INSIGHT: CATHOLIC TV…

Insight: Catholic Television
from The Twilight Zone
Archival Program by
Jeff Martin & Mark Quigley

INSIGHT

Friday, November 7th at 8:00 pm, $7-10

UCLA Film & Television Archivist Mark Quigley and Archivist Jeff Martin bring another rare and insightful TV program to The Nightingale!

Created, produced, and hosted by Paulist priest Father Ellwood E. Kieser, the landmark anthology television series “Insight” debuted in the 1960-61 season and aired nationally in syndication for well over two decades. Top Hollywood artists such as Rod Serling, Ida Lupino, Bob Newhart, Patty Duke, William Peter Blatty, Michael Crichton and Martin Sheen contributed their talents to the series, drawn by the show’s reputation for stretching the creative boundaries of television. With a “Twilight Zone”-esque tone, “Insight” (produced on 2″ videotape) received critical acclaim and won numerous Emmy Awards for addressing difficult social issues and humanist themes, often with black humor or stark realism. But like many non-network television programs of the time, “Insight,” is no longer broadcast and has faded from memory, a relic of another time. This screening will be a rare opportunity to experience truly genre-defying television. 

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Filed under: 16mm, archival, artist in attendance, film, found footage, video

EYEWORKS 2014

Experimental Animation Festival

PageImage-513947-4863611-eyeworks_face

Friday & Saturday, November 14-15th

Mark your calendars! The 2014 Eyeworks Festival, now in its 5th year,  returns to The Nightingale. The kickoff program will be at the Museum of Contemporary Art on Nov. 11, with additional screenings, including a program with  festival guest Caleb Wood, at the Nightingale on Nov. 14-15.

Wood’s animations have been screened at top animation festivals internationally, and his work has been featured on Adult Swim. He was selected for the prestigious Animation Artist in Residency Tokyo program in 2013, where he made his film “Goodbye Rabbit Hop Hop.” He will introduce the program of his work, which will include around 20 short pieces, and participate in an audience Q&A after the screening.

Lots more details to come soon! Check here for more exciting EYEWORKS news!



Filed under: 16mm, animation, archival, experimental, film, international, video

PUBLIC HEARING

New Experimental Documentary
by James N. Kienitz Wilkins
Director in attendance with coffee and donuts

Public_Hearing-RELEASE

Friday, November 21st at 7:00 pm, $7-10

PUBLIC HEARING by James N. Kienitz Wilkins
110 minutes / 16mm-to-HD / B&W / Stereo / USA / 2013
Donuts and coffee will be served.

PUBLIC HEARING re-performs a rural American town meeting from a transcript downloaded as publicly available information. Shot entirely in cinematic close-up on black-and-white 16mm film, a cast of actors and non-actors read between the lines in an ironic debate over the
replacement of an existing Wal-Mart with a super Wal-Mart.

PUBLIC HEARING is the first feature documentary film by James N. Kienitz Wilkins, filmed in one room with an ensemble cast of professional actors, sculptors, filmmakers, musicians and businessmen. The subject of the hearing is the environmental impact of an existing Wal-Mart expanding to become a super Wal-Mart. The source material and screenplay is direct text from a publicly released transcript downloaded from the town website of Allegany, New York. The text was preserved in chronological order with no additions, only redactions due to budget: a loss of the most redundant of the redundant. As a film meant to be watched rather than a purely structuralist exercise, this limiting technique reflects the reality of the public hearing itself, which forced comments for which there was no time to be submitted in writing.

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Filed under: documentary, experimental, film, Uncategorized, video

FRIENDSGIVING 2014

A Seasonal Potluck and Shooting Party

friends14

Sunday, November 23rd at 2:00 pm

It’s that time of year again! Please join us at the Nightingale for our annual holiday potluck. We will eat, drink, and shoot this year’s Nightingale trailer, which truth in advertising, is really more a moving image document of all the folks we feel grateful to know and watch movies with. This year the trailer will be led by Nightingale programmer and artist, Jillian Hansen-Lewis. As usual, there will be a large turkey, vats of mashed potatoes, vegan main dish, and homebrew cider. Please bring a side dish or dessert to share. All foods types encouraged. Friends of friends and children welcome.

See last year’s movie, made by Ian Curry and Jesse Malmed, here.

2:00 – Food
3:00 – Dessert, Drinks, and Conversation
4:00 – Shoot
5:00 – Dancing, Napping, More Eating?



Filed under: film, FRIENDSGIVING, performance, potluck, Uncategorized, video

52 AAFF 16mm TOUR PROGRAM

Program Director, David Dinnell in person!

Mike Stoltz - With Pluses and Minuses 2013

Saturday, October 25th at 8:00 pm, $7-10

The Ann Arbor Film Festival is the oldest experimental fest in the country and is the midwest’s most influential exhibitor of international artist made cinema. As any visit  to the festival demonstrates the org serves an enthusiastic local audience and attracts artists and programmers from far and wide. AAFF also supports the genre by presenting a touring program of festival works in the off-season. In October, Program Director, David Dinnell, brings the 52 AAFF 16mm Tour Program to Chicago. Presented entirely on 16 mm, this program features 14 new films from Denmark, Argentina, Canada, Germany, and the United States, including several of this year’s festival award winning pieces.

Program Details:
The Handeye (Bone Ghosts)
(Anja Dornieden and Juan David González Monroy)
Berlin, Germany | 2012 | 7 min
In early 20th century Vienna Robert Musil invited Sigmund Freud to partake in, what he called, “a very special séance.” Seated at the table Musil revealed that they were going to summon the ghost of Franz Anton Mesmer, discoverer of animal magnetism and forefather of hypnosis. Musil told Freud about a series of dreams he had which involved a talking flea. Musil, who had secretly become a follower of the imaginationist school of animal magnetism wanted to question Mesmer as to the meaning of these dreams, in which said flea foretold of impending catastrophes all over Europe. It is said that Mesmer obligingly appeared and spoke in a repetitive and oblique manner. Mesmer’s words were transcribed by Freud in several scraps of paper and hidden sepa- rately in a series of objects that, owing to the vicissitudes of history, would end up in the collections of three Viennese museums. Legend has it that he who could piece together the text would find instructions for the assembly of a film. —AD & JM

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Filed under: 16mm, documentary, experimental, film, found footage, Uncategorized

A GEOGRAPHY OF ADDRESSES

Films by Josh Weissbach (in attendance!)

Model Fifty-One Fifty-Six 01

Tuesday, October 7th at 7:00 pm, $7-10 

The place where it happened, where it kept happening, where it only happened once. The walls are this tall and there are this many of them and there are this many doors and windows to exit and enter and stare out of. This is where it is on the map. These are the nearest streets and this is how you’d get from there to here. Here is where it happened next, where it kept happening, where it hasn’t happened yet. Sometimes there aren’t any doors or windows because there aren’t any walls. In describing the place, it becomes fixed as an image, as a string of words.

Examining both domestic and natural spaces, Weissbach seeks sites of trauma, vitality and memory. The specific becomes general and the general becomes specific. Psychological spaces take on architectural terms just as literal spaces begin to shape what happens inside of them.

Weissbach’s films are impeccably composed and paced, with an airiness that allows for both tension and relief. There is an inscrutable intensity to much of the work, using the same breath to express both data and drama, as Jack Webb says just the feelings.

The ghosts find doors in the walls, while the television is stuck on an unhaunted house.

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Filed under: experimental, film, Uncategorized

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