1084 N MILWAUKEE, CHICAGO

differently, Molussia

a film by Nicolas Rey

Thursday, September 19th, 7 PM, $7-10 suggested donation – cash only
***This event will be held at Cinema Borealis
1550 N Milwaukee Ave.

Nicolas Rey in person!

The Nightingale (at Cinema Borealis) is proud to present “differently, Molussia” (2012) a film by Nicolas Rey of L‘Abominable film lab collective. “differently, Molussia” is a film in nine chapters, shown in random order, and based on fragments from the anti-fascist, posthumously published 1931 novel “Die molussische Katakombe” (The Molussian Catacomb) by Günther Anders. Prisoners sitting in the pits of an imaginary fascist state, Molussia, transmit one another stories about the outside world like a series of political and philosophical fables. “differently, Molussia” has screened worldwide including venues such as the Forum Expanded section of Berlinale (Germany), Views from the Avant Garde at NYFF (New York, NY), and the Northwest Film Center (Portland, OR).

“The sequencing of the reels – i.e. the stories and the way certain motifs, aesthetic strategies, and cinematic devices are introduced and worked through – is interchangeable; what carries over from reel to reel are the colors and textures. Few works so perfectly combine cinesensuality and Marxist dialectics.” — Olaf Möller, Film Comment

Nicolas Rey was born in 1968. Unlike the famous American director, his name is not a pseudonym. Nor is he the son of the French experimental filmmaker Georges Rey. He is also not related to the other Nicolas Reys who live at Place de Paris, although he often gets their mail. Since 1993, he makes films that combine elements of photography, documentary film, and experimental film. He is also a co-founder of the collective film lab L‘Abominable.

France, 2012, 16mm, 81 minutes



Filed under: 16mm, artist in attendance, experimental, film, hand-processing

FLEEGIX

Friday, August 2nd, 7 PM, $5-10 suggested donation – cash only

FLEEGIX is a science-fiction film set on Earth,  although some of the population have become convinced that they are in fact living on the planet Mars.

The film investigates the nature of belief systems which overlap, co-exist, and create conflict in any human society.
Its subject is the nature of reality. It takes place in a recognizeable world of parks, parking lots, gas stations and video stores, which makes the episodes stranger and more tangible. It does not create a fantasy world: the extraordinary is mapped onto a recognizable landscape.
The film is inspired by and loosely adapted from on a Young Adult novel by Daniel Pinkwater, Alan Mendelsohn, the Boy From Mars, in which alienated high school students Leonard and Alan escape boredom through developing telepathic powers and learn to travel to other dimensions overlapping their own. I have received permission from the author to make a film that is a creative interpretation of his book.

The film was shot on color 16mm and includes both live action, stop motion and hand drawn animated segments. The appearance of animation in the narrative is to illustrate propaganda, such as depictions of newsworthy events on Mars.
This film is an organism that grows and continues to develop a web of connected motifs and ideas.
FLEEGIX is constructed through the accumulation of short scenes that echo and lead into each other, making connections across time and space. It is a a “Situationist Fairy story” …, a non-linear narrative that is based around a series of surprising images, that nonetheless describes an entire world.

At the heart of the film is the question as to how Fleegix (a beverage enjoyed by Martians) is manufactured.The film details further conflict among New York “Potato-Eyed” Martians who express themselves in animated movement, and the Hand Shadow Punks of Baltimore, who represent a pre-cinematic faction.
The film proposes various absurd answers to this question, and the dispute takes on symbolic and mythological proportions.

Programmed by Nabil 


Filed under: 16mm, anarchy, animation, artist in attendance, environmental, expanded cinema, experimental, film, music, new media

Next Page »