Videos by Jessie Stead
Saturday, January 3, 2015 at 8:00 pm, $7-10
Video chat Q & A with Jessie following the screening!
Chicago premiere of Meanwhile At The Moon Hotel!
Return to the Moon Hotel: a selection of recent solo and collaborative cinema works by Jessie Stead, including Page 59, Ambient Whiskey Slap, and the Chicago premiere of Meanwhile at the Moon Hotel, from the Nocturnes episodics: “A reverie in 10 overlapping Meanwhiles at a downloaded lunar hotel…”
BIO: Jessie Stead is a New York based artist working with installation, cinema, music, collaboration and other overlapping disciplines.
Filed under: artist in attendance
, new media
RUN OF LIFE Experimental
Documentary Series Sidebar
Post Screening Discussion
with Jeanne Galatzer-Levy of the JANE Collective
Friday, January 9th at 7:00 pm, $10
The Nightingale is delighted to present the Chicago premiere of the new documentary VESSEL. Dr. Rebecca Gomperts sails a ship around the world, providing abortions at sea for women with no legal alternative. Her idea begins as flawed spectacle, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca realizes she can use new technologies to bypass law – and train women to give themselves abortions using WHO-researched protocols with pills.
From there we witness her create an underground network of emboldened, informed activists who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who hears and answers a calling, and transforms a wildly improbable idea into a global movement.
Dir. Diana Whitten // 88:00 // USA // 2014 // HD Video
Preceeded by a reading from
JANE: Documents From Chicago’s Clandestine Abortion Service 1968-1973
Post Screening Discussion with Jeanne Galatzer-Levy of the JANE Collective
The first 40 ticket holders will receive a free copy of JANE: purchased from Microcosm Publishing in Portland, OR.
Filed under: documentary
RUN OF LIFE Experimental
Screening at Constellation
(3111 N. Western Ave.)
Monday, December 15th at 7:00pm
Featuring storyteller, Katie Williams
Q&A with funerary artist and researcher, Kelly Christian
$8 in advance /$10 at the door
Purchase tickets here.
DRESS REHEARSAL FOR UTOPIA
Dir. Andrés Duque // 75 min // 2012
Experimental documentary-maker Andrés Duque travels to Mozambique to look for old footage that had been made there. But when it becomes apparent that his elderly father is seriously ill, he returns to his homeland of Venezuela. As his father lies dying in a hospital room in Venezuela, the filmmaker’s thoughts travel to Mozambique. Images of dance and revolution – some retrieved from archival footage, some newly shot – conjure up a spectral alternate reality where human figures take part in a cascade of excited movements. A commentary on the finiteness of life, Dress Rehersal for Utopia emanates a personal collage in which feelings transcend- part experimental travelogue, part political statement. A gentle rustling links the different images, their origins and significance together.
Katie Williams recording an excerpt of
THE YEAR OF MAGICAL THINKING by Joan Didion
(script for stage, 2007)
Andrés Duque is a Spanish-Venezuelan filmmaker. studied journalism in his homeland before moving to Spain for a master’s degree in creative documentary at the Universidad Autónoma de Barcelona. He now works as a filmmaker, film programmer and teacher.He is best known for his 2004 film “Ivan Z”, a portrait of the cult filmmaker Ivan Zulueta, which participated in dozens of international film festivals and received a Goya Award nomination. In 2011, he made his first feature film debut with COLOR RUNAWAY DOG. The film premiered at the International Film Festival Rotterdam and won the Audience Award at Punto de Vista International Documentary Film Festival. He was a featured artist at 2012 Flaherty Film Seminar and in 2013 he won the City of Barcelona Award for DRESS REHEARSAL FOR UTOPIA.
Katie Williams is one half of Patchwork Farms, an urban farm in Chicago, founded and operated by herself and Molly Medhurst. She is a storyteller and rugby player. Her thoughtful Bruce Springsteen cover band, Miss Bossy and The D Street Band recently played the Indianapolis Museum of Contemporary Art. They hope to play more museums and maybe weddings.
Kelly Christian is a Chicago-based researcher, writer, and artist. Her most recent work explores postmortem and funerary photography. Kelly photographed military funerals in Maine during the height of the Iraq War and created her own new media-Daguerreotypes. She has presented her work at conferences and galleries across the country on postmortem photography, embalming, and “corpse-as-culture.”
Filed under: documentary
, found footage
A Commemorative Program
Monday, December 1st at 7:00pm, $5
In commemoration of the 25th anniversary of Day With(out) Art on World AIDS Day (December 1, 2014), The Nightingale is pleased to showcase Visual AIDS’ program of newly commissioned short videos by Rhys Ernst, Glen Fogel, Lyle Ashton Harris, Hi Tiger/Derek Jackson, Tom Kalin, My Barbarian, and Julie Tolentino.
“ALTERNATE ENDINGS utilizes the medium of video to highlight diverse voices that bring together charged moments, memories and personal perspectives amidst the public history of AIDS. These seven short videos intersect at a crossroads in which the artists position themselves during the present moment of HIV/AIDS cultural production: looking back at the historic past as they envision divergent narratives and possibilities for the future, because AIDS IS NOT OVER.” (Visual AIDS)Select information on the commissioned videos:
Tom Kalin, Ashes, 2014
For the 25th Anniversary of Day Without Art, Tom Kalin photographed thousands of high resolution still images and “stitched” them into a moving image. While borrowing library books for research on another project, Kalin discovered, glued to the endpapers, ordinary “due date” ledgers stamped with dates spanning three decades. Inspired by these tiny ledgers—like skin or palimpsests that recorded an analogue history, an accumulation of many gestures—Kalin combines quotidian pictures snatched from his daily life with an evocative musical track by ongoing collaborator Doveman (Thomas Bartlett). The film layers dates and moments from Kalin’s personal world with the public and global history of AIDS.
My Barbarian, Counterpublicity, Hd video, 2014, Shot in LA at My Barbarian Studios
My Barbarian’s Counterpublicity is a staged video performance based on an essay about Pedro Zamora, AIDS activist and star of the Real World: San Francisco, written by José Esteban Muñoz in his book, Disidentifications. The three members of My Barbarian re-perform scenes from The Real World in an alienated style, resisting the affect of “reality tv” even as they interrogate its politics, contrasting these scenes with the embodied performance of 90s-inspired music videos, with lyrics adapted from Muñoz’s theory of Queer counterpublic spheres that operate against the dominance of racism and homophobia.
Hi Tiger, The Village, 2014, Digital video, Directed by Derek Jackson, Shot by Rollin Leonard
Hi Tiger, the Portland, Maine based art-punk band fronted by visual artist and performer Derek Jackson, recreates the song “The Village” by New Order. Originally, New Order recorded the song as an upbeat new wave tune in 1982. With Hi Tiger’s re-imagining some 30 years later, The Village becomes a torch song that meditates on themes of love and loss, complicity and defiance. In the context of HIV and AIDS, the song becomes a love letter to those that have passed and a call to arms for the ones who remain.
Julie Tolentino, evidence, 2014 (Special thanks to Abigail Severance & Juvenal Cisneros)
In evidence, Julie Tolentino’s naked, moving body articulates backward on her hands and knees, balancing a cluster of Asian medicine cups. Her self-made sound piece initiates the video with a queer list of loved ones living and lost, recognizable or not, as both invocation and provocation of individuals who deeply shifted her perspective. As the listed names blur and are archived in Tolentino’s body, evidence opens up to the list’s potency through a female, brown, artist/activist body in the unseen yet held spaces of relationship, memory, sex and loss.
More info at www.visualaids.org
Filed under: archival