Saturday, June 2nd, 2018 at 7 pm, $7-$10
Another Perfect is a screening of three trans / non-binary artists summoning a time and space in which queerness is unbound. This is not fantasy – the works are glimpses into other-times and other-spaces, unclaimed then’s and there’s wherein bodies run free. Transhood is an anachronism to any understanding of selfhood; our day-to-day is marred by the burden of binary structures, asking us to be “yes” or “no,” “on” or “off,” “this” or “that” — Another Perfect recognizes transhood as a space (and time) of potential, released from the carnal metrics of today.
This event was curated by Luis Mejico, F4F’s 6th and final artist of the inaugural season of RESIDE. F4F is a domestic venue based in Little Village, Chicago. We cultivate a Femme community, center Blackness, and we expand upon understandings of what a domestic space can be. RESIDE is a five-month series of programs featuring five of Chicago’s most innovative emerging artists, all of whom happen to be native Chicagoans. Each month is dedicated to an individual artist’s visions and passions. F4F provides RESIDE artists an avenue to engage in creative practice and community-building through artist-led, and neighborhood driven making.
Mejico’s practice gives form to trans anxieties and excitations. Through video, performance, and fiber works, she exposes the complexities and absurdities of a body undefinable. The work largely addresses the trans body’s confusion and opposition toward itself, and communicates an ambivalence to the carnal experience of transhood. This and other frustrations are addressed through works that are often humorous, displaying a sense of sarcasm in pithy bursts that replicate the jarring feeling of thinking of one’s body as only a semblance of truth. Mejico’s practice collapses real and unreal realms to produce uncomfortable and alluring half-truths.
Wayne P. Tate Jr. (they/them) makes several works in the vein of an elaborate soul-seeking process. Through comics, videos, and even explorations of video games, they’re attempting to ask intimate questions about the way they exist within rigid systems of gender, race, sexuality, and ability.
Often in flux, Wayne made The Ghost Who Carries Me about the ongoing difficult relationship they’ve built with their depression, in attempt to coherently communicate the way their depression has been both an ally and an enemy.
How to Settle In between Spaces: a speculative supposition on safety practices, Mac Do
Untitled (Little Happy Terrors), Luis Mejico
The Ghost Who Carries Me, Wayne P. Tate Jr.
Filed under: artist in attendance, experimental, queer, video