THE NEW (NEW) CORPSE

Closing Program to Celebrate
the Opening Exhibit of Sector 2337
Screening at Sector 2337
(2337 N. Milwaukee)

DEEP-SLEEP_Basma_headerimageForWeb

Friday, December 19th  at 7:00pm, Free

There are three types of possible bodies in the cinema. There is the subject body onscreen, there is the camera as an imaginary body- a conduit body made up mainly of eyes choosing what we will see, and there is us, the audience bodies that do the watching through a system of involuntary physiological processes and cognitive responses that make up human perception.

THE NEW NEW CORPSE: (1971-2014, various formats, TRT 59 min)

To celebrate the closing of SECTOR 2337’s inaugural exhibition  The New [New] Corpse,  Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen. These works subvert the traditional mode of watching bodies in narrative action, or as objects of sexual desire, or as merely characters. Rather these works use body as conceptual site, performative metaphor, or abstracted modular component.

Program Details: 
BOUNCING IN THE CORNER #36DDD by Dara Greenwald
(1999, USA,  3 min)

BABY ! LOVE YOUR BODY ! EPISODE 1 (ENGLISH) by Poussy Draama & Fannie Sosa
(2014, France,  7 min)

AFFECTION by Blair Bogin & Dayna Gross
(2014, USA, 1 min)

CUT by Matthias Müller and Christoph Girardet
(2013, Germany,  13 min)

DEEP SLEEP by Basma Alsharif
(2014, Malta/Greece/France/Palestine. HD video, 13 min)

NINE GATES by Paweł Wojtasik
(2012, United States,  12 min)

TWO FACES by Hermine Freed
(1972, United States, 6 min)

Special Thanks to VIDEO DATA BANK for their support in presenting this program.

 



Filed under: 16mm, archival, experimental, film, Free Screening!, international, video

FOLLOW FOCUS

Daviel Shy and THE LADIES ALMANACK
Winter Screening and Inaugural Party

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Sunday, December 7th at 7:00 pm, $15

The Nightingale is delighted to introduce FOLLOW FOCUS- a new process-oriented screening series that rallies audiences and resources behind a moving image maker as they complete a feature project. Designed to expand viewership into the production stage, FOLLOW FOCUS invites audiences to observe a director’s process, collaborations, and inspiration. Our inaugural featured project is THE LADIES ALMANACK written and directed by Chicago-based filmmaker, Daviel Shy and produced by NYC-based performer, Stephanie Acosta.

THE LADIES ALMANACK is a feature-­length experimental narrative film shot on Super 8 and based on the novel of the same title by Djuna Barnes. The film is a kaleidoscopic tribute to women’s writing through the friendships, jealousies, flirtations and publishing woes of authors and artists in 1920’s Paris.

The Nightingale will host 4 screenings during the course of the next year, each one in a different season and  highlighting a different element of the process ending with a rough cut screening in Fall of 2015. The production of a commissioned art object will also raise funds for the film.  Admission price  at each of the four screenings includes part of a limited edition, risograph-printed Ladies Almanack Tarot Deck designed and illustrated by Jess LeMaster. Attend all four screenings for a complete 24-card set.

The Winter Screening will include a treatment presentation by director Daviel Shy,  exclusive trailer release, and dramatic readings from The Ladies Almanack 1928 original novel. Reception with artists to follow the screening.

To support the THE LADIES ALMANACK right away, check out the movie’s website. Donations are tax-deductible.

http://theladiesalmanack.tumblr.com/contribute

Image Credit: Collage made by  Sarah Patten. Full image may be found here. See more of her amazing collage work here.



Filed under: experimental, feminism, film, narrative, queer, reading, Super 8mm

FRIENDSGIVING 2014

A Seasonal Potluck and Shooting Party

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Sunday, November 23rd at 2:00 pm

It’s that time of year again! Please join us at the Nightingale for our annual holiday potluck. We will eat, drink, and shoot this year’s Nightingale trailer, which truth in advertising, is really more a moving image document of all the folks we feel grateful to know and watch movies with. This year the trailer will be led by Nightingale programmer and artist, Jillian Hansen-Lewis. As usual, there will be a large turkey, vats of mashed potatoes, vegan main dish, and homebrew cider. Please bring a side dish or dessert to share. All foods types encouraged. Friends of friends and children welcome.

See last year’s movie, made by Ian Curry and Jesse Malmed, here.

2:00 – Food
3:00 – Dessert, Drinks, and Conversation
4:00 – Shoot
5:00 – Dancing, Napping, More Eating?



Filed under: film, FRIENDSGIVING, performance, potluck, Uncategorized, video

PUBLIC HEARING

New Experimental Documentary
by James N. Kienitz Wilkins
Director in attendance with coffee and donuts

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Friday, November 21st at 7:00 pm, $7-10

PUBLIC HEARING by James N. Kienitz Wilkins
110 minutes / 16mm-to-HD, B&W / 2013
Donuts and coffee will be served.

Preceeded by
CA-PAN (Convergence Art Public Affairs Network) by Chaz Evans
30 minutes / HD / 2014

 

PUBLIC HEARING re-performs a rural American town meeting from a transcript downloaded as publicly available information. Shot entirely in cinematic close-up on black-and-white 16mm film, a cast of actors and non-actors read between the lines in an ironic debate over the
replacement of an existing Wal-Mart with a super Wal-Mart.

PUBLIC HEARING is the first feature documentary film by James N. Kienitz Wilkins, filmed in one room with an ensemble cast of professional actors, sculptors, filmmakers, musicians and businessmen. The subject of the hearing is the environmental impact of an existing Wal-Mart expanding to become a super Wal-Mart. The source material and screenplay is direct text from a publicly released transcript downloaded from the town website of Allegany, New York. The text was preserved in chronological order with no additions, only redactions due to budget: a loss of the most redundant of the redundant. As a film meant to be watched rather than a purely structuralist exercise, this limiting technique reflects the reality of the public hearing itself, which forced comments for which there was no time to be submitted in writing.

(more…)



Filed under: documentary, experimental, film, Uncategorized, video

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