Producer Dan Schoenbrun, in person
Sunday, October 22 at 6 PM, $7-10
The Nightingale is proud to present THE EYESLICER, an independent variety TV series co-created by Dan Schoenbrun and Vanessa McDonnell. The show is a smorgasbord of boundary-pushing short-form work from the festival circuit and beyond, featuring 50+ short film favorites and newly commissioned and created works, combined into hour-long, themed mix tape episodes.
To celebrate the release of the ten-episode, ten-hour first season, co-creator Dan Schoenbrun is touring the country this Fall with “The Eyeslicer Roadshow”, a one-night-only live event featuring robot Q&As, communal milk and cookies, and an episode presented in special ‘Smell-O-Vision’.
The Eyeslicer premiered at the 2017 Tribeca Film Festival. It has been hailed as “one of the craziest TV shows you’ll ever see” (Indiewire) and “an insane variety show puree” (Entertainment Weekly). The show features work by David Lowery, Amy Seimetz, the Zellner Brothers, Shaka King, Calvin Reeder, Lauren Wolkstein, Yen Tan, Harrison Atkins, Zia Anger, Frances Bodomo, Nathan Silver, Brian Lonano, Borscht, Celia Rowlson Hall, Patrick Bresnan + Ivete Lucas, Ornana, Leah Shore, Jennifer Reeder, and many, many more.
Program Details: The Eyeslicer
Directed by Various.
(2017. USA, 118 min.)
The Nightingale presents ZERO, a project by Coleman Zurkowski.
ZERO is an exploration of the mental and physical effects of binaural/isochronic rhythms gradually slowing into silence and is a filmic companion to composer Coleman Zurkowski’s album of the same name.
Both united by and created for Zurkowski’s score, the film is comprised of chaptered shorts by Nick Edelberg, Kostas Chondros, Jodie Mack, Solomon Turner, Anthony Zakharia, Jimmy Schaus, Sofia Canales, Chris Wronka, and John Schmidt.
Zurkowski and contributing filmmaker Jimmy Schaus will be in attendance to introduce the film.The screening will open with a performance by Zurkowski as DJ VERSACI.
Total running time: 70 minutes
COLEMAN ZURKOWSKI is a composer and musician. He studied composition at DePaul University in Chicago, IL and continued his studies at the California Institute of the Arts in Los Angeles, CA. Zurkowski lives in New York City and composes music for film, television, and commercials, while releasing albums of his own work. In 2015, he was chosen to be the resident composer of the Khora Residency at the Syros International Film Festival. (http://colemanzurkowski.com)
Recent 16mm Films by Richard Tuohy and Dianna Barrie
Filmmakers in attendance!
The Nightingale Cinema, 1084 N. Milwaukee
Wednesday, March 15th, 7:00 pm, $7-10
Cinema was the first inescapably mechanical art. But in this post-mechanical age, the traditional apparatus of cinema has all to rapidly been deemed obsolete and primitive. Yet the handing over of industrial machinery to anti-industrial users represents one of the prime creative opportunities for re-appraising and re-interpreting the nature of ourselves as transformed by the age of machines.
Post mechanical age, the humanness of the machine can be made evident. Post mechanical age, machine craft is the new hand craft. The Nightingale welcomes Australian DIY cine experimentalists Richard Tuohy and Dianna Barrie to present this program of seven recent film works exploring the primitive apparatus of cinema and the relation between hand and machine.
Blue Line Chicago
2014, 10 minutes, 16mm
Architectural abstractions of the second city.
2014, 9 minutes, 16mm
The Ginza of fable and memory. This is the first film I have finished using the ‘chromaflex’ technique that we developed. This is a very much hands on color developing procedure that allows selected areas of the film to be colour positive, colour negative, or black and white.
2010, 6 minutes, 16mm, Dianna Barrie
‘L’, ‘U’ and ‘X’ shapes in an inner urban industrial suburb captured on regular 8mm as the old ‘Lux’ stove factory undergoes conversion into more apartments than the brain can comfortably imagine. The rise and fall of industry, the rise and rise of apartments in a seething, pulsating transition.
2016, 11 minutes, 16mm, Richard Tuohy and Dianna Barrie
Across the sea. Across the street. Cross processed super 8 footage of fraught neighbours Korea and Japan in grain focused enlargement.
Invention of the Wheel
2015, 14 minutes, 16mm, Richard Tuohy and Dianna Barrie
On man and machine. On the wheel upon which man turns and is turned. On ‘homo mechanicus’ – ‘machine man’. Pancoran
2017, 7 minutes, 16mm, Richard Tuohy and Dianna Barrie
Jakarta traffic moves with the harmonious chaos of complex self organising entities everywhere. Through contact printer matteing techniques this mass transport becomes denser and denser until only the fluid futility of motion/motionlessness remains.
Jakarta traffic stands as proof of the paradox of motion.
2016, 12 minutes, 16mm, Dianna Barrie and Richard Tuohy
Found in the (now lost) archive of Lab Laba Laba, footage from a trailer for the Indonesian film ‘Kereta Api Terakhir’ (The Last Train) melts into a soup of chemigrammed perforations.
A film made in seven cities, and none.
2011, 13 minutes, 16mm, Richard Tuohy
A movement study of a restless hand. Made from one five second shot. Sound constructed from an old French folk tune played on a hand cranked music box.
Inside the Machine
2016, 12 minutes, 3 x 16mm, Richard Tuohy and Dianna Barrie
Lines. Direct optical sound. An alarm from the past and the voice of the machine.
Richard Tuohy (b. 1969, Melbourne, Aus.) began making works on super 8 in the late nineteen eighties. After a brief hiatus from cinema (including formal study in philosophy for seven years) he returned to filmmaking in 2004. Since then he has created almost 40 films. His films have screened at venues including the Melbourne IFF, EMAF (Osnabruck), Rotterdam IFF, New York FF, Ann Arbor and Media City and he has toured Europe, North America and Asia presenting solo programs of his work. His films are typically highly structured and and have strongly formalist concerns. He is the proprietor of the artist-run film lab nanolab – the only lab for small gauge film in Australia. His works are firmly in the ‘hand-made’ film tradition. An advocate for the possibilities of hand made cinema, Tuohy has devoted much time and effort in sharing his knowledge through workshops and classes both in his native Australia (notably through the Artist Film Workshop in Melbourne of which he is the founder and convener) and internationally. He was also a co-founder of the AIEFF experimental film festival in Melbourne.
As a young person Dianna Barrie found her way into filmmaking as a middle ground between the pursuit of abstract music and philosophy. Ever pushing the limits of the hand processing of super 8 led to the establishment of nanolab with Richard Tuohy, and into the intersection of hand making and industrial cinema technology. This exploration has spread beyond individual work to the establishment of Artist Film Workshop, where celluloid is embraced and advocated by a community of practitioners in Melbourne.