1084 N MILWAUKEE, CHICAGO

The Tinder Trilogy by Sam Bam

 

Sam Bam screening at the Nightingale

The Tinder Trilogy (with special guest Werner Herzog’s pen)!

Wednesday, September 25, 7 PM
$7-$10 (suggested donation–cash only)
1084 N Milwaukee Ave


Artist in person!

The Tinder Trilogy is a series of short films by Sam Bam that originated over a need to hide her sex worker identity from a potential suitor. Filmed during a series of first dates over the course of a year, this series chronicles Sam’s attempt to turn Tinder into her personal production house, as well as her simultaneous retirement from sex work and foray into civvy dating for the first time in her adult life. As she loses her sex worker identity, she adopts the persona of filmmaker in order to cope with the loss of her core creative outlet—the world building of her work persona. In the process, she learns to harness the fearlessness required of sex workers into a rabbit hole of hyper-creative DIY strategies and self-education.

The films themselves are not depictions of sex worker labor, but rather a testament to how our own personal experiences can shine through our art (and life) in unexpected ways.

Films screened:

Cool Lawyer (Sam Bam, 2018)
An attempt to evade the classic first date question “What do you do for work?”

Sam Bam's movie Cool Lawyer

I Owe The Chicago Public Library $367 And They Should Forgive Me (Sam Bam, 2019)
An homage to the French New Wave that brings a face to the classist injustice of late fees.

#1 Party Guest “The Lost Film” (Sam Bam, 2019)
This film is what happens when you protest Werner Herzog for not following you on Instagram, only to steal his pen and use it as bait for your experimental film trilogy.

Eddie Vedder’s Girlfriend (Sam Bam, 2019)
A collage of the male gaze that outs all the homophobes in the room.

 

After the screening there will be a discussion and Q+A.* Participation in the Q+A will enter you into the free raffle to win the pen Sam stole from Werner Herzog. So bring your questions!

*There will also be cake and surprise special guests.



Filed under: artist in attendance, autobiography, feminism, performance

Mary Curtis Ratcliff of Videofreex

Celebrating Videofreex’ 50th anniversary

Wednesday, July 31, 7 PM, $7-10 suggested donation – cash only

Mary Curtis Ratcliff in person!

The Nightingale is thrilled to welcome Mary Curtis Ratcliff, a founding member of the collective Videofreex, to Chicago to screen three videos made from 1969-1970, on the occasion of the group’s 50th anniversary. Mary Curtis Ratcliff—visual artist, videomaker, and political activist—participated in the creation of these tapes both on an off camera as videographer, interviewer, and interviewee. Chicago Travelogue: The Weatherman (1969), Fred Hampton: Black Panthers in Chicago (1969), and Curtis’s Abortion (1970) provide a window into the political movements and ideologies that are as important today as they were fifty years ago.

The Videofreex began in 1969 as part of the Manhattan video scene and eventually moved to upstate New York to operate a community video center and the first pirate television station in the U.S. on Maple Tree Farm in Lanesville, NY throughout the 1970s. Since 2001, the Videofreex archive has been held at the Video Data Bank at the School of the Art Institute of Chicago.

Shortly after founding the collective, Mary Curtis Ratcliff, Parry Teasdale, and David Cort were hired by CBS to produce video footage of the emerging youth culture in Chicago, Los Angeles, and New York for a television pilot called Subject to Change. Though the program never made it to the air, the interviews that they recorded helped inspire the wave of political video documentaries now known as “Guerrilla Television.”

In an interview with the Videofreex, media artist Ralph Hocking once said that “99.99% of videotapes produced are boring as hell to 99.99% of the people who watch them.” What makes the Freex unique is that somehow so many of their tapes fit within the .01% that speak to more than just “video people.” They belong to that slim percentile of video that is essential: they capture the reality of the past and confront us with the urgency of our present.

Program Notes:

Chicago Travelogue: The Weathermen, 1969, 22:30

David Cort and Mary Curtis Radcliff interview participants after the “Days of Rage” protest organized by the Chicago-based Weathermen in October of 1969. The Videofreex question the destructive methods of the new group but allow the students to speak about the personal importance of their radical experiences.

Fred Hampton: Black Panthers in Chicago, 1969, 24:00

Mary Curtis taped Parry Teasdale and David Cort’s interview with the twenty-one year-old deputy chairman of the Black Panther Party of Illinois just months before he was murdered by the Chicago Police. Members of the Videofreex reportedly broke into CBS offices to rescue the master copy of the interview after their pilot was canceled, and screenings of the video were instrumental in organizing the campaign for a civil case against the CPD.

Curtis’s Abortion, 1970, 22:59

Fellow Videofreex Nancy Cain and Carol Vontobel speak with Mary Curtis about her experience with recently legalized abortion in New York. The participants’ thoughtful conversation turns the informational tape into an unexpectedly warm document of friendship and the women’s rights movement.

All videos will be screened digitally, and were preserved and digitized by the Video Data Bank. Programmed by Zach Vanes and Emily Eddy.



Filed under: anniversary, archival, artist in attendance, autobiography, collaboration, documentary, documentation, feminism, social justice, urban, video

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