The ANIMATED ARCHIVE

Recent Work by Kelly Sears

Once_It Started_It_Could_Not_End_Otherwise

 Sunday, March 15th at 5:00pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

Kelly Sears is an experimental animator that cuts up and collages imagery from American culture and politics to intervene with the history embedded in the frame.  Working with appropriated images ranging from thrift store cast-offs to archival material, she uses animation to rebuild American histories that shift between the official and the uncanny while exploring contemporary narratives of power, such as manifest destiny, occupation and surveillance.

This hour-long program contains films that address failure – of technology, of progress, and history.  But this failure creates an opportunity to ­­reexamine and envision other speculative narratives. A former President is possessed by his nightmares, high school students are infected by a sinister force in their school’s architecture, astronauts drift away from their missions and telephone operators are built into a covert observation network.

Her work has screened at museums, galleries and film festivals, such as MOMA, The Hammer Museum, LACMA, The Museum of Fine Arts, Houston, Machine Project, Yerba Buena Center for the Arts, Light Industry, Sundance Film Festival, SXSW Film Festival, Ann Arbor Film Festival and Black Maria Film Festival. She teaches animation and film production at the University of Colorado, Boulder.

Program Details
PATTERN FOR SURVIVAL  (2015,  HD video, 6:00)
As you read the rest of this manual, keep in mind the need for a
survival pattern.

THE DRIFT (2007, HD video, 8:20)
A mysterious disappearance on a late 1960s space journey entrances the
nation. This film reexamines the nature of our country’s expansionist
endeavors and the desire to push too far, too fast.

COVER ME ALPHA (2011, HD video, 2:30)
Names of maneuvers and procedures from a military yearbook re-caption
the activities of soldiers in battle.
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Filed under: 16mm, animation, archival, experimental, feminism, video

Films for One to Eight Projectors

Work by  Roger Beebe
RUN OF LIFE Experimental
Documentary Series

beebe

Monday, April 20th  at 7:00pm, $10
Constellation, 3111 N Western Ave, Chicago, IL

Filmmaker/curator/professor Roger Beebe returns to Chicago with a contemporary expanded cinema program titled FILMS for ONE to EIGHT PROJECTORS that will immerse the audience in imagery and sound. Best known for his live cinema performances, Beebe will host an evening of carefully crafted and meticulously timed multi-projector experiments that pull from his practice of appropriating educational, industrial and mass-cultural imagery. Decidely analogue, Bebee intentionally places the projectors and the projectionist (himself) in the room with the audience. His performances often incorporate archival material to build loose themes and visual synchronicity into accumulative, experimental documentaries pieces.

Program Details:
Strip Mall Trilogy (2001, 9:10, super8mm)
“The Strip Mall Trilogy” is a series of three city symphonies that attempt to liberate color, sound, and form from the sprawling consumerist landscape of postmodern America. Part 1, “Green Means Go,” presents fragments of color over a musique concrete soundtrack composed of sounds recorded at the strip mall. Part 2, “The Abecedaire,” wrestles (and later plays) with alphabetic form extracted and abstracted from the signs of commerce of which they are normally a part. Part 3, “X-formations,” tries to argue that there is, in fact, beauty after strip malls. Let’s hope so. Parts 1 and 3 were edited entirely in camera.

Famous Irish Americans (2003, 8:00, digital video)
Who’s your famous Irish American? Georgia O’Keefe? William McKinley? Sandra Day O’Connor? How about Shaquille O’Neal? This videotape is a secret history of some of our most overlooked Irish-American citizens; a hyperflat exploration of race, America, and the limits of binary thought.

Money Changes Everything (2009-2011, 5:00, 3x16mm)
Three days in Las Vegas, Nevada; three different visions of the discarded past and of the constantly renewed future. A three-part portrait of a town in transformation: a suburban utopia in the desert, a cancerous sprawl of unplanned development, a destination for suicides.

S A V E (2006, 5:15, 16mm)
A disused gas station offers a curious imperative to passersby: “SAVE.” A riddle posed in the form of architecture: what is there to save? One more installment in the history of Americans pointing their cameras at gas stations; an attempt to figure out something about where we’ve been, where we’re headed, and what’s been left behind. The first part of “S A V E” was edited entirely in camera.

(more…)



Filed under: 16mm, archival, documentary, experimental, film, found footage, performance, Super 8mm

OTHER PROVOCATIONS

A Benefit for Joe Gibbons

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Wednesday, February 25th at 7:00pm, $7-10
The Nightingale Cinema, 1084 N Milwaukee, Chicago, IL

Joe Gibbons, the brilliant, provocative video artist, was arrested on New Year’s Eve for bank robbery. The New York Post—all salacious details, condescending scare quotes and scandalous urgency—breathlessly reported the story but left out some of the best parts. The Nightingale Cinema, in solidarity with other cinemas across the country, is doing its small part to raise (among other things) awareness of Gibbons‘ fascinating work and his present predicament. We’ll be screening a range of his works, made both collaboratively and on his own. A pioneer in experimental autobiography(?), Gibbons‘ work—which has shown in contexts like the Whitney Biennial, MoMA and Rotterdam—often centers on Joe—an anxious, if genius, misanthrope. The work is risky and smart, disarmingly funny and constantly bumping up against its own consideration of truth.

Attend generously.



Filed under: experimental, Uncategorized, video

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