1084 N MILWAUKEE, CHICAGO

Everywhere is Anywhere

Video and performance work by Sara Condo

Tuesday, December 11 at 8:00 PM, $7-10

The Nightingale is excited to welcome multidisciplinary artist Sara Condo to present a selection of her video and performance work. Condo grapples with technology, landscape and feminism, finding unexpected meanings along the highways and byways of the United States. Trust the journey.

The program includes:

Everywhere is Anywherea scrolling landscape photograph and science fiction piece mourning the death of the “American Dream.” The video follows the zen warrior path of the main character, D a queer cyberpunk goddess, who wanders across the land following the death of her estranged father, whom we will call The Wizard. D is on a spiritual journey on a search to unravel the layers of patriarchal power systems embedded in the fabric of her life. Struggling to come to grips with the loss of her ego, she completes walking meditation upon the built environment. Using the landscape as her friendly companion, D reflects on the history of each location and her place within.

The Wizarda live performance piece incorporating computer generated audio and video visuals

Wanderlust, a short experimental documentary centered around a woman who travels alone. As she travels, she contemplates notions of female hysteria, agriculture, and the dawning of the New Age.

Total screening time: approx 55 minutes



Filed under: artist in attendance, autobiography, expanded cinema, feminism, geography, landscape, music, performance, travel

CHANNELS

A Quarterly Film Series
Animation Shorts Screening – Summer 2018
Artists in attendance!

Lilli Carre, Tap Water, 2017, 4:30 min.

Thursday, August 23 at 7 PM, $7-10

Channels: A Quarterly Film Series presents avant-garde, experimental, expanded cinema, performance, experimental narrative, documentary, and video and new media art to Chicago.

The Summer 2018 screening presents recent animation shorts by an all-female group of filmmakers.

Introduction
Lauren Gregory, Girl Fight, 2014, 6:09 min.

Program
Lilli Carre, Tap Water, 2017, 4:30 min.
Kaitlin Martin, Cowboy Castle, 2018, 5:52 min.
Kelly Sears, In the Vicinity, 2016, 6:24 min.
Janie Geiser, Look and Learn, 2017, 11:00 min.
Ali Aschman, Unnatural Growth, 2017, 4:14 min.
Nora Rodriguez, Knot, 2016, 1:12 min.
Martha Colburn, Western Wild…or how I found Wanderlust and met Old Shatterhand, 2017, 9:00 min.
Laura Harrison, Little Red Giant, The Monster That I Was, 2016, 13:51 min.
Leslie Supnet, The Peak Experience, 2018, 8:05 min.
Annapurna Kumar, Mountain Castle, Mountain Flower Plastic, 2017, 3:08 min.
Kelly Gallagher, Más Peligrosa Que Mil Rebeldes / More Dangerous Than a Thousand Rioters, 2017, 6:19 min.
Caitlin Craggs, Are you tired of forever?, 2017, 6:06 min.

TRT: 80 min.

Curated by Erin Nixon & Josh Mabe



Filed under: animation, artist in attendance, feminism, video

Barbara Hammer: VITAL SIGNS

Presented by South Side Projections, the Nightingale, the Counter Cinema/Counter Media Project at the Center for the Study of Gender and Sexuality, and the Reva and David Logan Center for the Arts

Friday, February 16 at 7:00 pm, $7-10

Barbara Hammer needs no introduction.

A pioneer of queer cinema, Hammer has been an active filmmaker for over four decades, directing more than 80 experimental films and documentaries. In 2010 the Museum of Modern Art presented a month-long retrospective of her work, and she was the recipient of a Guggenheim Fellowship in 2013. In mid-February, South Side Projections, the Nightingale, the Counter Cinema/Counter Media Project at the Center for the Study of Gender and Sexuality, and the Reva and David Logan Center for the Arts will honor Hammer with a two-night celebration, the first major retrospective of her work in Chicago in more than 20 years.

On Friday, February 16 at 7pm, the Nightingale Cinema (1084 N. Milwaukee Ave.) will host a mini-retrospective on 16mm. The films being shown are PSYCHOSYNTHESIS (1975), SISTERS! (1974), STILL POINT (1989), ENDANGERED (1988), OPTIC NERVE (1985), VITAL SIGNS (1991), and SANCTUS (1990). The program is approximately 90 minutes long.
(more…)



Filed under: 16mm, experimental, feminism, film, queer

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