Friday, August 2nd, 7 PM, $5-10 suggested donation – cash only
FLEEGIX is a science-fiction film set on Earth, although some of the population have become convinced that they are in fact living on the planet Mars.
The film investigates the nature of belief systems which overlap, co-exist, and create conflict in any human society.
Its subject is the nature of reality. It takes place in a recognizeable world of parks, parking lots, gas stations and video stores, which makes the episodes stranger and more tangible. It does not create a fantasy world: the extraordinary is mapped onto a recognizable landscape.
The film is inspired by and loosely adapted from on a Young Adult novel by Daniel Pinkwater, Alan Mendelsohn, the Boy From Mars, in which alienated high school students Leonard and Alan escape boredom through developing telepathic powers and learn to travel to other dimensions overlapping their own. I have received permission from the author to make a film that is a creative interpretation of his book.
The film was shot on color 16mm and includes both live action, stop motion and hand drawn animated segments. The appearance of animation in the narrative is to illustrate propaganda, such as depictions of newsworthy events on Mars.
This film is an organism that grows and continues to develop a web of connected motifs and ideas.
FLEEGIX is constructed through the accumulation of short scenes that echo and lead into each other, making connections across time and space. It is a a “Situationist Fairy story” …, a non-linear narrative that is based around a series of surprising images, that nonetheless describes an entire world.
At the heart of the film is the question as to how Fleegix (a beverage enjoyed by Martians) is manufactured.The film details further conflict among New York “Potato-Eyed” Martians who express themselves in animated movement, and the Hand Shadow Punks of Baltimore, who represent a pre-cinematic faction.
The film proposes various absurd answers to this question, and the dispute takes on symbolic and mythological proportions.
Programmed by Nabil
Filed under: 16mm
, artist in attendance
, expanded cinema
, new media
Karl Hess in the World of Ideas
Tuesday, November 6 at 8 PM (doors 7:30), $7-10
Directed by Daniel Tucker
Edited by Valerie Keller
Music by Theo Katsaounis, Tim Kinsella and Todd Mattei
60 minutes, video, 2018
Local Control is an experimental documentary about the political spectrum.
It has been said repeatedly that “All Politics Are Local” but what does the impulse towards controlling your own life at the local level mean to people as diverse as Jeffersonian Yeoman, Climate Change activists, Fair food advocates, anarcho-capitalists and Republican speechwriters? Is local on the scale of the body, the neighborhood, or the nation?
Local Control uses the story of writer Karl Hess to propose a field of interaction between Ayn Rand, Emma Goldman, Rush Limbaugh, Abby Hoffman, Studs Terkel, Benito Mussolini, Ken Kesey, Robert Heinlein, Bob Dylan and The Black Panther Party. A former corporate consultant and speechwriter for Barry Goldwater, Karl Hess later joined the ranks of Students for a Democratic Society. He wrote speeches for New Left groups of the 1960s before beginning to advocate for urban agriculture and community technology, and later becoming a founding figure amongst Libertarians and survivalists. Throughout it all he promoted ideas of self-sufficiency and localism.
Traveling from Washington DC to Los Angeles and across over 50 years, this video essay introduces Hess’ family and interviews with political authors Cindy Milstein, Charles Murray, Raj Patel and Rick Perlstein, and is also interspersed with clips from mainstream news outlets, online personalities and Hess devotees.
In a time where our map of ideas has been turned on its head, this mediation on individualism and collectivism considers conventional categories of Right and Left while introducing surprising new ones to help us to consider where we are now.
Daniel Tucker works as an artist, writer and curator developing documentaries, publications, exhibitions and events inspired by his interest in social movements and the people and places from which they emerge. In 2015 Tucker completed his first feature-length video essay Future Perfect: Time Capsules in Reagan Country and has recently completed a followup video Local Control: Karl Hess in the World of Ideas (2018). His short video Retooling Dissent (2002) was screened widely and his writings and projects have been distributed, published and exhibited widely. He earned his MFA from University of Illinois at Chicago and BFA from the School of the Art Institute of Chicago. He is currently an Assistant Professor and founding Graduate Program Director in Socially-Engaged Art at Moore College of Art & Design in Philadelphia. miscprojects.com
programmed by Jesse Malmed
Filed under: anarchy
, artist in attendance
, social justice