LOST IN THE WOODS

Works by Olivia Ciummo and Christopher Meerdo (in Person!)

On The Evening by Olivia Ciummo (2014)

Wednesday, September 10th at 8:00 pm, $7 -10

Lost in the Woods is a program of short moving image works by Olivia Ciummo and Christopher Meerdo. Their works, though aesthetically divergent, provoke patient observation vs. anxiety driven themes. Taking cues, leaving footprints, stealing apathy, appropriating transcendence and encapsulating it—non-sequiturs become the texture and a summary that repeats and replicates, inviting perpetuity. This first co-screening by the artists brings together both recent and unseen projects. Both artists will be present following the screening.

Victoria – 10:00, 2012
An ode to R.S. – 3:30, 2013
In Reps of Long-Play – 6:30, 2013
Untitled (Redactions) – 3:20, 2014
On the Evening – 7:00, 2014
Anthology – ≈ 4:00, 2014
(On Fractured Water) – 4:00, 2014
Cipher II (excerpt) – 3:00, 2014
Invert and All That is Solid – 3:00, 2014
Wesserunsett – 5:00, 2014
(alternating artists, starting with Olivia Ciummo)

(more…)



Filed under: experimental, film, found footage, video

ANDEAN-GARDE

Experimental Documentation
in the Andes (1963-2014)
Presented by Tiempo Libre
Curator, Daniel F. Molero in person!

adelante

Sunday, September 14th at 7:30 pm, $7-10

The NIGHTINGALE is delighted to host this slate of short films that showcase a chronological development of experiments in non-fiction from filmmakers of the Andean region. These works articulate conflicted ideas about politics, media and indigenous representation.

Revolución / Revolution
Dir. Jorge Sanjinés
9 min – Bolivia – 1963
Made out of fragments of footage filmed while making propaganda documentaries for the state lottery, and edited according to theoretical precepts of Soviet montage, Revolución could be considered Bolivia’s first experimental film. In addition to using cinema to resist dictatorships and American imperialism, Jorge Sanjinés was also one of the first to theorize the representation of non-Western subjectivities in cinema.

Vía Satélite: En vivo y en directo / Via Satellite: live
Dir. Armando Robles Godoy
10 min – Perú – 1973
Five radial narrations of the same soccer match of the Peruvian national team juxtaposed with a suggestive montage of empty streets and emblematic monuments of the country’s capital city, Lima. Robles Godoy is Peru’s first and main auteur but still undiscovered for international audiences. His films, like The Green Wall (1970), are a mysterious combination of lyrical images and a fragmented structures.

Radio Belén
Dir. Gianfranco Annichini
11 min – Perú -1983
Located in the middle of a market and a port on the Amazon jungle, a poor radio station can only broadcast through speakers. The filmmaker reduces his commentary to a few final shots, the rest is from the voice of the people.

Enterprisse
Dir. Kiro Russo
9 min – Bolivia – 2010
The man, the city, the machine. Once he’s up in the Enterprisse, he has to follow the instructions. Russo’s next short film, Juku, premiered at Sundance 2012.

(more…)



Filed under: documentary, experimental, film, international, video

SUITCASE of LOVE and SHAME

Premiere Screening  for RUN OF LIFE:
Experimental Documentary Series
Screening at Constellation
(3111 N. Western Ave.)

foot_7X10_300dpi-350x259

Monday, September 22nd at 7:00pm,
$8 in advance / $10 at the door

The Nightingale’s Christy LeMaster and Kartemquin Film’s Beckie Stocchetti join forces to present RUN OF LIFE, a co-curated experimental documentary and expanded media series to be held at Constellation  beginning September 22nd, 2014 and running every third Monday for nine months through May 2015.

This new series pairs a recent feature experimental documentary with a short nonfiction work in any number of mediums – performance, video short, interactive presentation, audio doc, etc. At each event, a post screening Q&A will be moderated by either a local expert engaged in the movie’s subject matter or an artist involved in the making of the work. RUN OF LIFE seeks to create a space for audiences in Chicago to explore and converse about this important and often under-recognized form of media making: “We aim to investigate experimental tactics within representations of reality; the empathetic connection that is built through sensory experience rather than factual arguments; and aesthetic shifts in documentary that come with the breakdown of the fourth wall.

PREMIERE SCREENING
SUITCASE OF LOVE AND SHAME
Dir. Jane Gillooly // 70 min // 2013 // video

Tender, erotic, and pathetic, this reconstructed narrative examines the obsession to chronicle the details of an adulterous affair. Suitcase of Love and Shame is a mesmerizing collage woven from 60 hours of reel-to-reel audiotape discovered in a suitcase purchased on eBay. Recorded in the 1960’s, a Midwestern woman and her lover become reliant on recording devises to document and memorialize their affair. The film aims at a cross-generational consciousness about exhibitionism, privacy and voyeurism. Focusing on the aural and experiential nature of the audio the imagery in the film is restrained – abstract, evocative and expectant, so that the audience will see with their ears. The listener/viewer is variously located within and outside of the events – complicit and voyeuristic. The “eavesdropping viewer” is compelled, despite feeling embarrassed and uncomfortable with the knowledge and access they have been given into the transgressions they imagine they see. Selected to screen as part of the distinguished Art of The Real series at the Film Society at Lincoln Center 2014, the film has screened internationally winning Best International Film at Images Festival in Toronto.

(more…)



Filed under: documentary, experimental, film, found footage, narrative, new media, surveillance, Uncategorized, video

CINEMA BABYLON

Experiments in Narrative
Programmers, Christine Kolozvary &
Michael Bucuzzo, in person!

Denniberg_Still-900x600

Friday, September 26th at 8:00 pm, $7-10 

Cinema Babylon is a program of shorts by emerging artists who are exploring both the tropes and excesses of narrative form, and the unraveling structure of avant garde film. Influenced by filmmakers such as George Kuchar, Kenneth Anger, Lewis Klahr, and Ericka Beckman, many of these films remain unseen for being both too narrative and too experimental. This screening is an opportunity to showcase works that abandon the confines of narrative cause and effect for the tenuous logic of a dream.

With support from the Millenium Film Workshop in NYC, Cinema Babylon will tour across the United States in September 2014 in an effort to bridge together like minded film communities, and to spark a discourse about new young talent.

Programmed by Christina Kolozsvary & Michael Bucuzzo

(more…)



Filed under: artist in attendance, experimental, film, narrative, video

BASEMENT MEDIA FEST

LO-DEF, LO-TECH, LO-FI
programmer LJ Frezza in attendance

Thursday, August 28th at 8:00 pm, $7 -10

THE NIGHTINGALE IS ECSTATIC TO BE BRINGING THE BASEMENT UP TO THE FIRST FLOOR. BASEMENT MEDIA FEST IS A SURVEY OF CONTEMPORARY ARTISTS WORKING WITH LO-DEF, LO-TECH, AND LO-FI MOTION PIX TECHNIQUES. FOUNDED IN RESPONSE TO HI-RES COMMERCIAL MEDIA AND CORPORATE-SPONSORED FILM FESTS, BASEMENT IS A CELEBRATION OF THE MEDIATED EXPERIENCE AS AN AESTHETIC EXPERIENCE. HASHTAG FUZZY / HASHTÅG GLITCHY / HÅSHTÅG  GRIMY.

///WARNING/// SUM OF THESE MOVIES FEATURE FLICKERING LIGHT AND RAPIDLY CHANGING MOTION. MAY CAUSE SEIZURES/MOTION SICKNESS. IF YOU HAVE TO SPEW, SPEW IN THIS.

Still from Tyler Tamburo – Cold Blood

/START PROGRAM:

House (Andy Birtwistle, 3:45, Digital)

I Am All Men As I Am No Man and Therefore I Am (Gilberto Alfredo Salazar­ Caro, 5:29, Digital)

Election Coverage (Chris Paul Daniels, 1:01, Digital)

Cold Blood (Tyler Tamburo, 3:24, Digital)

Queens Quay (Stephen Broomer, 1:11, 16mm)

[phrases] (Ben Balcom, 4:24, Digital)

Doubt #2 (Josh Lewis, 5:26, 16mm)

Smashed (Emma Varker, 3:53, Digital)

The HandEye (Bone Ghosts) (Anja Dornieden & Juan David Gonzalez Monroy, 7:09, 16mm)

[RGB] (N. Heppding, 4:30, Digital)

Seriously Delinquent (Dylan Pasture, 6:49, Digital)

The Way You Recognize It (Laura Thatcher, 1:32, Digital)

How to Draw Clouds (Salise Hughes, 2:20, Digital)

RIP Geocities (Faith Holland, 2:31, Digital)

Every Feature Film on My Hard Drive 3 Pixels Tall and Sped Up 7000% (Ryan Murray, 3:29, Digital)

holiday 13 (Jordan Lopez, 1:44, Digital)

Up (Scott Fitzpatrick, 4:47, Digital)

/END PROGRAM

FOR MORE INFO, CHECK OUT: HTTP://BASEMENTMEDIAFEST.COM

 



Filed under: artist in attendance, experimental, film, found footage, new media, video

Next Page »