

This program draws into focus our own (often productive) sloppiness in the language surrounding artistic production that includes the work of others. In this case, these works are less interested in (though not opposed to) ideas like détournement, appropriation, reenactment, “found” footage, glitch, covers, samples, collage, etc. than to how we can apply the thinking behind the music industry’s idea of the remix into the contexts and histories of experimental film, video art and critical cinema. Think: the extended remix, the dub remix, the club remix, the dirty remix, the radio remix, the house remix, the porch remix, the czech remix, the lights on remix. Serious is fun, fun is serious. Seat dancing allowed. Fresh looks assumed.

Organized by Jesse Malmed



Filed under: artist in attendance, experimental, found footage, video

STOM SOGO

PS When You Thought You Are Going To Die

The Nightingale Cinema, 1084 N. Milwaukee
Friday, June 30th, 7:30 pm, $7-10

“[A] movie’s reality should be as nasty and fucked up as possible, so we want to get fuck out of the theater and hope for something better in life…. I try not to have a message or even word in my movie. But I usually have some sick stories behind each of the movies. Those are just mental eye candy that it taste sweet first, seizure second.” – Stom Sogo

The Nightingale is pleased to present another tribute to Stom Sogo on the day before he died. A special thanks goes to Anthology Film Archives, John Klacsmann, Karen Johannesen and the following for their kind words and continued support of such an incredible, unstoppable force.

“A dynamo whose thunderous potential was cut short by his premature death, Japanese moving-image artist Stom Sogo (1975-2012) remains a romantic rebel if ever there was one. For over two decades he created a hair-raising body of aggressively beautiful films and videos. His distinctive, psychically charged work revels in optic and aural jolts just as much as it attempts a sincere connection with the viewer. While he mastered numerous approaches, his primary technique involved heavy amounts of re-photography, a process that allowed him to fashion multiple electrified layers of strobing imagery. Other pieces demonstrate his uncanny editing prowess in their startling juxtaposition of home movies with materials taken from an expansive array of unlikely sources.” – Andrew Lampert

“Total anarchy, pushing the limits, going out/within further and further, marveling at all the beauties and laughing at all the absurdities. To me this is what Stom was all about at all times.” – Raha Raissnia

“The films of Stom Sogo are incantatory and self combustible. An erratic master of low tech do-it-yourself sortilege, he puts his works through seemingly perpetual remakes.” – Mark McElhatten

“Stom was both cunning and tender, even now I use him to measure imposters. He certainly laughed at the solemnity with which the courtiers behave. He always wanted more, again.” – Albert Herter

 

Program Details:

SILVERPLAY, 2002, video, 16m
Song for TV, 2002, video, 4m
YA PRIVATE SKY, 2001, S8mm/video, 3.5m
SLOW DEATH, 2000, S8mm to video, 16m
PERIODICAL EFFECT, 2001, S8mm/video, 10m
REPEAT, 2006, video, 9.5m
PS WHEN YOU THOUGHT YOU ARE GOING TO DIE, 2003, video, 14m

 

STOM SOGO was born in 1975 and moved to the United States in 1992. He graduated with a BA in art and film from Hunter College, New York, in 2000. Sogo started Open Screenings at Anthology Film Archives in 1995, inspiring a whole crew of filmmakers. His Super8 films and video works have screened at various festivals and exhibitions including Rotterdam Film Festival; the Whitney Biennale; Lincoln Center, MoMA, Light Industry, Union Docs, Chicago Filmmakers, Image Forum (Tokyo), Microscope, and many others.

 

Films/videos courtesy of Anthology Film Archives, New York

Programmed by Lorenzo Gattorna



Filed under: archival, Asian, autobiography, cityscape, documentary, experimental, film, found footage, home movies, international, landscape, music, place, re-photography, rural, sound, Super 8mm, travel, Uncategorized, urban, video

Next Page »