1084 N MILWAUKEE, CHICAGO

HOME BASE

The Work of Emily Eddy &
the Nightingale’s 9th Birthday!!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 1, 7:00 pm, $7-10

Join us as we celebrate the ninth affordable renewal of our lease with a new series presenting the work of the folks behind the Nightingale. Over the course of the next year, we will treat each programmer to a mini-retrospective as a vehicle to ask you, our community, what this place has been and should become as it nears a decade in existence.

First up is heir apparent, Emily K. Eddy.  She has been curating film, video, and new media works as Co-Director of the  Nightingale since 2013. She is also a film, video, and digital media artist in her own right. This program spans the last four years and includes outside works that heavily inform Emily’s thematic and aesthetic interests.

Emily graduated from The School of the Art Institute of Chicago in 2013, where she received her Bachelors in Fine Arts. Combining many different forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. Emily has shown work and programmed screenings at many venues in Chicago, as well as her hometown, Portland, OR, Reykjavik, Iceland, and various mid-western cities. Her most recent curated program, HOW TO FIGHT LIKE A GIRL will be presented at Echo Park Film Center in Los Angeles on March 24.

As always at Nightingale birthdays there will be cake, questionable punch, and dancing.

 

Program Details
No Chick Is An Island
Digital Video, 6:59
2013

I (can?) not be defeated
Digital Video, Super 8mm, 9:02
2013

this must be the place
Digital Video, 6:09
2014

Vesturbæjar
Digital Video, 9:48
2017

 

 



Filed under: 8mm, BIRTHDAY PARTY, experimental, feminism, geography, iceland, icelandic, international, landscape, new media, performance, queer, rural, Super 8mm, travel, Uncategorized, urban, video

NOTE TO SELF

The Psychosexual Films of Nazlı Dinçel — Filmmaker in attendance

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, February 25th, 7:00 pm, $7-10

An evening of visceral and provocative handmade films that explore bodies, acts of the solitary, text, language, visual information and personal exposure. Nazlı Dinçel’s work reflects on experiences of disruption. She records the body in context with arousal, immigration, dislocation and desire in juxtaposition with the medium’s material: texture, color and the passing of emulsion. Her use of text as image, language and sound attempts the failure of memory and her own displacement within a western society.

Program Details:

Reframe 
16mm, 4min, Color, Silent, 24fps, 2009

Leafless
16mm, 8min, Color, Silent, 24fps, 2011

Her Silent Seaming
16mm, 10min, Color, Super 16 Image-Sound, 24fps, 2014

Sharing Orgasm: Communicating Your Sexual Responses (Found Film)
16mm, 12 min, Color, optical sound, 24fps, 1977

Solitary Acts #4
16mm, 8min, Color, Optical Sound, 24fps, 2015
Exacto Knife, Typewriter

Solitary Acts #5
16mm, 5min, Color, Sound, 24fps, 2015
Exacto Knife, Fishing Line, Sewing Machine

Solitary Acts #6
16mm, 11min, Color, Optical Sound, 24fps, 2015
Exacto Knife, 1.5mm Letter Punches, Hammer, Leather Puncher

VOID (4.INABILITY)
16mm, 4min, Color, Silent, 18fps, 2016

 

Programmed by: Lee Ferdinand

 

Image courtesy of Nazli Dinçel



Filed under: 16mm, artist in attendance, experimental, feminism, film, found footage, hand-processing, Uncategorized

BAD ROMANCE

Screening and Performance

The Nightingale Cinema, 1084 N. Milwaukee
Friday, February 17th, 7:00 pm, $7-10

Bad Romance features video works by performers and video artists that play with well-worn conventions of portraying seduction, romantic relationships, or intimate encounters in popular culture. The artists included in this screening expose the underlying mechanics of creating these seductive, and often instructive, images and scenes. They place themselves or their loved ones in front of the camera, employ illuminating voice-overs, construct awkward revelations and propose humorous antidotes to problematic romantic tropes.

Steven Summers – Chicago, IL
First Time, 6:22, 2016

Charmaine Ortiz – Carolina Beach, NC
Search: “How to draw a Woman”, Male Perspectives from YouTube result pages 1-50, 2012, 10:00

Marlo Koch – Chicago, IL
Cherry, 2014 6:27

Marlo Koch and Emerson Sigman – Chicago, IL
Wide Open, 2016, 2:39

Karin Stothart – Los Angeles, CA
Beach, 2013, 6:12
White Horse, 2012, 4:32

Casey Smallwood – Chicago, IL
Four Scenes for Mother, 2011,12:56
Smallwood Satyricon, 2013, 11:35

With Performance by Marilyn Volkman – Chicago, IL
NEO-Craft: The Easiest and Quickest Way to Gain Advantages for Prosperity, Happiness and Romantic Love

Programmed by Sara Holwerda

  • Image Credit: still from White Horse, by Karin Stothart


Filed under: artist in attendance, autobiography, feminism, narrative, performance, queer, Uncategorized, video

TORREY PINES

A Stop-Motion Animated Adventure
With Live Accompaniment
by Your Heart Breaks
Director, Clyde Petersen, in Attendance!
torrey-pines-still3_credit-clyde-petersen

The Nightingale Cinema, 1084 N. Milwaukee
Tuesday, October 25, 7 pm, $7 – 10

(more…)



Filed under: animation, documentary, experimental, feminism, landscape, music, narrative, queer, Uncategorized

Next Page »