1084 N MILWAUKEE, CHICAGO

The HARD EARTH

Filmmaker Sally Lawton in attendance!

The Nightingale Cinema, 1084 N. Milwaukee
Saturday, April 8th, 7:00 pm, $7-10

Join us for this special premiere screening of The Hard Earth, a feature documentary by Sally Lawton, preceded by The 51st Star, a short 16mm film by Ian Curry.

THE HARD EARTH is an experimental documentary charting the relationship of five Ukrainians and one Ukrainian American to the 2014 revolution and preceding war.

The film is shot over the central and western regions of Ukraine, immediately post-revolution. Six figures explain their relationship to previous and furthering events in their homes and towns. First the Euromaidan protests are discussed as a singular, illuminating event. After abstracted information, stories of the annexation of Crimea, war in the East, and the disillusionment of the USSR, reveal complex portraits.The director examines interpersonal relationships and how the making of the film impacts realizations. The guides and narrations take on specific forms, showing the miniature in global news stories. The elusive categorization of Ukraine, free and yet oppressed is framed by the difficulty and ease of documentation.

SALLY LAWTON is making film and video work in Chicago and grew up in Detroit. She owns Sincerely Productions which makes commercials for local businesses. She has done curatorial work with experimental film and documentary in Chicago. Her academic background is in film and nonprofit studies, graduating from DePaul University in 2013. Her interest in this project began after her friend, Maya Demianczuk, returned from the Euromaidan. Sally began filming interviews primarily for a public archiving project Maya began, which lead to traveling to Ukraine in summer 2015 and collecting material for the film.

IAN CURRY’s moving image work takes inspiration from the many genres within the 16mm format such as: silent, educational, experimental, avant garde, ethnographic, and documentary films. He combines formal strategies gleaned from celluloid’s history through experimentation to produce stunning imagery that embraces the feeling of a memory or reflection. His films use contact printing, multiple exposures, and in-camera editing or feature on the fly remixing with multiple projectors driving the audience down expanded cinema alley. Characterized by unique moments or observations, rushing energies of light, and striking rhythmic edits; concepts of film and performance are married into a raw celluloid trip with 16mm prints, projectors, and double system soundscapes.

 



Filed under: artist in attendance, documentary, documentation, experimental, film, geography, international, narrative, place, social justice, travel, video

UIC 2016 MFA Screenings 1 & 2

Works for the Screen by Graduating UIC MFAs
Co-Presented by UIC School of
Art & Art History

april5

The Nightingale Cinema, 1084 N. Milwaukee
Tuesday, April 5 & Thursday April 7, 7 pm, Free

 

Coinciding with the 2016 UIC MFA Thesis Exhibitions at Gallery 400, a series of works for the screen by graduating MFA students from the School of Art & Art History at University of Illinois at Chicago are presented at Nightingale Cinema.

 

APRIL 5 PROGRAM DETAILS
Wanderlust, Sara Condo (2015, 12 min, HD Video)
Wanderlust is a short experimental documentary centered around a woman who travels alone and contemporary notions of female hysteria, agriculture, and the dawning of the New Age.

Tissues, Jessica Pierotti (2015, 8 min, Video)
Tissues is a performative video work that addresses anxiety, control, absurdity, and an obsessive and sincere interest in attempting to understand the inside of a box of tissues.

Sponge/Mopping Up, Grace Cross (2015, 6 min, Video)
Sponge/Mopping Up is a performative feminist diptych video, that uses a magic domestic mop as paintbrush and hairdo; discussing issues of cultural appropriation and the intimacy of female micro-economies that persist under the radar.

A study, in the key of C, Rachel Glass (2015, 6 min, 16mm on video)

Make Your Own Metric, Aaron Walker (2016, 2 min, video)
Where does the creation of a work and its evaluation begin and end? We take a look.

Context Is Half The Work, Aaron Walker (2016, 2 min, video)
A slow pan reveals that things are exactly as they seem.

(more…)



Filed under: documentation, experimental, found footage, Free Screening!, new media, opening, queer, Uncategorized

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