1084 N MILWAUKEE, CHICAGO

ASIDES + BESIDES 2

Video Artists Remixing Artist Videos

Wednesday, November 15 at 8 PM, $7-10

A screening of video artists remixing artist videos, drawing into focus our own (often productive) sloppiness in the language surrounding artistic production that includes the work of others. In this case, these works are less interested in (though not opposed to) ideas like détournement, appropriation, reenactment, “found” footage, glitch, covers, samples, collage, etc. than to how we can apply the thinking behind the music industry’s idea of the remix into the contexts and histories of experimental film, video art and critical cinema.

Think: the extended remix, the dub remix, the club remix, the dirty remix, the radio remix, the house remix, the porch remix, the czech remix, the lights on remix. Serious is fun, fun is serious.

Seat dancing allowed. Fresh looks assumed.

Works by: Lori Felker, Nellie Kluz, Hale Ekinci, Coorain Devin, A.J. McClenon and Chris Little.

Doors at 7:30, screening at 8:00



Filed under: artist in attendance, dance, experimental, found footage, video

MOVEMENT MATERIAL

Camera/Dance Works by Jeremy Moss & Pamela Vail
Artists in Attendance!

chroma

The Nightingale Cinema, 1084 N. Milwaukee
Wednesday, December 7th, 7 pm, $7-10

The Nightingale welcomes Jeremy Moss and Pamela Vail to present a 60-minute program of video, 16mm projection, and live performance that highlights transfigurative gestures via the collision of camera and dance. This program explores the roles and functions of both the cinematographer (Jeremy Moss) and the dancer (Pamela Vail) while engaging questions of space, movement, and the ways in which the frame and the cut create alternate walls and rhythms. The progression of this camera/dance collaboration has led the artists to pointedly examine equality, balance, interactivity, and reciprocity between both forms.

Jeremy Moss and Pamela Vail have been actively collaborating since the fall of 2008 and their collective films and videos have shown at prominent national and international festivals including Experiments in Cinema, Crossroads in San Francisco, Cucalorus, Next Dance Cinema, Cinedans in Amsterdam, Arkipel in Jakarta, and at renowned North American venues such as the Northwest Film Forum, San Francisco Cinematheque, Vox Populi in Philadelphia, and Echo Park Film Center.

Their non-narrative visual explorations investigate and present the singular moving body via structural camera and rhythmic editing. Both durational and intense, phrasing of movement and cutting range from assaulting and severe to meditative and lulling. Through this program, the artists ask: how do/can camera and movement inform the other, and offer new possibilities without favoring one over the other? Can the camera act as a dynamic partner, more than simply a new “stage” or documenting device for the dancer? Can the dancer be more than a subject embedded within the frame and altered by the cut? What is the role of location when considering the duet between dancer and camera? How can the dance film continue the early investigations of camera and movement radically propelled by Maya Deren in the twentieth century.

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Filed under: 16mm, artist in attendance, collaboration, dance, experimental, hand-processing, landscape, music, performance, place, rural, sound, Uncategorized, video