1084 N MILWAUKEE, CHICAGO

INAATE/SE/

[it shines a certain way. to a
certain place/it flies. falls./]


Friday, September 22 at 8 PM, $7-10
Part of RUN OF LIFE
Experimental Documentary Series
Director Adam Khalil, in person!

 

History is written by the victors, but this film reminds us
 that the history of the oppressed can still be saved from being extinguished. Native American video artists Adam and Zack Khalil here reclaim the narrative of the Ojibway of Sault Ste. Marie, in Michigan’s Upper Peninsula, from the archives and museums that would confine it to the past. Using personal interviews, animated drawings, performance, and provocative intercutting, the Khalil brothers’ feature debut makes a bold case for the Ojibway people to be their own storytellers—while seeking a cure for the damage inflicted by colonization—in a spiritual reconnection with tradition.

Read an interview with the makers here.

Program Details:
INAATE/SE/[it shines a certain way. to a
certain place/it flies. falls./]
Directed by Adam Khalil, Zack Khalil.
(2016. USA/Canada, 75 min.)

Adam Shingwak Khalil (Ojibway) is a filmmaker and artist. His practice attempts to subvert traditional forms of ethnography through humor, relation, and transgression. Adam’s work has been exhibited at UnionDocs, e-flux, Maysles Cinema, Microscope Gallery (New York), Museo ExTeresa Arte Actual (Mexico City), Spektrum (Berlin), Trailer Gallery (Sweden), Carnival of eCreativity (Bombay), and Fine Art Film Festival Szolnok (Hungary). Khalil is a UnionDocs Collaborative Fellow and Gates Millennium Scholar. In 2011 he graduated from the Film and Electronic Arts program at Bard College.

Zack Khalil (Ojibway) is a filmmaker and artist from Sault Ste. Marie, Michigan, currently based in Brooklyn, NY. His work often explores an indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms. He recently completed a B.A. at Bard College in the Film and Electronic Arts Department, and is a UnionDocs Collaborative Fellow and Gates Millennium Scholar.

 

 



Filed under: animation, artist in attendance, collaboration, documentary, experimental, geography, history, home movies, landscape, narrative, rural, social justice, Uncategorized

BATHTUB SONGS:

And Other Extracurricular Activities

Saturday, September 16 at 7 PM, $7-10
Greg Scott and Zack Ostrowski in attendance!

 

BATHTUB SONGS: and Other Extracurricular Activities” follows song-and-dance man Beverly Fresh to the annual Turkey Trot festival in the southern Indiana town of Montgomery. The film examines the rural cultural rituals and events of small Midwestern towns and investigates the sense of restlessness that hangs in the region. Beverly meets with Dar-L and the Pork Chop Boys and sets out to ease their desperation. He comes across a demolition derby driver, traveling salesmen, banjo player and other kindred spirits wandering nervous and lookin’ for something else.

BATHTUB SONGS, a project of Sawbuck Productions, Inc and WILD AMERICAN DOGS, blurs the lines that demarcate observational documentary and narrative nonfiction. In a traditional documentary manner, Bathtub Songs chronicles actual events of the festival and highlights local history and attractions. This factual presentation mingles with a fictional narrative arc. The unfolding of the film’s narrative arc hinges on the film questioning the actuality of its own material and narrative structure. Bathtub Songs presents a stylized portrait of the town by combining traditional documentation, local folkore, participatory performances, and fabricated narrative, resulting in both a recognizable impression and an entirely new understanding of the rural American Midwest.

Program Details:
BATHTUB SONGS: and Other Extracurricular Activities
2015, digital video, 110 minutes
Directed by Greg Scott
Written by Greg Scott and Zack Ostrowski

Immediately following the film there is a Q & A with the Greg Scott and Zack Ostrowski.

Sawbuck Productions, Inc. is a not-for-profit charitable organization 501(c3) that creates and distributes multiple media geared toward documenting the people, places, and things that operate on the fringes, often featuring  projects that challenge mass media representations of drugs and addiction. Most of Sawbuck’s non-fiction films deal directly or indirectly with the lives of heroin users, crack smokers, sex workers, drug dealers, unhoused persons, and others who operate on the margins. Now approaching its 10th anniversary, Sawbuck has produced several dozen short documentaries and a half-dozen feature-length pictures.  Their public radio documentary “Brickyard” has garnered several national and local awards for journalism.  Most of Sawbuck’s narrative film work is experimental, weird, and focused on the peripheries-  movies made out on the backroads of the rural American midwest.

THE WILD AMERICAN DOGS (Greg Scott & Beverly Fresh) are an interdisciplinary art duo focused on producing experimental films and performance.

Programmed by Sara Holwerda



Filed under: documentary, experimental, music, Uncategorized

THE TUBA THIEVES

Director, Alison O’Daniel, in attendance!

The Nightingale, 1084 N. Milwaukee
Friday, August 18, 8 PM, $ 7-10

The Nightingale is thrilled to present a screening of Los Angeles artist Alison O’Daniel’s The Tuba Thieves. O’Daniel’s long-term film project The Tuba Thieves, made in the wake of tuba robberies from Los Angeles schools, elliptically connects the story of a deaf drummer to the students, band directors, and school communities who must reconcile with missing sound following the thefts. The film is composed of portraits of music and silence in Los Angeles and beyond, and is interrupted by fictionalized re-enactments of two historic concerts: the 1952 premiere of John Cage’s 4’33” at the Maverick Concert Hall in Woodstock, NY and a 1979 punk concert hosted by Bruce Conner at The Deaf Club in San Francisco.

Reversing the typical process wherein a composer responds to filmic imagery, O’Daniel commissioned musical scores by three composers and worked ‘backwards”, accumulating a narrative through a process of deep listening. First-hand accounts and real life details from collaborations with students, musicians, composers, and actors are continuously altering the narrative, which is filmed in segments over time, eventually forming a feature length film. Featuring scores by Ethan Frederick Greene, Christine Sun Kim and Steve Roden.

Total running time: 52 minutes

Poster by Caroline Walp

ALISON O’DANIEL is a visual artist working across film, sculpture, performance and music, inviting audiences and collaborators to navigate, de-construct and re-imagine sound. Her current project The Tuba Thieves is composed of narrative film, performance and sculptures based on commissioned musical scores made in response to an epidemic of tuba thefts occurring in Los Angeles high schools.

She has presented solo exhibitions at Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France and performances at the Hammer Museum, Knockdown Center, and Art Los Angeles Contemporary. She received a BFA in Fibers and Material Studies from the Cleveland Institute of Art, a Post-graduate Diploma of Fine Art from Goldsmiths College, University of London, and a MFA in Studio Art from UC Irvine, CA.



Filed under: artist in attendance, documentary, music, narrative, Uncategorized, video

CHICAGOLAND SHORTS: VOL. 3

Recent Moving Image Work from Chicago

GIANTS ARE SLEEPING by Amanda Gutierrez

The Nightingale, 1084 N. Milwaukee
Thursday, July 27, 7:30 pm, $7-10

Chicagoland Shorts celebrates the new wave of independent cinema in Chicago. Vol. 3 champions work by underrepresented filmmakers and combines experimental genres into one seamless anthology.

Program Details:
ZWISCHEN
Lori Felker
ZWISCHEN (“between” in German) exists on the thin line between opposing forces. Dirt moves over light to a hand-drawn soundtrack of noise and space. 3min, 2006.

BLOKD
Martin Mulcahy
Through the voices and tools of his great grandfather, an early avant-garde filmmaker, a man explores the world as if we are living inside a movie set. 5min, 2016.

YO NO SOY ESA
Diana Delgado Pineda
On an ordinary winter afternoon, a mother does laundry and her daughter puts her clothes away. What could happen when Mom isn’t looking? 6min, 2014.

(more…)



Filed under: animation, architecture, archival, artist in attendance, Asian, documentary, experimental, new media

STOM SOGO

PS When You Thought You Are Going To Die

The Nightingale Cinema, 1084 N. Milwaukee
Friday, June 30th, 7:30 pm, $7-10

“[A] movie’s reality should be as nasty and fucked up as possible, so we want to get fuck out of the theater and hope for something better in life…. I try not to have a message or even word in my movie. But I usually have some sick stories behind each of the movies. Those are just mental eye candy that it taste sweet first, seizure second.” – Stom Sogo

The Nightingale is pleased to present another tribute to Stom Sogo on the day before he died. A special thanks goes to Anthology Film Archives, John Klacsmann, Karen Johannesen and the following for their kind words and continued support of such an incredible, unstoppable force.

“A dynamo whose thunderous potential was cut short by his premature death, Japanese moving-image artist Stom Sogo (1975-2012) remains a romantic rebel if ever there was one. For over two decades he created a hair-raising body of aggressively beautiful films and videos. His distinctive, psychically charged work revels in optic and aural jolts just as much as it attempts a sincere connection with the viewer. While he mastered numerous approaches, his primary technique involved heavy amounts of re-photography, a process that allowed him to fashion multiple electrified layers of strobing imagery. Other pieces demonstrate his uncanny editing prowess in their startling juxtaposition of home movies with materials taken from an expansive array of unlikely sources.” – Andrew Lampert

“Total anarchy, pushing the limits, going out/within further and further, marveling at all the beauties and laughing at all the absurdities. To me this is what Stom was all about at all times.” – Raha Raissnia

“The films of Stom Sogo are incantatory and self combustible. An erratic master of low tech do-it-yourself sortilege, he puts his works through seemingly perpetual remakes.” – Mark McElhatten

“Stom was both cunning and tender, even now I use him to measure imposters. He certainly laughed at the solemnity with which the courtiers behave. He always wanted more, again.” – Albert Herter

 

Program Details:

SILVERPLAY, 2002, video, 16m
Song for TV, 2002, video, 4m
YA PRIVATE SKY, 2001, S8mm/video, 3.5m
SLOW DEATH, 2000, S8mm to video, 16m
PERIODICAL EFFECT, 2001, S8mm/video, 10m
REPEAT, 2006, video, 9.5m
PS WHEN YOU THOUGHT YOU ARE GOING TO DIE, 2003, video, 14m

 

STOM SOGO was born in 1975 and moved to the United States in 1992. He graduated with a BA in art and film from Hunter College, New York, in 2000. Sogo started Open Screenings at Anthology Film Archives in 1995, inspiring a whole crew of filmmakers. His Super8 films and video works have screened at various festivals and exhibitions including Rotterdam Film Festival; the Whitney Biennale; Lincoln Center, MoMA, Light Industry, Union Docs, Chicago Filmmakers, Image Forum (Tokyo), Microscope, and many others.

 

Films/videos courtesy of Anthology Film Archives, New York

Programmed by Lorenzo Gattorna



Filed under: archival, Asian, autobiography, cityscape, documentary, experimental, film, found footage, home movies, international, landscape, music, place, re-photography, rural, sound, Super 8mm, travel, Uncategorized, urban, video

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