Preceded by Latham Zearfoss’s WHITE BALANCE
Saturday, June 15, 7 PM, $7-10 suggested donation – cash only
Artists in person!
The Nightingale is thrilled to welcome Lydia Moyer to screen her meditative collage-like critique of contemporary life, The Forcing, preceded by Latham Zearfoss’s similarly elucidative short work WHITE BALANCE.
The Forcing, 2018, 46 min
An insistent collage of images and sound that muddles the quiet detail of flora and fauna with the chaotic noise of mass upheaval, building tension through the offset of sound and image. Made in response to the turbulence of contemporary American life, acknowledging how much is experienced through screens. The Forcing asks viewers to ride the waves of the capitalocene, moving between original and existing materials toward an unheroic encounter with the beautiful and the terrifying. Boundaries between climate change and the struggle for social justice dissolve relying on the energy of sound to place them side-by-side on the cosmic continuum.
WHITE BALANCE, 2018, 9 min
This experimental documentary seeks out moments of cognitive dissonance around multifaceted, liberal ideas of whiteness. Further, it questions how power circulates as ideology, via material and immaterial means. Paired with an unnerving original score, the camera lands on episodic vignettes that unpack white identity as a socially constructed set of power relations, and the color white as an aesthetic experience ranging from humdrum to stunning to repulsive.
Lydia Moyer is a contemporary video and print artist who works primarily with themes of feminism, the environment, and history. She often appropriates existing materials and objects and blurs the premise of non-fiction. Her work has been featured a number of national and international exhibitions. Aside from her artwork, Moyer also works as an Associate Professor at the University of Virginia.
Latham Zearfoss works in Chicago, where they produce time-based images, objects and experiences about selfhood and otherness. Outside of the studio, they contribute to collective motions toward joy and reflection through social projects such as a queer dance party (Chances Dances), a critical space for white allyship (Make Yourself Useful), and an itinerant conference on socially-engaged art (Open Engagement). Latham graduated from The School of the Art Institute of Chicago with a BFA in 2008 and the University of Illinois at Chicago with an MFA in 2011. They have exhibited their work, screened their videos, and DJed internationally and all over the U.S.
Filed under: artist in attendance
small matters and cosmic scans from Nina Barnett + Jeremy Bolen, Deborah Stratman, Mike Gibisser and Semiconductor
Wednesday, September 19 at 8 PM, $7-10
The Beam plays like a science nonfiction road film–– following the largely invisible NOVA experiment path over 550 miles – from Illinois to Northern Minnesota – in search of something that’s everywhere: neutrinos, the tiny subatomic particles that fill our world, unbothered by matter or its related matters. Visually striking, enlightening but never didactic, first time collaborators Barnett and Bolen—draw out the poetics of seeking the unseeable, of trying to name and know the invisible bits that we share space with. In celebration of its world premiere, we’ve paired it with some other incredible films playing in the interstices of the scientific and poetic, dispensing with those classifications, but keen to understand the links between technologies of vision and visualization, the metaphors through which we understand the universe.
Nina Barnett + Jeremy Bolen — The Beam | 27 mins. | HD | color | sound | 2018
“They go through everything and they never stop.”
“There is no stop.”
“It just keeps going into the cosmos”
Mike Gibisser — Second Law: S Leh St. | 14 mins. | 16mm to HD | color | sound | 2010
The second of a four part series. The second law of thermodynamics, the law of entropy, states order tends toward disorder. An old woman passes time in her home. The dust in the air sometimes floats skyward.
Semiconductor — 20Hz | 5 mins. | HD | b+w | sound | 2011
20Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.
Deborah Stratman — …These Blazeing Starrs! | 14 mins. | 16mm to HD | b+w | sound | 2011
Since comets have been recorded, they’ve augured disaster: catastrophe, messiahs, upheaval and end times. A short film about these meteoric ice-cored fireballs and their historic ties to divination that combines imagery of 15th-18th century European broadsides with NASA Jet Propulsion Laboratory footage.
…These Blazeing Starrs! juxtaposes a modern empirical desire to probe and measure against older methods, when star gazers were translators, explicating the sky more intuitively for predictions of human folly. Comets are now understood as time capsules harboring elemental information about the formation of our solar system. Today we smash rockets into them to read spectral signatures. In a sense, they remain oracles – it’s just the manner of divining which has changed.
programmed by Jesse Malmed
Filed under: artist in attendance