Multi-media Documentary Project
by Matt Peterson & Malek Rasamny
Artists in attendance!
Tuesday, October 16 at 7pm, $7-10
The Native and the Refugee is a multimedia documentary project by Matt Peterson and Malek Rasamny that profiles the Palestinian and Native American experience by examining the infrastructure, politics, and geography of American Indian reservations alongside Palestinian refugee camps. In connecting these two spaces, the goals of the project are to understand the centrality of the question of land and territory for any conception of autonomy; to look at the camp as an “extra-national” space with all the contradictions entailed; and to meet with those getting organized politically in these places to understand their communal concerns.
The History of the Camp (2015, 10 minutes)
Indian Winter (2017, 26 minutes)
Black Mesa (2018, 10 minutes)
The Native and the Refugee has been presented in Canada, Ecuador, England, France, Guatemala, Jordan, Lebanon, Palestine, Portugal, Quebec, and Syria, including within refugee camps and reservations, and at other venues including cinemas, community centers, galleries, and universities.
Matt Peterson co-directed the documentary features Scenes from a Revolt Sustained (2014), on the Tunisian insurrection, and Spaces of Exception (2018). He was a member of the collectives Red Channels and the 16 Beaver Group, and is currently part of a commune in New York called Woodbine. His films and videos have screened at Anthology Film Archives, e-flux, Eyebeam, the Film Society of Lincoln Center, Indiana University, International House Philadelphia, Millennium Film Workshop, and MoMA PS1. He has spoken and organized events at Artists Television Access, BAMcinematek, Centre Pompidou, DCTV, dOCUMENTA 13, Goethe-Institut, Interference Archive, Light Industry, Maysles Cinema, the New School, School of the Art Institute of Chicago, SculptureCenter, and UnionDocs.
Malek Rasamny is a researcher and filmmaker based in both New York and Beirut whose writings have been published in The Daily Star and Fuse. He’s worked at the Maysles Documentary Center, and was a founding member of the LERFE space in Harlem, the Ground Floor Collective, and Red Channels. He is a regular speaker at the Afikra international monthly series on Arab history and culture, and has presented on his travels to Kurdish Iraq and Syria at Interference Archive, Ta Marbouta in Beirut, and La Passe in Montreal. He has organized a series of meetings and fora in support of the Syrian revolution at Columbia University. He is currently working on a research project surrounding Druze sovereignty in Lebanon, Syria, and Israel, and has presented at the conferences of the American Druze Society.
Programmed by Christy LeMaster & Matt Peterson
Filed under: artist in attendance
, social justice
small matters and cosmic scans from Nina Barnett + Jeremy Bolen, Deborah Stratman, Mike Gibisser and Semiconductor
Wednesday, September 19 at 8 PM, $7-10
The Beam plays like a science nonfiction road film–– following the largely invisible NOVA experiment path over 550 miles – from Illinois to Northern Minnesota – in search of something that’s everywhere: neutrinos, the tiny subatomic particles that fill our world, unbothered by matter or its related matters. Visually striking, enlightening but never didactic, first time collaborators Barnett and Bolen—draw out the poetics of seeking the unseeable, of trying to name and know the invisible bits that we share space with. In celebration of its world premiere, we’ve paired it with some other incredible films playing in the interstices of the scientific and poetic, dispensing with those classifications, but keen to understand the links between technologies of vision and visualization, the metaphors through which we understand the universe.
Nina Barnett + Jeremy Bolen — The Beam | 27 mins. | HD | color | sound | 2018
“They go through everything and they never stop.”
“There is no stop.”
“It just keeps going into the cosmos”
Mike Gibisser — Second Law: S Leh St. | 14 mins. | 16mm to HD | color | sound | 2010
The second of a four part series. The second law of thermodynamics, the law of entropy, states order tends toward disorder. An old woman passes time in her home. The dust in the air sometimes floats skyward.
Semiconductor — 20Hz | 5 mins. | HD | b+w | sound | 2011
20Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.
Deborah Stratman — …These Blazeing Starrs! | 14 mins. | 16mm to HD | b+w | sound | 2011
Since comets have been recorded, they’ve augured disaster: catastrophe, messiahs, upheaval and end times. A short film about these meteoric ice-cored fireballs and their historic ties to divination that combines imagery of 15th-18th century European broadsides with NASA Jet Propulsion Laboratory footage.
…These Blazeing Starrs! juxtaposes a modern empirical desire to probe and measure against older methods, when star gazers were translators, explicating the sky more intuitively for predictions of human folly. Comets are now understood as time capsules harboring elemental information about the formation of our solar system. Today we smash rockets into them to read spectral signatures. In a sense, they remain oracles – it’s just the manner of divining which has changed.
programmed by Jesse Malmed
Filed under: artist in attendance
New Documentary by Lisa Truttman
Friday, August 10 at 8 PM, $7-10
The point of departure for Lisa Truttmann’s feature film Tarpaulins was a colorful disturbance on the cityscape of Los Angeles: a home in the distance festooned with a giant striped tarp. These are termite fumigation tents. The filmmaker follows their story on a two-year long investigation as she hunts down the tents, the homes, the termites inside and their traces. As the film goes on, the termites soon become our allies, guiding us through Los Angeles’ neighborhoods on their own terms. Questions of life and death, profit and loss, home and un-home, macrocosm and microcosm are brought to the fore in pursuit of the city’s tiniest inhabitants and their exterminators. The tents become temporary sculptures, beasts heaving in the wind, skeletons dressed and stripped by workers we see. Wooden structures, soon to be homes, become eroded landscapes after an attack. And there, underneath the colorful mantle and its function, Truttmann elicits revelations of the uncanny.
In a constant dialogue we hear the voices of workers, exterminators, entomologists, chemists, city planners, fellow travellers and literary authors. Contemplation is thrown into a zig-zag while an alter ego questions its own ideas and their making. Little by little the visual, political, social and economic relations of humans and nature unfold, anchored in a personal itinerary that is the framework for everything else to follow. As an essay film, Tarpaulins is a subjective view on a place and a circuitous conversation, embracing “unkempt activity”, restless labor, meandering thoughts and obsessive wanderings.
Austria/USA, 2017, 78 min.
Companions: Nora Sweeney, Behrouz Rae, Sonja Bertucci, Andy Rector, Ben Neufeld, a.o.
Supported by: BKA, Land Niederösterreich, Stadt Wien, CalArts
Filed under: artist in attendance