1084 N MILWAUKEE, CHICAGO

Brent Coughenour

The Sick Sense (live a/v performance!)

Wednesday, April 1, 7 PM, $7-$10
Cancelled for now – check back for reschedule info

Building on research by Diana Deutsch, Alfred Bregman, Maryanne Amacher and others, The Sick Sense is an ongoing project exploring the limits of the perceptual system. These projects stimulate otoacoustic and flicker phenomena and auditory and visual hallucinations while searching for stimulus patterns that deactivate the brain’s default mode network, switching the brain into the role of ecstatic perceiver.

 

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The Sick Sense, part 2: The Seventh Sense (for Maryanne Amacher)
approx. 25 minutes
Wherein, while seeking the annihilation of the self at the boundaries of the perceptual system through a mechanism comprising grid patterns controlled by banks of sine waves, we discover otoacoustic and flicker phenomena—auditory and visual hallucinations which deactivate the brain’s default mode network (DMN), resulting in the ecstatic euphoria reserved for the beatific.

 

left/right/wrong (or, RGB and You and Me) – The Sick Sense, Part 3 (for Diana Deutsch)
approx. 15 minutes
Phasing, color blending modes and the verbal transformation effect combine to create a sensory overload spurring a variety of auditory and visual hallucinatory phenomena and depth illusions, a series of techniques clinically proven to have salutary effects on depression, schizophrenia, obsessive-compulsive disorder, chronophobia, and other maladies of the mind.

 

The Sick Sense 2020: The Year We Make Kontakte (Work-in-progress)
approx. 20 minutes
“During a sunny afternoon foray spent gamboling along the thresholds of flicker fusion and the auditory fusion frequency, I discovered, for the first time, ways to bring all properties [i.e., timbre, pitch, intensity, and duration] under a single control in order to create a total serialism of the mind, a sort of psychophysiological gesamtkunstwerk in which the fabric of time is rolled up like a rug, rotated, cut into sections, taken out of doors to be cleaned slice by slice, then reassembled into its previous totality and unrolled, once again seamlessly blanketing the surface of our conscious reality.” -Karlheinz Stockhausen

 

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Brent Coughenour is a media artist originally from the Motor City, currently based in the Golden State, whose most recent work incorporates computer programming for live manipulation of sound and image. He has presented his work at a variety of festivals and venues throughout the U.S. and internationally and is distributed by Video Data Bank.


Filed under: artist in attendance, expanded cinema, performance, Uncategorized, video

VIX: Pomegranates

VIX: virtual international exchange — brings together national and international artists to contemplate ideas of intimacy and queering spaces, places and gestures. The artists advance a more intergenerational, queer, & poc centered dialogue that introduce meditations on practices deeply rooted in performance, moving image, voyeurism, spectacle & theater.

Queer Blessings for Eid al-Adha
Programmed by Nabil

Nabil is an artist, creative organizer and experience
designer currently based in Chicago. Since 2014, they
have been organizing and curating performance
and new media works in collaboration with organizations
and artist run platforms such as MIX NYC and VIX.

Currently, Nabil is a programmer of
The Nightingale Cinema and
UX/UI Design Faculty at the Flatiron School.

Nabil’s works have been exhibited nationally and
internationally in museums, festivals and galleries;
including a solo exhibition at the
New Bedford Museum of Art (2018) and featured
in publications such as Phaidon’s Art and Queer Culture(2019),
Emergency Index Vol. 6&7, The Guardian,
The Washington Post and The Aerogram.



Filed under: artist in attendance, Asian, autobiography, black and brown, cityscape, collaboration, documentary, environmental, ethnography, expanded cinema, history, home movies, international, muslim, narrative, new media, performance, place, queer, social justic, south asian, urban

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