Presented by South Side Projections, the Nightingale, the Counter Cinema/Counter Media Project at the Center for the Study of Gender and Sexuality, and the Reva and David Logan Center for the Arts
Friday, February 16 at 7:00 pm, $7-10
Barbara Hammer needs no introduction.
A pioneer of queer cinema, Hammer has been an active filmmaker for over four decades, directing more than 80 experimental films and documentaries. In 2010 the Museum of Modern Art presented a month-long retrospective of her work, and she was the recipient of a Guggenheim Fellowship in 2013. In mid-February, South Side Projections, the Nightingale, the Counter Cinema/Counter Media Project at the Center for the Study of Gender and Sexuality, and the Reva and David Logan Center for the Arts will honor Hammer with a two-night celebration, the first major retrospective of her work in Chicago in more than 20 years.
On Friday, February 16 at 7pm, the Nightingale Cinema (1084 N. Milwaukee Ave.) will host a mini-retrospective on 16mm. The films being shown are PSYCHOSYNTHESIS (1975), SISTERS! (1974), STILL POINT (1989), ENDANGERED (1988), OPTIC NERVE (1985), VITAL SIGNS (1991), and SANCTUS (1990). The program is approximately 90 minutes long.
Filed under: 16mm
SSSS! Second Sexing Sound Symposium
Featuring performances by Frauke Aulbert and Seth Parker Woods accompanying films by JoAnn Elam
Saturday, December 2 at 8:00 pm, Free
Back for its third year, KINOSONIK is a collaboration between the Goethe-Institut, Experimental Sound Studio, and Chicago Film Archives. This year’s project, the Second Sexing Sound Symposium (SSSS!), is a series of public events in Chicago dedicated to ideas, research, performance, and conversation surrounding female and trans-identifying practitioners in and around the sonic arts. Saturday’s screening kicks off the series which includes panel discussions and performances at Sector 2337, Constellation, and the Experimental Sound Studio. Musicians Frauke Aulbert and Seth Parker Woods will collaborate to compose live scores for a selection of films curated and sequenced by CFA from the JoAnn Elam Collection. Aulbert and Woods were selected based on their substantive and exemplary artistic accomplishments to date, their commitment to risk-taking exploratory approaches to sound and music, their long-standing experience in collaboration, and their interest in integrating their various sonic approaches with moving image.
The soprano, voice performer, and multivocalist, “Hamburg’s queen of Avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o. Concerts led her to festivals all over the world: Europe, Korea, Australia, Brasil, Georgia, Tunesia, and the USA. Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17, where she is currently working on her project ‘Beatboxing and the Avant Garde’. Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’.
Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke’s. A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Heinz Holliger, G.F. Haas, Helmut Lachenmann, Klaus Lang, Steve Mackey and Peter Eotvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata. His debut solo album, asinglewordisnotenough, has garnered great acclaim since its release in November 2016, and has been profiled in the Guardian, I Care If You Listen, Musical America, and Strings Magazine amongst others.
JoAnn Elam (1949-2009) is a central figure in the in the history of Chicago’s experimental film community. Her short experimental and documentary films capture the spirit and ethos of a politically active, feminist, and socially conscious artist. Along with Bill Brand, Warner Wada, and Dan O’Chiva, Elam founded Chicago Filmmakers (initially called Filmgroup, with screenings held at N.A.M.E. Gallery) in 1973.
Filed under: 8mm
, artist in attendance
, Free Screening!
, Super 8mm